Poppy is gazing out of the window at the snow when suddenly she sees that the snowflakes are really Snow Children, dancing and whirling in the garden. Soon, they whisk her away to the Snow Queen's wintry kingdom. From the author ofThe Story of the Root Children, this is another classic children's story with beautiful illustrations in the art-nouveau style.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
An adorable mini edition of Sibylle von Olfers' classic nature story with art nouveau illustrations. Perfect for fans of Cicely Mary Barker's Flower Fairies and Elsa Beskow. Far far away, the butterfly children play, dance and sing all day long with their little brothers and sisters, the caterpillars. The children can't wait until the first day of spring, when they will finally get their wings. But first, they must learn about the many brightly colored flowers in the kingdom, so they can take part in the flying procession of peacock, swallowtail, red admiral and many other butterflies. Sibylle von Olfers' vintage stories of nature children (The Story of the Snow Children, The Story of the Root Children and The Story of the Wind Children) have been loved by generations. The whimsical tales are accompanied by beautiful art nouveau illustrations of characterful creatures, cheerful plants and flowers and magical little folk.
The daughter of French psychoanalyst Jacques Lacan tries to make sense of her relationship with her father. “When I was born, my father was already no longer there.” Sibylle Lacan's memoir of her father, the influential French psychoanalyst Jacques Lacan, is told through fragmentary, elliptical episodes, and describes a figure who had defined himself to her as much by his absence as by his presence. Sibylle was the second daughter and unhappy last child of Lacan's first marriage: the fruit of despair (“some will say of desire, but I do not believe them”). Lacan abandoned his old family for a new one: a new partner, Sylvia Bataille (the wife of Georges Bataille), and another daughter, born a few months after Sibylle. For years, this daughter, Judith, was the only publicly recognized child of Lacan—even if, due to French law, she lacked his name. In one sense, then, A Father presents the voice of one who, while bearing his name, had been erased. If Jacques Lacan had described the word as a “presence made of absence,” Sibylle Lacan here turns to the language of the memoir as a means of piecing together the presence of a man who had entered her life in absence, and in his passing, finished in it. In its interplay of absence, naming, and the despair engendered by both, A Father ultimately poses an essential question: what is a father? This first-person account offers both a riposte and a complement to the concept (and the name) of the father as Lacan had defined him in his work, and raises difficult issues about the influence biography can have on theory—and vice versa—and the sometimes yawning divide that can open up between theory and the lives we lead.
DIVA study of the ways that knowledge of the slave revolt in Haiti was denied/repressed/disavowed within the network of slave-owning states and plantation societies of the New World, and the effects and meaning of this disavowal./div
