Published to accompany National Gallery Singapore’s inaugural exhibition Siapa Nama Kamu?, the catalogue stands on the shoulders of giants to present a survey of Singapore art from the 19th century to the present, charting major themes across broad time periods. Over 400 works of art in a wide range of media are brought together to trace the ebb and flow of the history of Singapore art. Curatorial essays provide insight into the exhibition making, as well as examine the geographical confines of Singapore, the parameters of national identity and margins of time.
Imagining Singapore is the first comprehensive study on the history of Pictorial photography in Singapore. Drawing from interviews, unpublished historical data and newly discovered photographs, the book unveils a fascinating aspect of visual culture and its links to global Pictorialism.
Intersections, Innovations, Institutions: A Reader in Singapore Modern Art is the second of two volumes of readers which the editors had published on Singapore art. The first volume, Histories, Practices, Interventions: A Reader in Singapore Contemporary Art, was published in 2016. Like the first volume, Intersections, Innovations, Institutions brings together historically important writings but the scope is on modern artistic practices in Singapore from the 19th century to the 1980s. The aim of this book is to make these writings accessible for research and scholarship and for new histories and narratives to be constructed about the modern in Singapore art.Bundle set: A Reader in Singapore Modern and Contemporary ArtRelated Link(s)
Earth Work, originally staged at the National Museum Art Gallery in 1980 by Singapore artist Tang Da Wu, was one of the earliest exhibitions of land art in Singapore. Key works from the exhibition included Gully Curtains, Product of the Sun and Me and Product of the Rain and Me. Earth Work 1979 is a restaging of selected works from the seminal 1980 exhibition. This catalogue delves deeper into Tang’s practice, the circumstances of the creation of his earth works and the environment of Singapore in the 1970s and 1980s through essays, interviews, newspaper articles and never-before-seen photo documentation.
This album offers an overview of Siapa Nama Kamu? through an inspired selection of 100 works from the exhibition. Beautifully reproduced in full color, these images tell the story of nearly two centuries of art in Singapore--one of diverse influences, shared impulses and ceaseless flux. Accompanying curatorial texts explain the themes and concerns of the exhibition, making for a compelling look at the most comprehensive survey of art in Singapore to date.
Drawing mainly on advertisements and comics in Chinese newspapers, Singaporean scholar and educator Yeo Mang Thong demonstrates how Singapore was an important hub for artists who travelled to and lived in Singapore. Yeo’s research features amongst other things essays on sojourning artists, and fills a gap in scholarship on the pre-war visual arts scene in Singapore. Originally in Chinese, this English translation aims to bring his research to a broader audience.
Modern Art of Southeast Asia: Introductions from A to Z features 60 concise and accessibly written accounts of the key ideas and currents underlying modern art in the region. These are accompanied by over 250 beautifully reproduced artworks from the collection of National Gallery Singapore, and other public and private collections in Southeast Asia and beyond. The book offers an informative first encounter with art as well as refreshing perspectives, and is a rewarding resource for students.
Trenchant and groundbreaking work -- Molly Ball, ÂNational Political Correspondent, TIME Magazine The go-to source for understanding how demographic change is impacting American politics. - Jonathan Capehart, The Washington Post and MSNBC A treasure trove -- Thomas B. Edsall, Columnist, The New York Times A joy to read. . . A tour de force -- Eric Kaufmann, Professor of Politics, Birkbeck College, University of London How do societies respond to great demographic change? This question lingers over the contemporary politics of the United States and other countries where persistent immigration has altered populations and may soon produce a majority minority milestone, where the original ethnic or religious majority loses its numerical advantage to one or more foreign-origin minority groups. Until now, most of our knowledge about largescale responses to demographic change has been based on studies of individual people's reactions, which tend to be instinctively defensive and intolerant. We know little about why and how these habits are sometimes tempered to promote more successful coexistence. To anticipate and inform future responses to demographic change, Justin Gest looks to the past. In Majority Minority, Gest wields historical analysis and interview-based fieldwork inside six of the world's few societies that have already experienced a majority minority transition to understand what factors produce different social outcomes. Gest concludes that, rather than yield to people's prejudices, states hold great power to shape public responses and perceptions of demographic change through political institutions and the rhetoric of leaders. Through subsequent survey research, Gest also identifies novel ways that leaders can leverage nationalist sentiment to reduce the appeal of nativism--by framing immigration and demographic change in terms of the national interest. Grounded in rich narratives and surprising survey findings, Majority Minority reveals that this contentious milestone and its accompanying identity politics are ultimately subject to unifying or divisive governance.
What is modernism in Southeast Asia? What is modern art, as embodied in the paintings of Southeast Asia? These questions and more are answered in Reframing Modernism: Painting from Southeast Asia, Europe and Beyond, published in conjunction with the exhibition of the same name. Featuring 217 works, in full colour, by 51 Southeast Asian and European artists, from the Centre Pompidou and National Gallery Singapore, as well as other Southeast Asian collections in the region and beyond, this catalogue tells the compelling story of modernism as it developed across continents, and reveals artists' powerful, and sometimes surprising, responses to modernity.
