Sight-readings

Sight-readings

Author: Elizabeth Hardwick

Publisher:

Published: 1998

Total Pages: 312

ISBN-13:

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It is only in a country where newness and change and brevity of tenure are the common substance of life," wrote Henry James, "that the fact of one's ancestors having lived for a hundred and seventy years in a single spot would become an element of one's morality." Newness and rootedness are the twin poles of Sight-Readings, Elizabeth Hardwick's brilliant new collection of essays. (Her first, Seduction and Betrayal, was nominated for the National Book Award.) Hardwick's focus here is on American writers, at home and abroad, and especially women, as writers and as characters: Edith Wharton, Djuna Barnes, Gertrude Stein, Mary McCarthy, Elizabeth Bishop, Katherine Anne Porter, and Joan Didion, among others. In sections on Old New York, Americans Abroad, and Fictions of America, Hardwick considers writers and their landscapes, real and imagined. Her essays on Edith Wharton and Henry James illuminate aspects of their inventions of New York. From there she takes us to the Paris of Gertrude Stein and Djuna Barnes, into the hermetic world of Boston Transcendentalism, and on to the suburbs of John Cheever, the America of Philip Roth and John Updike, and the restless expanses of Richard Ford and the Prairie poets. Elizabeth Hardwick has achieved a permanent place in American letters for her sharp and elegant criticism. Her essays on American writers are them-selves a work of literature.


Language at the Speed of Sight

Language at the Speed of Sight

Author: Mark Seidenberg

Publisher:

Published: 2017-01-03

Total Pages: 385

ISBN-13: 0465019323

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We’ve been teaching reading wrong—a leading cognitive scientist tells us how we can finally do it right


Reading studies for guitar

Reading studies for guitar

Author: William Leavitt

Publisher: Berklee Press Publications

Published: 1979

Total Pages: 0

ISBN-13: 9780634013355

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(Guitar Solo). A comprehensive collection of studies for beginners to improve their reading and technical ability. Covers: positions 1 through 7 in all keys while introducing scales, arpeggios, written-out chords, and a variety of rhythms and time signatures.


Sight Reading Mastery for Guitar

Sight Reading Mastery for Guitar

Author: Joseph Alexander

Publisher: WWW.Fundamental-Changes.com

Published: 2019-04

Total Pages: 108

ISBN-13: 9781789330441

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The exercises in Sight Reading Mastery are limitless and continually challenge, develop and improve your sight reading skills - however far you advance.


Super Sight-reading Secrets

Super Sight-reading Secrets

Author: Howard Richman

Publisher: Sound Feelings Publishing

Published: 1986

Total Pages: 52

ISBN-13: 9780961596309

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Written for all keyboardists (classical, jazz, rock), this book is a goldmine for students, teachers, and professionals alike. The book reduces the process of sight-reading into individual components. Through a series of progressive drills, your mastery of each component is comfortably and scientifically paced. As you improve, the parts merge as one and your reading reaches the highest level.


Sound Sight-Reading for Concert Band, Book 1

Sound Sight-Reading for Concert Band, Book 1

Author:

Publisher:

Published: 2019-07

Total Pages: 0

ISBN-13: 9781470643010

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"Provides students with decoding strategies to help with reading music more quickly and accurately. Organized in six progressively detailed and expressive levels, each section introduces and reviews new notes, rhythms, time signatures, and other musical elements through a variety of performance material. Spend less time learning notes and more time making music!"--Back cover


Sight-Reading

Sight-Reading

Author: Pablo S. Della Bella

Publisher: Xlibris Corporation

Published: 2011-12-29

Total Pages: 48

ISBN-13: 1469138840

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So what is sight-reading? Sight-reading is the ability to take a piece of music for the very first time and play it through as if you knew it your whole life. So when do you master Sight-Reading? Being a good reader is only half way there, you master Sight-reading when you are able to read anything in any given key, with any metric modulation, in any Clef, when you are able to transpose the notated music on the spot, following conductor cues performing dynamics, articulations and styles flawlessly. The ability to sight-read is crucial but not only in the working field. Can you imagine how your ability to grow as a musician will be expanded? Youll be able to pick-up any book and sight read whatever is written: Examples, Transcribed solos Anything. Finally! You will go forward from wasting hours figuring out those parts instantly! In this edition I share with you all the information that I put together all these years of sight-reading new shows every day, and the key points to finally achieve that skill that has been troubling your sleep for so long.


Choral Sight Reading

Choral Sight Reading

Author: Micheál Houlahan

Publisher: Oxford University Press

Published: 2023-01-31

Total Pages: 377

ISBN-13: 0197550568

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Choral Sight Reading provides a practical and organic approach to teaching choral singing and sight-reading. The text is grounded in current research from the fields of choral pedagogy, music theory, music perception and cognition. Topics include framing a choral curriculum based on the Kodály concept; launching the academic year for beginning, intermediate, and advanced choirs; building partwork skills; sight-reading; progressive music theory sequences for middle to college level choirs; teaching strategies; choral rehearsal plans as well as samples of how to teach specific repertoire from medieval to contemporary choral composers. This volume includes basic and advanced music theory concepts to develop fluent sight-reading skills for reading standard choral repertoire, providing examples for the process outlined in Chapters 6-8 of Volume 1 (Choral Artistry). This guide provides choral directors with a choral curriculum and choral rehearsal models that place performance, audiation, partwork, music theory, and sight-signing skills at the heart of the choral experience, through a 'sound thinking' approach to teaching that results in greater efficiency in creating independent choral singers with a well-rounded repertoire.