In 1914, desperate for land after the Gold Rush brought a population explosion to San Francisco, the city exiled its cemeteries, barring burials within city limits and relocating its existing graveyards to the tiny town of Colma, just south of Daly City, spawning America's only necropolis, where the dead outnumber the living 1000 to 1. But there's more to the story of the Bay Area's cemeteries than this expulsion. Silent Cities San Francisco reveals the complex cultural makeup of the Bay Area, where diversity and history collide, pitting the dead against the living in a race for space and memorialization.
The fabled nineteenth-century migration to the American West was filled with peril and despair. From sailing ship to covered wagon, ambitious young pioneers endured six months of unprecedented, largely unanticipated personal hardship – that is, if they survived the trip. Death was a constant companion and the promised land proved as lethal as it was fickle. Land of the Dead explores how the demands of survival and adaptation during Westward Expansion changed the way we have buried and grieved for our dead in America. That custom was one of many transformations an outlier adolescent culture wrought upon the nation that spawned it. Nowhere did these changes play out more dynamically than in California, particularly in the quintessential American boom city - gold rush San Francisco, which banned burials at the turn of the twentieth century and then decreed the removal of 150,000 privately owned graves, the only major metropolis to execute a complete eviction of its dead. The epic cemetery battle began early, when San Francisco was still a remote, wannabe great city, and raged on for over half a century, replete with fiery polemics, political intrigue, nasty legal wrangling, and divisive elections. Public cemeteries were dispatched quickly but – as time will reveal – hardly well. Private sanctuaries took longer to expunge, and many of its “residents” were overlooked in what has been called “the greatest mass removal of the dead in human history.” How could the unthinkable happen? And how did other American cities reckon with the now-precious land once dedicated to their dead. In this well-researched and well-told history, Terry Hamburg explores how an “instant city” heritage bred that momentous decision and led to the formation of nearby Colma – the largest necropolis in America. Providing a fresh overlay on traditional narratives and revealing a burgeoning nation’s trends and conflicts, Land of the Dead examines how we relate to our ‘living dead’ then and now.
This new edition of the ultimate guide to finding ghosts in the Bay Area highlights more than 100 haunted spots in and around San Francisco, all accessible to the public. Featured sights include the Queen Anne Hotel, one of the most haunted buildings in the area; the Atherton House; Cameron House in Chinatown; and of course, Alcatraz Prison. With advice on what to do with a ghost, what to do after the ghost hunt, and other telekinetic tidbits, this guide encourages travelers to be attentive and imaginative, willing them to take that extra spirit-sighting step.
Urban historian Kenneth Jackson (The Encyclopedia of New York) and photographer Camilo Vergara collaborate to present a fascinating and beautiful examination of the American cemetery.
The bestselling book from two prizewinning, critically acclaimed contemporary chroniclers of San Francisco-a rich, illustrated, idiosyncratic portrait of this great city. In Spirits of San Francisco, #1 bestselling Cool Gray City of Love author Gary Kamiya joins forces with celebrated, bestselling artist Paul Madonna to take a fresh look at this one-of-a-kind city. Marrying image and text in a way no book about this city has done before, Kamiya's illuminating narratives accompany Madonna's masterful pen-and-ink drawings, breathing life into San Francisco sites both iconic and obscure. Paul Madonna's atmospheric images will awe: his wide-angle drawings offer a new perspective on the “crookedest street in the world” and vistas across the city. And Kamiya's engaging prose, accompanying each image, offers striking vignettes of this incredible city: witness his story of “Dumpville,” the bizarre community that sprang up in the 19th century on top of a massive garbage dump. Handsome and irresistible-much like the city it chronicles-Spirits of San Francisco is both a visual feast and a detailed, personal, loving, informed portrait of a beloved city.
