Roughly ten million children were victims of political repression in the Soviet Union during the Stalinist era, the sons and daughters of peasants, workers, scientists, physicians, and political leaders considered by the regime to be dangerous to the political order. Ten grown victims, who as children suffered banishment, starvation, disease, anti-Semitism, and trauma resulting from their parents’ condemnation and arrest, now freely share their stories. The result is a powerful and moving oral history that will profoundly deepen the reader’s understanding of life in the U.S.S.R. under the despotic reign of Joseph Stalin.
Roughly ten million children were victims of political repression in the Soviet Union during the Stalinist era, the sons and daughters of peasants, workers, scientists, physicians, and political leaders considered by the regime to be dangerous to the political order. Ten grown victims, who as children suffered banishment, starvation, disease, anti-Semitism, and trauma resulting from their parents' condemnation and arrest, now freely share their stories. The result is a powerful and moving oral history that will profoundly deepen the reader's understanding of life in the U.S.S.R. under the despotic reign of Joseph Stalin.
FROM THE INTRODUCTION BY TRANSLATOR GEOFFREY W. BROMILEY: Helmut Thielicke "has a vivid awareness of the actual needs of actual people living in this age of supreme storm and stress. He sees how the biblical message, how Jesus Christ Himself as the living message, answers powerfully and sufficiently to these needs. He appreciates that faith in Him is not an easy thing, and yet that true faith carries us to victory even in doubt, anxiety, distress and the terrors of conflict and destruction. He attains almost an apocalyptic stature in his depiction of our shattered world and in his proclamation of the message of God's salvation and judgements within it. Here are sermons to put into the hands of contemporaries who suffer from the fears and anxieties which Thielicke so graphically describes but who do not yet perceive the true meaning and relevance of what God did for man in the giving of His only Son. Here are sermons from which to learn how the old Gospel, first given in a very different world, may come with all the living comfort and the regenerative force of truth and reality to our own age too, made relevant by the Holy Spirit on the lips of the sensitive and dedicated preacher."
DigiCat Publishing presents to you this special edition of "The Big Sea" by Langston Hughes. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Silence of God (1897) has become a classic on the subject of why God has not directly intervened in the affairs of men for the past two thousand years. Here's how Anderson puts the question he addresses: "And to not a few this volume may be welcome as affording a clue to pressing difficulties which perplex and distress the thoughtful. Infidelity trades upon the silence of Heaven, the inaction of the Supreme. If there be a God, almighty and all-good, why does He not use His power and give proof of His goodness in the way men choose to expect of Him? The answer usually offered by the Christian apologist fails either to silence the opponent or to satisfy the believer. And rightly so, for it is lacking not only in cogency but in sympathy. The God of the Bible is infinite both in power and in compassion; and in other ages His people had public proof of this. Why, then, is He so silent?"
“A NOVEL FOR LIFE AFTER THE PANDEMIC…Scratches a particular imaginative itch that we are all experiencing at the precipice of a new era." -- The New Yorker From the National Book Award-winning author of The Friend comes a moving and eerily relevant novel that imagines the aftermath of a pandemic virus as seen through the eyes of a thirteen-year-old boy uncertain of his destiny. His family's sole survivor after a flu pandemic has killed large numbers of people worldwide, Cole Vining is lucky to have found refuge with the evangelical Pastor Wyatt and his wife in a small town in southern Indiana. As the world outside has grown increasingly anarchic, Salvation City has been spared much of the devastation, and its residents have renewed their preparations for the Rapture. Grateful for the shelter and love of his foster family (and relieved to have been saved from the horrid, overrun orphanages that have sprung up around the country), Cole begins to form relationships within the larger community. But despite his affection for this place, he struggles with memories of the very different world in which he was reared. Is there room to love both Wyatt and his parents? Are they still his parents if they are no longer there? As others around him grow increasingly fixated on the hope of salvation and the new life to come through the imminent Rapture, Cole begins to conceive of a different future for himself, one in which his own dreams of heroism seem within reach. Written in Sigrid Nunez's deceptively simple style, Salvation City is a story of love, betrayal, and forgiveness, weaving the deeply affecting story of a young boy's transformation with a profound meditation on the meaning of belief and heroism.
In these 1997 Lyman Beecher Lectures in Preaching delivered at Yale Divinity School, the author focuses on the task of those who preach and those who hear sermons in a world where people thirst for a word from God.
Winner, 2023 Clifford Geertz Prize in Anthropology of Religion, Society for the Anthropology of Religion The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants. The first ethnography of this order in any language, The Sound of Salvation draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals. Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world.
Now with a new afterword by Pope emeritus Benedict XVI! In a time when technology penetrates our lives in so many ways and materialism exerts such a powerful influence over us, Cardinal Robert Sarah presents a bold book about the strength of silence. The modern world generates so much noise, he says, that seeking moments of silence has become both harder and more necessary than ever before. Silence is the indispensable doorway to the divine, explains the cardinal in this profound conversation with Nicolas Diat. Within the hushed and hallowed walls of the La Grande Chartreux, the famous Carthusian monastery in the French Alps, Cardinal Sarah addresses the following questions: Can those who do not know silence ever attain truth, beauty, or love? Do not wisdom, artistic vision, and devotion spring from silence, where the voice of God is heard in the depths of the human heart? After the international success of God or Nothing, Cardinal Sarah seeks to restore to silence its place of honor and importance. "Silence is more important than any other human work," he says, "for it expresses God. The true revolution comes from silence; it leads us toward God and others so as to place ourselves humbly and generously at their service."
