The J. Paul Getty Museum Journal 16 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, drawings, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 16 includes articles written by Richard A. Gergel, Lee Johnson, Myra D. Orth, Barbra Anderson, Louise Lippincott, Leonard Amico, Peggy Fogelman, Peter Fusco, Gerd Spitzer, and Clare Le Corbeiller.
"The works from the Bonna Collection are illustrated in color, and whenever possible, at their actual sizes. They are arranged chronologically by the artist's date of birth and are grouped according to the main artistic schools. This volume is introduced by an interview with Jean Bonna by George Goldner. Each drawing is then described in an entry, many of which have comparative illustrations that shed further light on individual works."--BOOK JACKET.
"Wang Hui, the most celebrated painter of late-seventeenth-century China, played a key role both in reinvigorating past traditions of landscape painting and in establishing the stylistic foundations for the imperially sponsored art of the Qing court. Drawing upon his protean talent and immense ambition, Wang developed an all-embracing synthesis of historical landscape styles that constituted one of the greatest artistic innovations of late imperial China." "This comprehensive study of the painter, the first published in English, features three essays that together consider his life and career, his artistic achievements, and his masterwork - the series of twelve monumental scrolls depicting the Kangxi emperor's Southern Inspection Tour of 1689. The first essay, by Wen C. Fong, closely examines Wang Hui's genius for "repossessing the past," his ability to engage in an inventive dialogue with previous masters and to absorb their stylistic personae while making works that were distinctly his own. Chin-Sung Chang next traces the entire trajectory of Wang's development as an artist, from his precocious youth in the village of Yushan, through growing local and national fame - first as a copyist, then as the creator of groundbreaking panoramic landscapes - to the ultimate confirmation of his stature with the commission to direct the Southern Inspection Tour project. Focusing on this extraordinary eight-year-long effort, Maxwell K. Hearn's essay discusses the contemporary sources for the scrolls, the working methods of Wang and his assistants (comparing drafts with finished versions), and the artistic innovations reflected in these imposing works, the extant examples of which measure more than two feet high and from forty-six to eighty-six feet long." "This publication accompanies the exhibition "Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717)," held at The Metropolitan Museum of Art, New York, from September 9, 2008, through January 4, 2009."--BOOK JACKET.
A dazzling look back at six decades of paintings by America's favorite artist, this is the crowning book of Andrew Wyeth's career. This comprehensive survey reproduces 133 tempera, drybrush, and watercolor paintings and five pencil sketches - the only true retrospective of the artist's work ever published. But what makes this book truly extraordinary are Wyeth's comments about each painting - an "autobiography," told through conversations with Thomas Hoving - which offer fascinating, sometimes unexpected facts about Wyeth's life and art. Based on a retrospective exhibition that originated in Japan and travels to The Nelson-Atkins Museum of Art in Kansas City, Andrew Wyeth: Autobiography includes many seminal paintings from both his Chadds Ford and Maine work - including Distant Thunder, Garret Room, and several paintings of Helga - as well as recent work from the 1990s and some rarely seen images. As Thomas Hoving writes in his introduction, "Wyeth, in essence, has always painted for himself." This beautifully printed, elegantly designed book reveals that self as no other collection has done before.
In this exciting volume, Salvatore Ferragamo traces his life’s adventures from his origins as a village shoemaker to founding what would become a major global fashion brand. “Ladies and gentlemen, the least important part of this book is the life story of an Italian shoemaker. We can all write our autobiography, and if I dwell on the details of my career it is only because it makes it easier to explain my calling: the work that became my life’s fundamental vocation. Life has taught me that Nature gives us perfect feet. If they get damaged, it is because our shoes are defective. However, it is not necessary to undergo such torture, not even in the name of vanity. We can all walk happily wearing comfortable, refined, splendid shoes. This is my whole life’s work: learning to make perfect shoes, refusing to put my name on those that aren’t.” —Salvatore Ferragamo This is a new, completely updated edition of the autobiography of a man who made Italian fashion great throughout the world. Among the many vicissitudes of his adventurous life, the book features a magnificent series of encounters with and anecdotes about the most extraordinary Hollywood stars, such as Rudolph Valentino, Mary and Lottie Pickford, Pola Negri, Joan Crawford, and Greta Garbo. His loyal customers also included Marilyn Monroe, Douglas Fairbanks, Sophia Loren, Anna Magnani, Audrey Hepburn, and Paulette Goddard.
Roman Art From the Republic to Constantine is a study of the principal aspects and developments of Roman art from inception to its transformation in late antiquity, about A.D. 300.
