Two-Part Inventions

Two-Part Inventions

Author: Johann Sebastian Bach

Publisher: Alfred Music

Published: 1996-02-01

Total Pages: 40

ISBN-13: 9781457488276

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This collection includes a preface and table of embellishments by William Mason.


Two-Part Inventions

Two-Part Inventions

Author: Associated Board of the Royal Schools of Music (Publishing) Limited

Publisher:

Published: 1989-06-29

Total Pages: 15

ISBN-13: 9781854723154

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Bach composed these Inventions in 1722/3 for the instruction in keyboard playing and composition of his eldest son, Wilhelm Friedemann, who was then just 12. Richard Jones's edition of these pieces is also available from ABRSM in a 'Signature' Series edition, where they are combined with the (three-part) Sinfonias and given more textual commentary.


Bach's Well-tempered Clavier

Bach's Well-tempered Clavier

Author: David Ledbetter

Publisher: Yale University Press

Published: 2002-01-01

Total Pages: 430

ISBN-13: 0300128983

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Bach's Well-tempered Clavier (or the 48 Preludes and Fugues) stands at the core of baroque keyboard music and has been a model and inspiration for performers and composers ever since it was written. This invaluable guide to the 96 pieces explains Bach's various purposes in compiling the music, describes the rich traditions on which he drew, and provides commentaries for each prelude and fugue. In his text, David Ledbetter addresses the main focal points mentioned by Bach in his original 1722 title page. Drawing on Bach literature over the past three hundred years, he explores German traditions of composition types and Bach's novel expansion of them; explains Bach's instruments and innovations in keyboard technique in the general context of early eighteenth-century developments; reviews instructive and theoretical literature relating to keyboard temperaments from 1680 to 1750; and discusses Bach's pedagogical intent when composing the Well-tempered Clavier. Ledbetter's commentaries on individual preludes and fugues equip readers with the concepts necessary to make their own assessment and include information about the sources when details of notation, ornaments, and fingerings have a bearing on performance.