A staple of American popular culture during the 19th and early 20th centuries, the freak show seemed to vanish after World War II. This book reveals the image of the freak show, with its combination of the grotesque, horrific and amusing specimens.
A fascinating look into the history of the American sideshow and its performers. Learn what's real, what's fake, and what's just downright bizarre. You've probably heard of Tom Thumb. The Elephant Man. Perhaps even Chang and Eng, the original Siamese twins. But what about Eli Bowen, the legless acrobat? Or Prince Randian, the human torso? These were just a few of the many stars that shone during the heyday of the American sideshow, from 1840 to 1950. American Sideshow chronicles the lives of truly amazing performers, examining these brave and extraordinary curiosities not just as sideshow performers but as people, delving into the lives they led and the ways they were able to triumph over and even benefit from their abnormalities. American Sideshow discusses the rise and fall of the original sideshows and their subsequent replacement by today's self-made freaks. With the progress of modern medicine, technological advancements, and the wonderful world of body modification, abnormalities are being overcome, treated and even prevented: Siamese twins can now be separated, and in addition to this, tongues can be forked, horns surgically implanted, and earlobes removed. There are also, of course, modern-day giants, fire eaters, sword swallowers, glass eaters, human blockheads, and oh, so much more. These fascinating personalities are celebrated through intimate biographies paired with stunning photographs. Approximately two hundred performers from the past one hundred and sixty years are featured, giving readers a comprehensive and sometimes astonishing look into the history of the American sideshow
Although there are many books and films dealing with the Vietnam War, Sideshow tells the truth about America's secret and illegal war with Cambodia from 1969 to 1973. William Shawcross interviewed hundreds of people of all nationalities, including cabinet ministers, military men, and civil servants, and extensively researched U.S. Government documents. This full-scale investigation—with material new to this edition—exposes how Kissinger and Nixon treated Cambodia as a sideshow. Although the president and his assistant claimed that a secret bombing campaign in Cambodia was necessary to eliminate North Vietnamese soldiers who were attacking American troops across the border, Shawcross maintains that the bombings only spread the conflict, but led to the rise of the Khmer Rouge and the subsequent massacre of a third of Cambodia's population.
Step right up! The show's about to begin with this mesmerizing collection of outrageous banners from the heydey of traveling circus sideshows. From the turn of the century through the 1950s, circus sideshows boasted unbelievable "freaks of nature", incredible transformations and death-defying acts. For collectors and nostalgia buffs, Freak Show celebrates this unique American commercial folk art. 90 full-color photos.
"Features characters born from the rich, schizophrenic melting pot of the modern South, where culture and class mix with surprising outcomes. This menagerie of everyday misfits serves as a reminder of human fragility and how freakish we can all become when our lives lack love or truth, or we suddenly discover it"--Provided by publisher.
In July 1918, as the carnage of World War I continued, President Woodrow Wilson deployed U.S. troops to join other Allied forces in civil war-ravaged Russia. Ostensibly a mission to guard czarist military supplies and the Trans-Siberian Railroad, the true purpose of the Allied intervention was to help topple the nascent Bolshevik government. Dispatched to some of the most remote regions of the Russian wilderness-from the frigid port city of Archangel to Lake Baikal to Vladivostok-the U.S. troops encountered fierce resistance from Red Army units, partisans, and peasants. Using previously classified official records and the letters and diaries of Americans who served there, Robert L. Willett describes the suffering of the hundreds of American soldiers who fought and died in subzero conditions, both in combat and from disease. Expertly researched and provocatively written, this book is the first to describe in detail the experiences of the American doughboys who fought in this little-known campaign-a tragically misguided military action that established a legacy of distrust that defined U.S.-Soviet relations for the next seven decades.
Georges Seurat (1859–1891) created just six major figure paintings during his lifetime, one of which, the alluring Circus Sideshow (Parade de cirque), has remained the most challenging to interpret since it first intrigued viewers at the 1888 Salon des Indépendants in Paris. Unlike Seurat’s earlier sunlit scenes, Circus Sideshow presents a nighttime tableau depicting a parade—a street show enticing passersby to purchase tickets. With its geometrically precise composition, muted colors, and elements of abstraction, the painting stands apart as a masterpiece of Neo-Impressionism and heralds Seurat’s subsequent depictions of popular entertainments. This book, the first comprehensive study of Circus Sideshow, situates the painting in the context of nineteenth-century Paris and of the many social changes France was undergoing. Renowned art historian Richard Thomson illuminates the roles of caricature, naturalist and avant-garde painting, and circus advertising; examines Seurat’s use of contemporary aesthetic theory; and discusses how artists ranging from Rouault to Picasso mined the sideshow theme into the twentieth century. Illustrated with Seurat’s related drawings, works by other artists, and period posters and broadsides, Seurat’s Circus Sideshow delves into the history of traveling circuses and seasonal fairs in France, exploring the ongoing appeal of this traditional form of popular entertainment through the fin de siècle. Two additional essays describe the painting’s enthusiastic reception in New York upon its 1929 debut and present the results of a fresh technical examination of the canvas, making this volume the definitive resource on one of Seurat’s most captivating works.
"Joe Nickell - once a carnival pitchman, then a magician, private detective, and investigative writer - has pursued sideshow secrets for years and has worked the famous carnival midway at the Canadian National Exhibition. For this book, he interviewed showmen and performers, collected carnival memorabilia, researched published accounts of sideshows and their lore, and even performed some classic sideshow feats, such as eating fire and lying on a bed of nails as a cinderblock was broken on his chest. The result of these varied efforts, Secrets of the Sideshows tells the captivating story of the magic, tricks - real or illusory - and performers of the world's midway shows."--BOOK JACKET.
The true story of two African-American brothers who were kidnapped and displayed as circus freaks, and whose mother endured a 28-year struggle to get them back. The year was 1899 and the place a sweltering tobacco farm in the Jim Crow South town of Truevine, Virginia. George and Willie Muse were two little boys born to a sharecropper family. One day a white man offered them a piece of candy, setting off events that would take them around the world and change their lives forever. Captured into the circus, the Muse brothers performed for royalty at Buckingham Palace and headlined over a dozen sold-out shows at New York's Madison Square Garden. They were global superstars in a pre-broadcast era. But the very root of their success was in the color of their skin and in the outrageous caricatures they were forced to assume: supposed cannibals, sheep-headed freaks, even "Ambassadors from Mars." Back home, their mother never accepted that they were "gone" and spent 28 years trying to get them back. Through hundreds of interviews and decades of research, Beth Macy expertly explores a central and difficult question: Where were the brothers better off? On the world stage as stars or in poverty at home? Truevine is a compelling narrative rich in historical detail and rife with implications to race relations today.
As an internationally acclaimed fashion photographer Hanspeter Schneider's professional life focuses on the artifice of beauty, so it's natural for him to challenge surface assumptions about model humans. For this collection he has chronicled an American community of travelling circus performers and found himself charmed and enlightened. His empathy with his old and often unusual subjects shines through the portraits as the circus folk present themselves to the camera as open books of humour, dignity and vivacity.