This brief tabbed handbook reference includes clear, easy-to-understand coverage of grammar and punctuation. Expanded web coverage. Online supplements for document/web design, public writing, WAC and oral presentation.
"A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard"--
This brief spiral-bound reference handbook takes a user-friendly, reader-oriented approach--with additional features that give readersaccess to informationquickly. The author covers grammar, punctuation, thinking and reading critically, writing argument essays, writing research papers and documenting them, writing for the Web, designing documents, writing about literature, writing for business, and creating oral presentations. Offers a Premium Companion Website at www.prenhall.com/troyka that facilitates the research process and offers three exclusive databases full of relevant and reliable source material. Expands discussion of the research process from five to seven chapters. Offers a new chapter on writing arguments. Features a new chapter on Oral Presentation that explains how to plan, create, and present. Features a striking new four color design that highlights each key concept. Provides URL addresses throughout that helps readers access useful websites. The ideal reference for professionals of all kinds who want to improve their writing in both business and personal contexts.
In Writing Without Teachers, well-known advocate of innovative teaching methods Peter Elbow outlines a practical program for learning how to write. His approach is especially helpful to people who get "stuck" or blocked in their writing, and is equally useful for writing fiction, poetry, and essays, as well as reports, lectures, and memos. The core of Elbow's thinking is a challenge against traditional writing methods. Instead of editing and outlining material in the initial steps of the writing process, Elbow celebrates non-stop or free uncensored writing, without editorial checkpoints first, followed much later by the editorial process. This approach turns the focus towards encouraging ways of developing confidence and inspiration through free writing, multiple drafts, diaries, and notes. Elbow guides the reader through his metaphor of writing as "cooking:" his term for heating up the creative process where the subconscious bubbles up to the surface and the writing gets good. 1998 marks the twenty-fifth anniversary of Writing Without Teachers. In this edition, Elbow reexamines his program and the subsequent influence his techniques have had on writers, students, and teachers. This invaluable guide will benefit anyone, whether in the classroom, boardroom, or living room, who has ever had trouble writing.
ELAINA MCCORD WANTS TO FIND A KILLER. BUT HE’S ALREADY FOUND HER. Elaina McCord’s dream of being an FBI profiler is threatened by her very first case—investigating a string of murders near a Texas beach resort. The victims, all young women, were drugged and brutally murdered, their bodies abandoned in desolate marshland. Elaina’s hunch—met with disbelief by local police—is that these are only the latest offerings from a serial killer who has been perfecting his art for years, growing bolder and more cunning with each strike. True-crime writer Troy Stockton has a reputation as an irresistible playboy who gets his story at any cost. He’s the last person Elaina should trust, let alone be attracted to. But right now Troy, along with the elite team of forensics experts known as the Tracers, is her only ally in a case that’s turning dangerously personal. A killer is reaching out to Elaina, taunting her, letting her know how ruthless he is and how close he’s getting. Now it’s not just her career that’s in jeopardy—it’s her life. . . .
An instant #1 New York Times bestseller! This “timely and compelling” (Kirkus Reviews) middle grade novel about courage, hope, and resilience follows an Asian American boy fighting to keep his family together and stand up to racism during the initial outbreak of the coronavirus. When the coronavirus hits Hong Kong, ten-year-old Knox Wei-Evans’s mom makes the last-minute decision to move him and his siblings back to California, where they think they will be safe. Suddenly, Knox has two days to prepare for an international move—and for leaving his dad, who has to stay for work. At his new school in California, Knox struggles with being the new kid. His classmates think that because he’s from Asia, he must have brought over the virus. At home, Mom just got fired and is panicking over the loss of health insurance, and Dad doesn’t even know when he’ll see them again, since the flights have been cancelled. And everyone struggles with Knox’s blurting-things-out problem. As racism skyrockets during COVID-19, Knox tries to stand up to hate, while finding his place in his new country. Can you belong if you’re feared; can you protect if you’re new? And how do you keep a family together when you’re oceans apart? Sometimes when the world is spinning out of control, the best way to get through it is to embrace our own lovable uniqueness.
In this timely and important collection of personal essays, black men from all walks of life share their inspiring stories and how each, in his own way, became a source of hope for his community and country.