A Pulitzer Prize-winning history of the mistreatment of black Americans. In this 'precise and eloquent work' - as described in its Pulitzer Prize citation - Douglas A. Blackmon brings to light one of the most shameful chapters in American history - an 'Age of Neoslavery' that thrived in the aftermath of the Civil War through the dawn of World War II. Using a vast record of original documents and personal narratives, Blackmon unearths the lost stories of slaves and their descendants who journeyed into freedom after the Emancipation Proclamation and then back into the shadow of involuntary servitude thereafter. By turns moving, sobering and shocking, this unprecedented account reveals these stories, the companies that profited the most from neoslavery, and the insidious legacy of racism that reverberates today.
Folk singer and labor organizer John Handcox was born to illiterate sharecroppers, but went on to become one of the most beloved folk singers of the prewar labor movement. This beautifully told oral history gives us Handcox in his own words, recounting a journey that began in the Deep South and went on to shape the labor music tradition.
Winner of the 2019 Humanities Book of the Year from the Louisiana Endowment for the Humanities Today sharecropping is history, though during World War II and the Great Depression sharecropping was prevalent in Louisiana's southern parishes. Sharecroppers rented farmland and often a small house, agreeing to pay a one-third share of all profit from the sale of crops grown on the land. Sharecropping shaped Louisiana's rich cultural history, and while there have been books published about sharecropping, they share a predominately male perspective. In A Cajun Girl's Sharecropping Years, Viola Fontenot adds the female voice into the story of sharecropping. Spanning from 1937 to 1955, Fontenot describes her life as the daughter of a sharecropper in Church Point, Louisiana, including details of field work as well as the domestic arts and Cajun culture. The account begins with stories from early life, where the family lived off a gravel road near the woods without electricity, running water, or bathrooms, and a mule-drawn wagon was the only means of transportation. To gently introduce the reader to her native language, the author often includes French words along with a succinct definition. This becomes an important part of the story as Fontenot attends primary school, where she experienced prejudice for speaking French, a forbidden and punishable act. Descriptions of Fontenot's teenage years include stories of going to the boucherie; canning blackberries, figs, and pumpkins; using the wood stove to cook dinner; washing and ironing laundry; and making moss mattresses. Also included in the texts are explanations of rural Cajun holiday traditions, courting customs, leisure activities, children's games, and Saturday night house dances for family and neighbors, the fais do-do.
This paperback facsimile edition restores to print Howard Kester's Revolt among the Sharecroppers, a lost classic of southern radicalism. First published in 1936, Kester's brief, stirring book provides a dramatic eyewitness account of the origins of the Southern Tenant Farmers' Union (STFU), the Arkansas Delta sharecroppers' organization whose cause was championed by religious radicals and socialists during the 1930s. Accompanying Kester's original text is a substantial new introductory essay by historian Alex Lichtenstein. This edition will introduce general readers, scholars, and students to a social movement with significant historical implications. In its commitment to interracialism, the STFU challenged long-standing southern traditions. In its hostility to the agricultural recovery programs of the 1930s (which tended to benefit landowners at the expense of tenant farmers), the union offered an early critique of New Deal liberalism. And, finally, in its insistence that the dispossessed could assume control of their own destiny, the STFU foreshadowed the progressive social movements of the 1960s. Thus, Revolt among the Sharecroppers is an important primary document that makes a signal contribution to our understanding of southern history, labor history, African American history, and the history of Depression-era America. Kester's text recounts the early history of the STFU and its criticisms of the New Deal in compelling, accessible prose. Lichtenstein's introduction offers biographical background on Kester, explores the religious and socialist beliefs that led him to work with the STFU, describes the racial and social climate that shaped the union's emergence, places the union'srise and decline within the context of 1930s politics, and outlines the legacy of this remarkable organization.
As the nineteenth century ended in Hunt County, Texas, a way of life was dying. The tightly knit, fiercely independent society of the yeomen farmers—”plain folk,” as historians have often dubbed them—was being swallowed up by the rising tide of a rapidly changing, cotton-based economy. A social network based on family, religion, and community was falling prey to crippling debt and resulting loss of land ownership. For many of the rural people of Hunt County and similar places, it seemed like the end of the world. In Yeomen, Sharecroppers, and Socialists historian Kyle G. Wilkison analyzes the patterns of plain-folk life and the changes that occurred during the critical four decades spanning the end of the nineteenth and the beginning of the twentieth centuries. Political protest evolved in the wake of the devastating losses experienced by the poor rural majority, and Wilkison carefully explores the interplay of religion and politics as Greenbackers, Populists, and Socialists vied for the support of the dispossessed tenant farmers and sharecroppers. With its richly drawn contextualization and analysis of the causes and effects of the epochal shifts in plain-folk society, Kyle G. Wilkison’s Yeomen, Sharecroppers, and Socialists will reward students and scholars in economic, regional, and agricultural history.
In this fascinating study of race, politics, and economics in Mississippi, Chris Myers Asch tells the story of two extraordinary personalities--Fannie Lou Hamer and James O. Eastland--who represented deeply opposed sides of the civil rights movement. Both
In the story of "Nicholas Mickelby: Shadow at Lighthouse Point," D. P. Walton put a lot of his curiosity and independence into Nicholas, the main character. Nicholas roams the continent with his family. His dad, an event coordinator, travels abroad during the year as he takes Nicholas, Sis, Mrs. Mickelby, and Fern - their Scottish Collie to many different places. There are plenty of opportunities for adventure in Crescent City. The Shadow, a tall, scary lighthouse watchman, keeps them running. Hidden treasure, caves, and a kite fair are just some of the excitement. Nicholas, with his summer time friends, Jason and Isaak, spy and search for the truth. It is fun, yet scary, in an exciting chase from thieves, bullies, and an old, mean, Mrs. Rumble, a grouchy neighbor, right to the fiery climax! Watch for Nicholas's next adventure, "Stranded on Dolphin Island!"
