Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
My grouse shooting days are now past. Increasing years and rheumatic muscles remind me that I have had my time, and a very good time too, so now let younger men take my place and profit by my experience, if it should so please them. Let us look back on grouse shooting twenty-six years ago. Scotland, so far as regards the sporting of the far north, was then almost a terra incognita. Railways ended at Inverness, and to get there needed a journey to Aberdeen, and from there by the slowest of slow railways, but quick enough-life was not run at so fast a pace as now. The more remote districts of the north and west of Scotland were as unknown as the wilds of Labrador. Previous to that time grouse shooting was for the few; we were content with our English shootings, and very nice and pleasant they were. Every farmer, if the shooting was in his take, preserved his game; he shot it or he let it. The stubbles were long and full of weeds, the old pastures full of feg, and there was plenty of clover, but turnips not so much grown as now, excepting in the eastern counties, about which I know very little, the hedges and ditches not kept clean as they are now.
In the nineteenth century, the ancient ‘filial tie’ between Britain and Norway was rediscovered by a booming tourist industry which took thousands across the North Sea to see the wonders of the fjords, the fjelds, and the beauties of the North Cape. This illustrated volume, for the first time, collects together vivid – and predominantly first-hand – impressions of the country recorded by nearly two hundred British travellers and other commentators, including Thomas Malthus, Charlotte Brontë, Lord Tennyson, and William Gladstone. In a rich selection of travel writing, fiction, poetry, journalism, political speeches, and art, Norway emerges as a refreshingly natural utopia, happily free from her imperial neighbour’s increasing problems with the side-effects of industrialisation. This is a fascinating examination of the people, institutions, customs, language and environment of Norway seen through the eyes of the British. Using the tools of literary and historical scholarship, Fjågesund and Symes set these perceptions in their nineteenth-century context, throwing light on such issues as progress, art and aesthetics, democracy, religion, nationhood, race, class, and gender, all of which occupied Europe at the time. The Northern Utopia will be of particular interest to students of British and Scandinavian cultural history, literature and travel writing. It will also enthral all those who love Norway.