Sixteen Grand Studies for Oboe is the third book in our A.M.R. Barret reprint series. Newly engraved, it provides excellent supplemental material for the student or professional oboist. These studies were originally part of the Complete Oboe Method. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
Sixteen Grand Studies for Oboe is the third book in our A.M.R. Barret reprint series. Newly engraved, it provides excellent supplemental material for the student or professional oboist. These studies were originally part of the Complete Oboe Method.
(Drum Instruction). Now available with CD! This best-selling instruction book was developed to meet the needs of the young student aspiring to become a drummer in the school band or orchestra. Book 1 spans 52 lessons and includes: rudiments * study of various time figures found in every day playing * care and maintenance of drums * and more. Building on the lessons from Book 1, Book 2 covers 26 rudiments and contains additional studies in various time signatures utilizing the 26 rudiments.
Kalmus proudly presents this complete collection of the flute sonatas of Johann Matheson. Included are the piano accompaniment and a separate solo flute part in this new cleanly printed edition.
The Forty-eight Studies have long been one of the standard teaching tools for oboists and saxophonists seeking to develop their skills to an advanced level. Newly engraved from the original publication, this edition presents a clean copy of Ferling's compositions without the editorial markings incorporated into other versions available today. Apparent omissions in the original publication are indicated by parentheses or dotted lines. This faithful presentation gives the performer a much wider variety of interpretive choices, allowing these studies to fulfill their mission of teaching musicianship, as well as playing technique.
"This volume contains interviews with twenty-six of the most prominent oboists from around the world. The chapters are in prose format and highlight different aspects of each musician's career, focusing on musicianship and pedagogy in ways that are applicable to all musicians. The interviews contain topics such as creating musical interpretations and shaping phrases, the relationship of vocal to instrumental music, taking orchestral auditions and being a good ensemble player/colleague. The subjects describe their pedagogy and their thoughts on breathing and support on wind instruments, developing finger technique and creating a useful warm-up routine. The oboists discuss their ideals in reedmaking, articulation and vibrato. They also share stories from their life and careers. The oboists and English hornists profiled from North America profiled are Pedro Diaz, Elaine Douvas and Nathan Hughes (Metropolitan Opera Orchestra), John Ferrillo (Boston Symphony Orchestra), Carolyn Hove (LA Philharmonic), Richard Killmer (Eastman School), Nancy Ambrose King (University of Michigan), Frank Rosenwein and Robert Walters (Cleveland Orchestra), Humbert Lucarelli (soloist), Grover Schiltz (formerly Chicago Symphony), Eugene Izotov (Chicago Symphony, originally from Russia), Allan Vogel (LA Chamber Orchestra), David Weiss (formerly LA Philharmonic), Randall Wolfgang (New York City Ballet and formerly Orpheus Chamber Orchestra), Alex Klein (Brazil, formerly Chicago Symphony and currently Calgary, CA), and Sarah Jeffrey, Toronto Symphony Orchestra. The performers based in Europe are Neil Black, Nicholas Daniel, and Gordon Hunt (England); Maurice Bourgue, and David Walter (France); Thomas Indermühle (Switzerland); László Hadady (Hungary and France); and Omar Zoboli (Italy). From Australia is Diana Doherty of the Sydney Symphony Orchestra"--
