The Silent Call explores the story of a man, half English-aristocrat and half-Indian, who lives on the American border without anyone knowing his ancestry. He acts like a sheriff, operates a ranch, and is in love with an Indian orphan girl. His father's death summons him back to England, to his bothersome wife. This interesting story follows several significant events that occur in his life that may or may not turn out well for him.
Annev has avoided one fate. But a darker path may still claim him . . . After surviving the destruction of Chaenbalu, new mysteries and greater threats await Annev and his friends in the capital city of Luqura. As they navigate the city’s perilous streets, Annev searches for a way to control his nascent magic and remove the cursed artifact now fused to his body. But what might removing it cost him? As Annev grapples with his magic, Fyn joins forces with old enemies and new allies, waging a secret war against Luqura’s corrupt guilds in the hopes of forging his own criminal empire. Deep in the Brakewood, Myjun is learning new skills of her own as apprentice to Oyru, the shadow assassin who attacked the village of Chaenbalu—but the power of revenge comes at a daunting price. And back in Chaenbalu itself, left for dead in the Academy’s ruins, Kenton seeks salvation in the only place he can: the power hoarded in the Vault of Damnation . . .
Caldecott Medal winner Allen Say brings his lavish illustrations and hybrid narrative and artistic styles to the story of artist James Castle. James Castle was born two months premature on September 25, 1899, on a farm in Garden Valley, Idaho. He was deaf, mute, autistic, and probably dyslexic. He didn't walk until he was four; he would never learn to speak, write, read, or use sign language.Yet, today Castle's artwork hangs in major museums throughout the world. The Philadelphia Museum of Art opened "James Castle: A Retrospective" in 2008. The 2013 Venice Biennale included eleven works by Castle in the feature exhibition "The Encyclopedic Palace." And his reputation continues to grow.Caldecott Medal winner Allen Say, author of the acclaimed memoir Drawing from Memory, takes readers through an imagined look at Castle's childhood, allows them to experience his emergence as an artist despite the overwhelming difficulties he faced, and ultimately reveals the triumphs that he would go on toachieve.
You’ve heard the story before: an orphaned boy, raised by a wise old man, comes to a fuller knowledge of his magic and uses it to fight the great evil threatening his world. But what if that hero were destined to become the new dark lord? The Academy of Chaenbalu has stood against magic for centuries. Hidden from the world, acting from the shadows, it trains its students to detect and retrieve magic artifacts, which it jealously guards from the misuse of others. Because magic is dangerous: something that heals can also harm, and a power that aids one person may destroy another. Of the academy’s many students, only the most skilled can become avatars—warrior thieves, capable of infiltrating the most heavily guarded vaults—and only the most determined can be trusted to resist the lure of magic. More than anything, Annev de Breth wants to become one of them. But Annev carries a secret. Unlike his classmates who were stolen as infants from the capital city, Annev was born in the village of Chaenbalu, was believed to be executed, and then unknowingly raised by his parents’ killers. Seventeen years later, he struggles with the burdens of a forbidden magic, a forgotten heritage, and a secret deformity. When Annev is subsequently caught between the warring ideologies of his priestly mentor and the Academy’s masters, he must finally decide whether to accept the truth of who he really is ... or embrace the darker truth of what he may one day become.
Dr. Michael Milton is concerned about any diabolical power -political, cultural, or otherwise - that could hurt the souls of human beings or threaten the Church. This is not a call for the Church to become a political action committee, but a call to pastors and people to return to the Biblical model of a shepherd guarding the sheep against any and all attacks which would hurt the flock. To speak, to write, to preach or to witness against the powers that oppose Christ and His Kingdom is a pastoral act of protection that follows in the footsteps of the prophets, the apostles, the martyrs of the Church, the Reformers, and, as is shown so often in the Bible, Christ Himself.
Thaddeus Barnum deftly and honestly recounts firsthand the remarkable events and intrigue surrounding the Anglican-Episcopal crisis over the blatant denial of Scripture and the ordination of openly gay ministers. But while this is a story that continues to capture international media attention, as Rwandan bishop John Rucyahana insists, It's not merely about the gay issue. It's about the gospel, and who Christ is. "You need to hear this story. You may not be Episcopalian, but what happened to them is already happening to you." Carefully documented and yet powerfully told, with complete index. Foreword by Rick Warren; endorsements by J. I. Packer, Chuck Colson, and Christianity Today Managing Editor, Mark Galli.
A vocation is an extremely mysterious reality. The call of God is not something extrinsic; it penetrates to the most intimate centre of the heart. We are what we are on account of this call. The Call of Silent Love is a profound and eloquent examination of the twin themes of vocation and discernment in which the father-master speaks about the nature of a calling, and the interanl and external struggles, the discernment of spirits and the overall framework in which we live our lives. 'The reader is faced with a rare and compelling account of Carthusian spirituality that is simple, sustaining and inviting - to every Christian.' (The Tablet) Other books of classic Carthusian spirituality published by Gracewing include The Prayer of Love and Silence, They Speak by Silences and The Wound of Love.
