Labelled 'controversial' by politicians and pundits alike, Ward Churchill's scholarship endures the test of time. Rational, angry yet ultimately hopeful, his is a leading voice against ongoing genocide perpetrated on American Indian peoples. Intellectually cogent while remaining accessible to the general reader, this 10th anniversary reprint is a challenge to both think and act. Whether engaging with Marxism, critiquing anthropology, discussing poetry or defining genocide, Churchill's words truly are weapons in the fight for justice.
New York Times bestselling author of Labor Day With a New Preface When it was first published in 1998, At Home in the World set off a furor in the literary world and beyond. Joyce Maynard's memoir broke a silence concerning her relationship—at age eighteen—with J.D. Salinger, the famously reclusive author of The Catcher in the Rye, then age fifty-three, who had read a story she wrote for The New York Times in her freshman year of college and sent her a letter that changed her life. Reviewers called her book "shameless" and "powerful" and its author was simultaneously reviled and cheered. With what some have viewed as shocking honesty, Maynard explores her coming of age in an alcoholic family, her mother's dream to mold her into a writer, her self-imposed exile from the world of her peers when she left Yale to live with Salinger, and her struggle to reclaim her sense of self in the crushing aftermath of his dismissal of her not long after her nineteenth birthday. A quarter of a century later—having become a writer, survived the end of her marriage and the deaths of her parents, and with an eighteen-year-old daughter of her own—Maynard pays a visit to the man who broke her heart. The story she tells—of the girl she was and the woman she became—is at once devastating, inspiring, and triumphant.
This seminal collection of essays provides a devastating portrait of the condition of Native America. From chronicling the genocide committed by European invaders, to exposing the insidious means by which contemporary politicians and academics perpetuate the physical and cultural destruction of American Indians, Churchill's incisive analysis and carefully documented critique comprise a demand for action. These 18 essays serve as an excellent overview of the breadth and depth of Churchill's scholarship. Ward Churchill (Keetoowah Cherokee) is a professor of American Indian studies at the University of Colorado at Boulder. A member of the leader-ship council of the American Indian Movement of Colorado, he is a past national spokesperson for the Leonard Peltier Defense Committee. A prolific writer and lecturer, he has authored, co-authored, or edited more than 20 books.
In this amazing tale, John Johnny takes on an unexpected beginning beyond a person's furthest imagination in an adventure that leads him to a world thought to be lost through time and to be unreal, only real in dreams and myths of legends past. To his astonishment, the world was very real and leads to the discovery of the love of his dreams as he goes through the adventures a young man. In doing so, he finds and makes friendships for life from the very most unusual beings of the underworld.
New forms of transnational mobility and diasporic belonging have become emblematic of a supposed ‘global' condition of uprootedness. Yet much recent theorizing of our so-called ‘postmodern' life emphasizes movement and fluidity without interrogating who and what is ‘on the move'. This original and timely book examines the interdependence of mobility and belonging by considering how homes are formed in relationship to movement. It suggests that movement does not only happen when one leaves home, and that homes are not always fixed in a single location. Home and belonging may involve attachment and movement, fixation and loss, and the transgression and enforcement of boundaries. What is the relationship between leaving home and the imagining of home itself? And having left home, what might it mean to return? How can we re-think what it means to be grounded, or to stay put? Who moves and who stays? What interaction is there between those who stay and those who arrive and leave? Focusing on differences of race, gender, class and sexuality, the contributors reveal how the movements of bodies and communities are intrinsic to the making of homes, nations, identities and boundaries. They reflect on the different experiences of being at home, leaving home, and going home. They also explore ways in which attachment to place and locality can be secured - as well as challenged - through the movements that make up our dwelling places.Uprootings/Regroundings: Questions of Home and Migration is a groundbreaking exploration of the parallel and entwined meanings of home and migration. Contributors draw on feminist and postcolonial theory to explore topics including Irish, Palestinian, and indigenous attachments to ‘soils of significance'; the making of and trafficking across European borders; the female body as a symbol of home or nation; and the shifting grounds of ‘queer' migrations and ‘creole' identities.This innovative analysis will open up avenues of research an
The Columbia Guide to American Indian Literatures of the United States Since 1945 is the first major volume of its kind to focus on Native literatures in a postcolonial context. Written by a team of noted Native and non-Native scholars, these essays consider the complex social and political influences that have shaped American Indian literatures in the second half of the twentieth century, with particular emphasis on core themes of identity, sovereignty, and land. In his essay comprising part I of the volume, Eric Cheyfitz argues persuasively for the necessary conjunction of Indian literatures and federal Indian law from Apess to Alexie. Part II is a comprehensive survey of five genres of literature: fiction (Arnold Krupat and Michael Elliott), poetry (Kimberly Blaeser), drama (Shari Huhndorf), nonfiction (David Murray), and autobiography (Kendall Johnson), and discusses the work of Vine Deloria Jr., N. Scott Momaday, Joy Harjo, Simon Ortiz, Louise Erdrich, Leslie Marmon Silko, Gerald Vizenor, Jimmy Santiago Baca, and Sherman Alexie, among many others. Drawing on historical and theoretical frameworks, the contributors examine how American Indian writers and critics have responded to major developments in American Indian life and how recent trends in Native writing build upon and integrate traditional modes of storytelling. Sure to be considered a groundbreaking contribution to the field, The Columbia Guide to American Indian Literatures of the United States Since 1945 offers both a rich critique of history and a wealth of new information and insight.
These four plays – White Mice, Who Shot Jacques Lacan?, Radio Rooster Says That's Bad and Over – written by Darren O'Donnell for his theatre company, Mammalian Diving Reflex, will challenge your politics, your ontology and everything you hold to be safe, stable and sacrosanct.
