Three Latina friends--Taina, dreading her quinceañera while hiding her secret Jamaican artist boyfriend from her family; Grachi, torn between duty and her dreams; and Leni, a rebel struggling to make sense of her roots and her growing feelings for a childhood friend--find their friendship with one another sustaining them as they search for their place in life. Original. 50,000 first printing.
When the three of us became the Sister Chicas, who knew we’d each get the surprise of our lives! And even though we don’t always agree on things—boys, clothes, and music come to mind—nothing gets in the way of our friendship. Three amigas: Our story begins in autumn, when the leaves and everything else in our lives changed. La Joven: Taina’s turning fifteen—and is so dreading her quinceaňera. Being dolled up in front of hundreds of guests—and making her Sister Chicas sport Pepto-pink gowns—isn’t her idea of a good time. She dreams of beautiful dresses and ankle-strap tacones to die for. And what about her secret: her Jamaican artist boyfriend? Should she let Mami choose her escort, or follow her heart—and ignite a family riot? La autora: Grachi’s Mexican parents have sacrificed so much to give her the best they could. How can she choose between being a good Chicana daughter—and grabbing la oportunidad de la vida? Now she needs her Sister Chicas more than ever, as she tries to balance the world of her familia and the new world that’s opened up to her, including a handsome friend who’s becoming more than a friend. La rock-era: Leni’s the rebel—with a punk ’do and an attitude to go with it. But her life’s about to get more complicated. And it’s the Sister Chicas who help her make sense of her Puerto Rican roots. Not to mention her new and confusing relationship with Carlos, her childhood friend turned handsome rockero. This year has been increíble. But we’ve got each other’s backs . . . now . . . y por siempre. Includes a Readers Guide.
Whether they're flirting en espanol, gossiping over mojitos, or dancing with their latest papi chulos, the characters in Friday Night Chicas prove that there is nothing quite like a night out with your chicas. Set in New York City, Miami's South Beach, downtown Chicago, and L.A., these four flirty novellas explore dating, marriage, friendship, and sex, through the eyes of four different Latina women. Mary Castillo's Friday Night in L.A.: Isela isn't looking for a one-night stand; she's desperate for one last shot at saving her career. Her ticket is Hollywood's director du jour Tyler Banks, but one major mistake could cost her everything. Caridad Pineiro's Friday Night in South Beach: It's Tori's thirtieth birthday and all she wants is a nice quiet night with her family and friends. However, Tori's friends have other plans and during an overnight casino cruise, Tori finds herself taking the gamble of her life! Berta Platas's Friday Night in Chicago: The once-shy Cali has decided to attend her high school reunion. She slips into her slinkiest Donna Karan and puts on her highest Manolos. After all, she's out to seek revenge, Latina-style. . . Sofia Quintero's Friday Night in New York City: Gladys's friends throw her a bachelorette party at one of NYC's raunchiest male strip joints. They expected a party, but they didn't expect the not-so-blushing bride to disappear with one of the strippers!
This work studies various aspects of word order and clause structure in Spanish that have proved problematic for syntactic theory. These aspects are explored theoretically in light of the antisymmetry approach of Kayne (1994) and empirically by examining parallel structures in related languages. For example, the author uses antisymmetry to critique the traditional understanding of post-verbal subjects, which have assumed a right-adjunction approach. However, he provides empirical as well as theoretical reasons to believe that a combination of leftward movements constitutes a better alternative. Likewise, the study uses a number of combined theoretical and empirical arguments to provide new and more constrained analyses of overt wh -movement and pre-verbal subjects. It shows that the obligatory post-verbal positioning of overt subjects cannot be explained by recourse to a required overt head movement of the verb. Instead, the author explains this restriction by proposing that overt subjects, which are always topicalized in Spanish, conflict with the feature specifications of wh -complementizers. Finally, the author relates the obligatory topicalized nature of pre-verbal subjects in Spanish to a proposal that person agreement morphemes on the verb should be considered arguments that receive the subject theta-role. This book will be of interest to syntacticians and comparitivists, as well as scholars of Romance languages.
Acclaimed modern pantomime master, Dick Richards, releases his first full-length collection of the pantomimery moves that made him famous. Once a staple as a featured performer on various cruise ships the now-unemployed Dick Richards releases his most secret and creative pantomime moves in this step-by-step award-winning collection.
From the papers presented at the 26th LSRL, this volume offers a selection of a contributions on phonological issues and on syntax. Most of the grammatical phenomena discussed are treated within the frameworks of the Minimalist Program, Distributed Morphology, or Optimality Theory. It was apparent from the diversity of the papers delivered, that these approaches are exposing novel phenomena, which enrich and widen our knowledge and understanding of language. The analyses undertaken in these articles range over a variety of (dialects of) Romance languages.
A biographical and bibliographical guide to current writers in all fields including poetry, fiction and nonfiction, journalism, drama, television and movies. Information is provided by the authors themselves or drawn from published interviews, feature stories, book reviews and other materials provided by the authors/publishers.
A Hispanic and Latino presence in what is now the United States goes back to Spanish settlement in the sixteenth century in Florida and the progressive U.S. conquest of the Spanish-controlled territory of California and the Southwest by 1853 and the Gadsden Purchase. Mexicans in this newly American territory had to struggle to hold on to their land. The overlooked history and the debates over new immigration from Mexico and Central America are illuminated by this first state-by-state history of people termed Latinos or Hispanics. Much of this information is hard to find and has never been researched before. Students and other readers will be able to trace the Latino presence through time per state through a chronology and historical overview and read about noteworthy Latinos in the state and the cultural contributions Latinos have made to communities in that state. Taken together, a more complete picture of Latinos emerges. The information allows understanding of the current status-where the Latino presence is now, what types of work they are doing, and how they are faring in places with only a small Latino presence. All 50 states and the District of Columbia are covered in individual chapters. A chronology starts the chapter, giving the main dates of Latino presence and important events and population figures. The historical overview is the core of the chapter. The cast of Latino presence and how they have made their livelihood along with relations with non-Latinos are discussed. A Notable Latinos section then provides a number of short biographical profiles. Cultural contributions are showcased in the final section, followed by a bibliography. A selected bibliography and photos complement the chapters.
A cultural exploration of the Latina fifteenth birthday celebration traces the experiences of a Queens teen who encounters anticipation and stress while preparing for her quinceañera, in an account that documents the history of the celebration's traditions as well as its growing popularity throughout America.
More than one hundred contemporary black poets laugh at and cry about, pray for and curse, flee and return to the South in this collection of poems, which features contributions by Nikki Giovanni, Kevin Young, Cornelius Eady, Sonia Sanchez, and other notables. Simultaneous.
