Six Symphonies

Six Symphonies

Author: Antonio Brioschi

Publisher: A-R Editions, Inc.

Published: 1998-01-01

Total Pages: 82

ISBN-13: 0895794039

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The introd. includes notes on "the composer, the music of [this] edition" and on "performance". Plates (p. xv-xvi) reproduce the t.p. & one p. of music from handwritten score dated 1734 of the Symphony in E-flat major. Music found on p.1-53. Music followed by a "Critical report" (p.55-59) detailing sources & editorial method, & critical notes and commentary.


The Cambridge Companion to the Symphony

The Cambridge Companion to the Symphony

Author: Julian Horton

Publisher: Cambridge University Press

Published: 2013-05-02

Total Pages: 469

ISBN-13: 0521884985

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A comprehensive guide to the historical, analytical and interpretative issues surrounding one of the major genres of Western music.


Symphonies Nos. 6 and 7 in Full Score

Symphonies Nos. 6 and 7 in Full Score

Author: Antonín Dvorák

Publisher: Courier Corporation

Published: 2013-07-02

Total Pages: 288

ISBN-13: 048631460X

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Two of the composer's finest symphonies — Symphony No. 6 in D and Symphony No. 7 in D Minor — reproduced from the authoritative Simrock edition. Seventh symphony often considered his greatest achievement in the form.


The Symphonic Repertoire, Volume I

The Symphonic Repertoire, Volume I

Author: Mary Sue Morrow

Publisher: Indiana University Press

Published: 2024-03-29

Total Pages: 946

ISBN-13: 025307214X

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Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.