This book offers a contextual understanding of the contemporary Pacific art movement in New Zealand. As well as examining key individual artists, the book also addresses issues that underlie this movement and the inspirations for creating this art.
Who are the People of New Zealand in the 21st Century? This diverse bunch of characters is easily recognisable and hilariously familiar. Sam Moore's Instagram account and Facebook page Ugly Ink went viral when he started posting images of classic Kiwi stereotypes. They're characters that every New Zealander can relate to, including everyone's gran 'Helpful Beryl', dress code-breaker 'Wedding Kane', the forever helpful 'Office Jan', and rugged 'Hilux Surf Drew' among others. Sam's humour in these images gently and affectionately pokes fun at Kiwi culture, providing many snorts of recognition.
Completely revised and updated. Chapters have been rewritten. Also added in a substantial new chapter on contemporary Maori and Pacific Island painting, as well as an acknowledgement of the coming wave of Asian artists.
"Reveals ... the exquisite work and extraordinary skill of a group of New Zealand artists, most of them women, working in a wide variety of art and craft forms ... This flowering of local talent ... originated in the British Arts and Crafts movement and is associated with the growth of art education in this country: its quiet but dedicated character also suggests much about the situation of women in the years before and after 1900"--Jacket.
Jill Trevelyan won the Non Fiction Award at the Montana New Zealand Book Awards in 2009 for this magnificent biography of one of New Zealand's leading 20th century artists. Now back in print, this revised edition brings the book up to date with new assessments of Angus and in the context of the Rita Angus exhibition to be held at Te Papa late in 2021. Rita Angus was a pioneer of modern painting during the 1930s and 1940s. More than 100 years after her birth, works such as Rutu (1951), Central Otago (1940), and Portrait of Betty Curnow (1941-1942) are national icons. While Angus is perhaps New Zealand's best-loved painter, the story of her life remained little known and poorly understood before this acclaimed and revelatory book. Jill Trevelyan traces Angus's life, from her childhood in Napier and Palmerston North to her death in Wellington in 1970. Drawing on a wealth of archives and letters, she brings to life Rita Angus the person: highly articulate and full of zest, intellectually curious and forthright in her attitudes and emotions, powerfully committed to her pacifist and feminist beliefs and dedicated, above all, to life as an artist. Rita Angus: An Artist's Life is generousl
'Unlike in Europe, North America, Australia and elsewhere, urban history has never been sustained as a distinct field of scholarship in New Zealand. This is surprising, considering that since the early twentieth century most New Zealanders have lived in towns and cities – 86 per cent were urban in 2014. Yet we know surprisingly little about these urban dwellers and the spaces in which they lived.' The pursuit of city life is one of the most important untold stories of New Zealand. The Big Smoke is the first comprehensive history to tell this story, presenting a dynamic and highly illustrated account of city life from 1840 to 1920. It explores such questions as: what did cities look like and how did they change; why were women especially drawn to live in cities; in what ways did Māori experience and shape cities; how far was the street a living room and stage for city life; and why did New Zealand so quickly become a nation of townspeople? At a time of national debate over housing and the growth of our cities, Ben Schrader’s superb new history reveals how our urban origins have shaped the people we are today. Available in paperback and ebook formats from booksellers and using the ‘Buy’ buttons on this page. For more information on these purchase options please visit our Sales FAQs page or contact us.
Te Papa holds New Zealands national art collection, whose origins date back to 1865 and the establishment of the then Colonial Museum (later the Dominion and then the National Museum). Built up over the years by a succession of directors and curators, the collections 40,000 works track New Zealand history and the art movements within it. In this generous book, Te Papas curators and a wide range of other expert art writers showcase the strengths of the New Zealand art collection by discussing around 270 works. From very early colonial work through to recent acquisitions, and including photography, their essays offer insights into the art, the artists and the context and issues that drove them. The book is complemented by biographies of all the featured artists, making it a valuable resource.
"Since the first artist drew a New Zealand image 365 years ago, New Zealand art has been the two-dimensional expression of a place where cultures mixed, matched, fought, loved and developed a unique cultural history, one that continues to evolve. In six taut, provocative and passionate essays, Hamish Keith surveys New Zealand art and brings together the various strands of our cultural history, showing that they are never separate or unrelated but rather that together they tell the story of who we are. Based upon the six-part TVNZ series The Big Picture, and with over 300 illustrations, this book is an indispensible survey of New Zealand's remarkable artistic heritage"--Cover.