Six Sonatas in Canon Form

Six Sonatas in Canon Form

Author: Georg Philipp Telemann

Publisher: Alfred Music

Published: 1993-08-27

Total Pages: 24

ISBN-13: 9781457485176

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Expertly arranged sonatas for two recorders.


Six Etudes in Canon Form, Op. 56

Six Etudes in Canon Form, Op. 56

Author: Robert Schumann

Publisher: Alfred Music

Published: 2008-12-02

Total Pages: 50

ISBN-13: 1457432897

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In 1845, Robert Schumann embarked on an intense course of contrapuntal studies. This led him to rent a pedalboard attachment for his piano, inspiring him to write pieces specifically for pedal piano, including these etudes. The great French composer Georges Bizet arranged the Six Etudes in Canon Form, Op.56 for one piano, four hands. These etudes are not simply technical finger exercises like Hanon or Czerny, but true works of art like the Chopin etudes. They make wonderful music while working the muscles of the hands and fingers.


Six Canonic Sonatas

Six Canonic Sonatas

Author: Georg Philipp Telemann

Publisher: Alfred Music

Published: 1996-02-01

Total Pages: 24

ISBN-13: 9781457479625

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Expertly arranged Violin Duets by Georg Philipp Telemann from the Kalmus Edition series. This is from the Baroque era.


Expanding the Canon

Expanding the Canon

Author: Melissa Hoag

Publisher: Taylor & Francis

Published: 2022-12-30

Total Pages: 286

ISBN-13: 1000821625

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Directly addressing the underrepresentation of Black composers in core music curricula, Expanding the Canon: Black Composers in the Music Theory Classroom aims to both demonstrate why diversification is badly needed and help faculty expand their teaching with practical, classroom-oriented lesson plans that focus on teaching music theory with music by Black composers. This collection of 21 chapters is loosely arranged to resemble a typical music theory curriculum, with topics progressing from basic to advanced and moving from fundamentals, diatonic harmony, and chromatic harmony to form, popular music, and music of the twentieth and twenty-first centuries. Some chapters focus on segments of the traditional music theory sequence, while others consider a single style or composer. Contributors address both methods to incorporate the music of Black composers into familiar topics, and ways to rethink and expand the purview of the music theory curriculum. A foreword by Philip Ewell and an introductory narrative by Teresa L. Reed describing her experiences as an African American student of music set the volume in wider context. Incorporating a wide range of examples by composers across classical, jazz, and popular genres, this book helps bring the rich and varied body of music by Black composers into the core of music theory pedagogy and offers a vital resource for all faculty teaching music theory and analysis.


The Essential Canon of Classical Music

The Essential Canon of Classical Music

Author: David Dubal

Publisher: Macmillan

Published: 2003-10-24

Total Pages: 796

ISBN-13: 9780865476646

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Identifies almost two hundred forty composers whose works are most important to an understanding of classical music, with essays on sixty of the most significant. Presented in chronological order for the Medieval, Renaissance, and Elizabethan ages, the age of the Baroque, the age of Classicism, the Romantic age, and the age of Modernism.


Guide to the Pianist's Repertoire

Guide to the Pianist's Repertoire

Author: Maurice Hinson

Publisher: Indiana University Press

Published: 2013-12-03

Total Pages: 1215

ISBN-13: 0253010233

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Guide to the Pianist's Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.