What is a consumer? Shopping with Freud looks at some of the surprising ways in which the consumer subject appears in a range of writings - from literature to marketing psychology to psychoanalysis. Rachel Bowlby shows how ideas about consumption are brought to bear on contemporary conceptions of choice in areas that seem far removed from a straightforward matter of shopping. She also shows that arguments and assumptions about the psychology of consumers themselves throw light on genderal questions of human psychology.
What is a consumer? Shopping with Freud looks at some of the surprising ways in which the consumer subject appears in a range of writings - from literature to marketing psychology to psychoanalysis. Rachel Bowlby shows how ideas about consumption are brought to bear on contemporary conceptions of choice in areas that seem far removed from a straightforward matter of shopping. She also shows that arguments and assumptions about the psychology of consumers themselves throw light on genderal questions of human psychology.
Freud 2000 is a bold defense of the relevance and importance of Freud to contemporary culture, offering a highly readable and lucid application of Freudian concepts to current theoretical issues in the social sciences and the humanities. Issues addressed include the impact of Freud on our understandings of identity and sexuality; the relationship between psychoanalysis and feminism; problems of epistemology and method; the analysis of political violence and international relations; the temporal and spatial constitution of social practices; the coherence of law and jurisprudence; the interpretation of biography and autobiography; and the dynamics of modernity and postmodernism.
Shopping Around investigates the issues of contemporary popular narrative, feminine pleasure, and consumer culture, viewing the permutations of the feminine subject as a textual construction evolved through everyday life. A wide spectrum of texts are examined, exposing the fact that women "read" within a complex and conflicted cultural arena characterized by a significant intertextuality that multiply defines "femininity." Shopping Around raises these issues in the context of everyday cultural practices such as applying make-up, reading magazines, watching television, and working-out, providing a unique introduction to postmodern feminist and cultural theory.
In 1958, the US director John Huston asked Jean-Paul Sartre to write a scenario for a film about Sigmund Freud. Huston wanted Sartre to concentrate on the conflict-ridden period of Freud’s life when he abandoned hypnosis and invented psychoanalysis. The Freud Scenario, discovered in Sartre’s papers after his death, is the result—a deft portrait of a man engaged in a personal and intellectual struggle that would prove a turning point in twentieth-century thought. Sartre did not regard this script as a diversion from his larger intellectual project. Freud’s preoccupations with female hysteria and the father relationship touched on major themes in his own work, and Loser Wins, The Family Idiot and Words, some of Sartre’s most celebrated publications, are all in some way derived from his work for Huston. Written for a Hollywood audience, The Freud Scenario demonstrates that, in addition to a towering intellect, Sartre enjoyed a genuine popular touch. Already widely acclaimed in France, The Freud Scenario stands as a valuable testament to two of the most influential minds in modern history.
Engages in key debates in contemporary consumption and identity studies, yet presents a firmly grounded study that will complement the more speculative writing about shopping, place and identity that has developed in recent years.
Selected by Choice magazine as an Outstanding Academic Title In The Freudian Reading, Lis Møller examines the premises, procedures, and objectives of psychoanalytic reading in order to question the kind of knowledge such readings produce. But above all, she questions the role of Freud as master explicator. Although Freud has been seen as a great synthesizer, Møller contends that his significance as a reader lies elsewhere. For Møller, this significance lies in the way Freud presses his inquiry to the point where he encounters something he cannot explain or that he can only explain at the risk of overthrowing previous conclusions. Such "moments of crisis" occur repeatedly in Freud's work, causing him to swerve from his original train of thought, or even to call into question the theoretical foundation of his interpretation. The dominant line of argument, therefore, is frequently punctuated with problems and questions. If we concentrate on these, Møller argues, we are forced to reconsider the traditional conception of a "Freudian reading" and to reassess our perceived notions of just what kind of reader Freud was. While The Freudian Reading is based on a wide range of Freud's writings, it concentrates on four central texts: Delusions and Dreams in Jensen's "Gradiva", From the History of an Infantile Neurosis, "The Uncanny," and "Constructions in Analysis." The discussion does not progress chronologically. Rather, it explores the ways in which these texts interact: how they reflect, comment on, and contradict one another. The Freudian Reading is a concentrated, subtle analysis of Freud's interpretive practice, with special reference to his interpretations of literary texts. It will be of interest to scholars and students of literary theory and criticism as well as to readers in the field of psychoanalysis.
This play takes the audience back to the rooms of Freud and his inner circle as they struggle to survive their own madness and the madness of those around them. This intricately woven tale of Victor Touski, Helene Deutsct, Lou Andreas-Salome, and Sigmund Freud emerges with wit and compassion as the story of four people-as well as the story of the inception of psychoanalysis and modern-day psychotherapy.
From the master of Freud debunkers, the book that definitively puts an end to the myth of psychoanalysis and its creator Since the 1970s, Sigmund Freud’s scientific reputation has been in an accelerating tailspin—but nonetheless the idea persists that some of his contributions were visionary discoveries of lasting value. Now, drawing on rarely consulted archives, Frederick Crews has assembled a great volume of evidence that reveals a surprising new Freud: a man who blundered tragicomically in his dealings with patients, who in fact never cured anyone, who promoted cocaine as a miracle drug capable of curing a wide range of diseases, and who advanced his career through falsifying case histories and betraying the mentors who had helped him to rise. The legend has persisted, Crews shows, thanks to Freud’s fictive self-invention as a master detective of the psyche, and later through a campaign of censorship and falsification conducted by his followers. A monumental biographical study and a slashing critique, Freud: The Making of an Illusion will stand as the last word on one of the most significant and contested figures of the twentieth century.
Sigmund Freud: The Basics is an easy-to-read introduction to the life and ideas of Sigmund Freud, the founder of psychoanalysis and a key figure in the history of psychology. Janet Sayers provides an accessible overview of Freud’s early life and work, beginning with his childhood. Her book includes the stories of his most famous patients: Dora, Little Hans, the Rat Man, Judge Schreber, and the Wolf Man. It also discusses Freud’s key ideas such as psychosexual development, the Oedipus complex, and psychoanalytic treatment. Sayers then covers Freud’s later work, with a description of his observations about depression, trauma and the death instinct, as well as his 1923 theory of the id, ego, and superego. The book includes a glossary of key terms and concludes with examples of how psychoanalysis has been applied to the study of art, literature, film, anthropology, religion, sociology, gender politics, and racism. Sigmund Freud: The Basics offers an essential introduction for students from all backgrounds seeking to understand Freud’s ideas and for general readers with an interest in psychology. For those already familiar with Freudian ideas, it offers a helpful guide to their interdisciplinary applications and context not least today.
