In 33 narrative, linguistically-adventurous poems, this work ranges freely among styles and voices. Daisy Fried turns a perceptive eye on those around her to examine human emotions and behaviour in all their contradictions.
If you don't do it yourself, you certainly know someone who is forever putting a foot into his or her mouth. This person has raised the tasteless, thoughtless, tactless, or otherwise terrifically awful remark into an art form. If there is a wrong place, a wrong time, or a wrong person to whom to say anything, they're on the spot and on the ready. And though we can joke about it (at the right time, of course), careless speech is no laughing matter. Words really can hurt-not only the person at whom they're aimed but the speaker, too, whose relationship, career, and social prospects can all suffer as a result of unmindful speech. Fortunately, this book can help even the most scandalous mis-speaker. It outlines six simple questions, called Q-Points (Questions of Positive Thinking and Speaking) for readers to keep in mind before they speak. Who am I speaking to? What am I not seeing? Where will my words get me? How will the other person react to my words? When do I say it? And why must I say it at all? By coming up with an answer in the moment before speaking, anyone can start to avoid terrible slips in speaking judgment that can hurt themselves and others. But I Didn't Mean That! analyzes the most problematic speaking situations to show how the Q-points can be used to start conversing with empathy, confidence, and unimpeachable tact.
Snappsy the alligator is having a normal day when a pesky narrator steps in to spice up the story. Is Snappsy reading a book ... or is he making CRAFTY plans? Is Snappsy on his way to the grocery store ... or is he PROWLING the forest for defenseless birds and fuzzy bunnies? Is Snappsy innocently shopping for a party ... or is he OBSESSED with snack foods that start with the letter P? What's the truth? Snappsy the Alligator (Did Not Ask to Be in This Book) is an irreverent look at storytelling, friendship, and creative differences, perfect for fans of Mo Willems.
LONGLISTED FOR THE EDGE HILL SHORT STORY PRIZE From a comic mastermind comes this brilliant collection of stories Three teenagers believe they are witches. A woman defaces a local billboard. A bored landlord tries to influence his son’s best friend. A cul-de-sac WhatsApp group discusses eggs at length. A heavily pregnant woman finds a way to time travel and a girl discovers joy on a stolen bicycle . . . Each tale paints a life in miniature and offers an escape chute from the mayhem of modern life.
Nick Millar is going home to Philadelphia. No longer Father Nicholas, Nick has to face his family and make a new life for himself after deciding to leave the priesthood. At thirty-four, Nick has to start over with degrees in Theology and Ancient Languages and experience in street ministry that doesn't translate in today's job market. Still, he has the support of his family, a small trust fund, and an appeal to women that many would envy. Nick, the youngest son in a high-achieving family, plods along realizing his choice of career is not what his family would choose, but with the help of some strong women begins to put his life back together. Senator Abbe Metzger, wants Nick as her chief of staff...and more. But Nick has a soft spot for Annie, a young woman he encounters "on the street". When he does meet the love of his life, he finds everyone has a past.
#1 New York Times Bestseller Over 10 million copies sold In this generation-defining self-help guide, a superstar blogger cuts through the crap to show us how to stop trying to be "positive" all the time so that we can truly become better, happier people. For decades, we’ve been told that positive thinking is the key to a happy, rich life. "F**k positivity," Mark Manson says. "Let’s be honest, shit is f**ked and we have to live with it." In his wildly popular Internet blog, Manson doesn’t sugarcoat or equivocate. He tells it like it is—a dose of raw, refreshing, honest truth that is sorely lacking today. The Subtle Art of Not Giving a F**k is his antidote to the coddling, let’s-all-feel-good mindset that has infected American society and spoiled a generation, rewarding them with gold medals just for showing up. Manson makes the argument, backed both by academic research and well-timed poop jokes, that improving our lives hinges not on our ability to turn lemons into lemonade, but on learning to stomach lemons better. Human beings are flawed and limited—"not everybody can be extraordinary, there are winners and losers in society, and some of it is not fair or your fault." Manson advises us to get to know our limitations and accept them. Once we embrace our fears, faults, and uncertainties, once we stop running and avoiding and start confronting painful truths, we can begin to find the courage, perseverance, honesty, responsibility, curiosity, and forgiveness we seek. There are only so many things we can give a f**k about so we need to figure out which ones really matter, Manson makes clear. While money is nice, caring about what you do with your life is better, because true wealth is about experience. A much-needed grab-you-by-the-shoulders-and-look-you-in-the-eye moment of real-talk, filled with entertaining stories and profane, ruthless humor, The Subtle Art of Not Giving a F**k is a refreshing slap for a generation to help them lead contented, grounded lives.
Love, loss, and alienation unify a collage of characters chasing the American Dream during New York’s industrial expansion. A thinly veiled critique of American capitalism from the Gilded Age to the Jazz Age.