Ten years have passed since Sisters and Lovers, and Beverly, now 39, is engaged to Julian, a man her family and friends agree is the epitome of a great catch: he's gorgeous, loyal, trustworthy, successful, and very much in love with her. Since this is Beverly's third engagement in the past five years, after breaking off the previous two at the last moment, everyone's happy that she's finally settling down. For Beverly and Julian, nothing could be better than being in love and planning their wedding. That is until Beverly's oldest sister's marriage falls apart and dampens the mood of what should have been the happiest time in Beverly's life. Now, second-guessing her impending nuptials, Beverly is forced to wonder if marriage really works. Will she stick it out? Or will her fears cloud her judgment once again?
Valentine Silverton has enjoyed comfort and luxury his entire life. Then, all at once, the family fortune vanishes, and he’s a pauper. The only recourse he has is to find a wealthy heiress. But he doesn’t want to just find just any wealthy heiress. He wants to find one he can fall in love with. Since there are no suitable prospects in his area, he takes his friend’s advice and becomes a mail-order husband. Nelly Larson grew up on a farm, and she loves everything about it. She loves the life so much, in fact, that she got her own homestead. The last thing she wants is to be strapped to one of the men in town who think her place is in the kitchen. She’s going to keep her independence, and keeping her independence will require her to avoid marriage at all costs. Nelly’s sisters, however, can’t believe Nelly will truly be happy if she doesn’t get married. Romance, after all, is one of life’s most wonderful experiences. When they come upon Valentine’s ad, they know he’ll be perfect for her. So they take matters into their own hands and answer his ad on Nelly’s behalf. Valentine thinks Nelly is the one answering his ad, and at once, he’s intrigued by her. He has no idea what a homestead is, but he assumes that a young woman who owns land and runs her own business must have lots of money. Excited, he runs off to Omaha to marry her. The day comes when the two meet, and it’s at that time they realize they’ve been set up. Since Valentine has no money, he can’t leave Omaha. He has to marry Nelly. Even if she doesn’t have much, she has a place to live and food to eat. In exchange for marriage, he promises Nelly he won’t hinder her independence. Thankfully, she agrees to marry him. But Valentine kind of likes Nelly, and he’s determined to show her that some things are worth giving up total independence for…and love just happens to be one of them.
Fowler's Concise Dictionary of Modern English Usage is an invaluable quick-reference work, providing clear, practical and up-to-date guidance on questions of grammar, spelling, style, and word choice. Jeremy Butterfield has judiciously revised the text to reflect the English usage practices and concerns of the 21st century.
Delia Ephron brings her trademark wit and effervescent prose to a series of unforgettable, moving and provocative essays. The emotional lynchpin is the author's stirring, eloquent response to the death of Nora Ephron, her older sister and frequent writing companion. In 'Sister', she deftly captures the love, rivalry, respect and intimacy that made up her relationship with her sister in a way that is at once deeply personal and comfortingly universal. Other essays in the collection run the gamut from a hysterical piece about love and the movies - how romantic comedies completely destroyed her twenties - to the joy of girlfriends and best friendship, the magical madness and miracle of dogs, keen-eyed observations about urban survival, and a serious and affecting memoir of life with her mother - growing up the child of alcoholics. Ephron's sparkling wit and humanity is present on every emotionally resonant page.
Paula, Penny, Pebbles... 3 sisters, 3 lives, 1 problem! Paula wants out of her marriage of convenience! And she will do anything to accomplisg it! Her solution...Set her husband up with a woman who can step into her shoes and raise her son, so she can whisk off to be with her longtime lover! The problem...Her husband has no idea! If you have something to do, this book will prevent that! Impossible to put down! So get ready! Paula wants out! Period! But getting out isn't so easy when you have a toddler and a husband who don't deserve the betrayal! But Paula is knee deep in betrayal. And getting out is her only option. She comes up with a plan that blows the lid off of her secret and sets forth a chain of events that could tear her family apart and destroy what little is left of her relationship with her sisters. Her sister Pebbles is living her best life. One call from her long lost sister, sends her running to her aid. But Paula doesn't tell the whole story, and Pebbles scrambles to help her. Only to find out that the betrayal included her! There are many dark secrets. Many untold truths. And the biggest shocking secret of all will nearly destroy Pebbles. Read along in this forbidden romance tale of one sister's unconventional way to end her marriage. A story shrouded in secrets, lies, deceit, sex and selfish agendas. An intense page-turner! See what can happen when a man is caught between three sisters with a unforgiven things and plenty of pain. A well-written story with strong characters. Get ready!
Sisters and the English Household revalues unmarried adult sisters in nineteenthcentury English literature as positive figures of legal and economic autonomy representing productive labor in the domestic space. As a crucial site of contested values, the adult unmarried sister carries the discursive weight of sustained public debates about ideals of domesticity in nineteenth-century England. Engaging scholarly histories of the family, and providing a detailed account of the 70-year Marriage with a Deceased Wife’s Sister controversy, Anne Wallace traces an alternative domesticity anchored by adult sibling relations through Dorothy Wordsworth’s journals; William Wordsworth’s poetry; Mary Lamb’s essay “On Needle-Work”; and novels by Jane Austen, Elizabeth Gaskell, Charles Dickens, Dinah Mulock Craik and George Eliot. Recognizing adult sibling relationships, and the figure of the adult unmarried sibling in the household, as primary and generative rather than contingent and dependent, and recognizing material economy and law as fundamental sources of sibling identity, Sisters and the English Household resets the conditions for literary critical discussions of sibling relations in nineteenth-century England.
