Shaping My Hat is the inspirational true story of Jake Billingsley, the most popular cast member on Survivor: Thailand. During much of his youth, Jake's father was in and out of hospitals. Forced to learn to shift for himself at an early age, this natural salesman and leader enjoyed both personal and professional success through most of his life. But after suffering a series of setbacks, he journeyed into the mountains of Colorado to look for answers and to find his true self. Shaping My Hat is the story, of that journey culminating in his selection to join the cast of Survivor: Thailand, the award-winning CBS television show.
Revised to include presidential hats, new celebrity hats, and a fully updated resource listing of custom hatters. The Cowboy Hat Book features an impressive array of cowboy hats, showcasing the wide variety of styles, colors, and fabrics used to create the cowboy hat, now a symbol of America and western culture that is recognized all over the world. Beginning with a brief history of the cowboy hat, the authors go on to explain the building of the perfect hat, its care and feeding, hat etiquette, hat hair, and more. Beautiful photos of real cowboys and movie cowboys sporting their trademark hats illustrate how creases, brims, shapes, and trims are unique to the individual who wears each hat. The Cowboy Hat Book celebrates the history and importance of this unique piece of clothing that hasn't fundamentally changed in more than 100 years. Ritch Rand's family has been making handcrafted hats for over twenty years. His hats have rested on dozen's of famous heads-from presidents to kings and heads of state to movie stars. He lives in Billings, Montana. William Reynolds is president and CEO of the marketing, PR, and advertising agency Banning Company, Inc. The company has a special division that services the western and equine industries. He lives in Malibu, California.
Sally Berkovic chronicles the challenges of raising daughters while straddling the tensions between an Orthodox religious life and the competing forces of secularism. First published in 1977, Under My Hat presciently raised issues that have since dominated the Orthodox world. This new edition is augmented by an extensive introduction delving into the impact of more than 20 years of evolutionary change. -From the back cover.
A collection of Courtney's columns from the Texas Monthly, curing the curious, exorcizing bedevilment, and orienting the disoriented, advising "on such things as: Is it wrong to wear your football team's jersey to church? When out at a dancehall, do you need to stick with the one that brung ya? Is it real Tex-Mex if it's served with a side of black beans? Can one have too many Texas-themed tattoos?"--Amazon.com.
This book will enable you to make your own fur felt hat with a minimum of tools. The mystery is removed with clear instructions and photos. The techniques discussed here apply to all felt halts, not only western.
Neil Gaiman, Holly Black, Diana Peterfreund, Margo Lanagan, Peter S. Beagle, and Garth Nix are just a few of the authors who have toiled over their cauldrons and conjured up bewitching new creations inspired by and celebrating the might and mystery of the witch. Assembled by one of the most well-regarded anthologists in the science fiction/fantasy world, this rich, intelligent collection will enchant readers of all ages.
A New York Times Best Illustrated Children's Book of 2011! A picture-book delight by a rising talent tells a cumulative tale with a mischievous twist. Features an audio read-along! The bear’s hat is gone, and he wants it back. Patiently and politely, he asks the animals he comes across, one by one, whether they have seen it. Each animal says no, some more elaborately than others. But just as the bear begins to despond, a deer comes by and asks a simple question that sparks the bear’s memory and renews his search with a vengeance. Told completely in dialogue, this delicious take on the classic repetitive tale plays out in sly illustrations laced with visual humor-- and winks at the reader with a wry irreverence that will have kids of all ages thrilled to be in on the joke.
Enter the world of Scottish folklore with this unique hardcover guide. Retellings of traditional tales, full-color photographs of knitted costumes inspired by the stories, plus patterns for simpler versions of the original designs.
Celebrate girl power with this charming and empowering picture book about a pink hat and the budding feminist who finds it. "This simple and cheerful tale suggests, with not an ounce of preachiness, values of care and comfort and the support women have for each other across generations." --The Washington Post Here is a clever story that follows the journey of a pink hat that is swiped out of a knitting basket by a pesky kitten, blown into a tree by a strong wind, and used as a cozy blanket for a new baby, then finally makes its way onto the head of a young girl marching for women's equality. Inspired by the 5 million people (many of them children) in 82 countries who participated in the 2017 Women's March, Andrew Joyner has given us a book that celebrates girls and women and equal rights for all! With themes of empathy, equality, and solidarity, The Pink Hat is a timeless and timely story that will empower readers and promote strength in the diverse and active feminist community.
The second volume of Sondheim's collected lyrics is both a remarkable glimpse into the brilliant mind of a legend, and a continuation of the acclaimed and best-selling Finishing the Hat. Picking up where he left off in Finishing the Hat, Sondheim gives us all the lyrics, along with excluded songs and early drafts, of the Pulitzer Prize–winning Sunday in the Park with George, Into the Woods, Assassins and Passion. Here, too, is an in-depth look at the evolution of Wise Guys, which subsequently was transformed into Bounce and eventually became Road Show. Sondheim takes us through his contributions to both television and film, some of which may surprise you, and covers plenty of never-before-seen material from unproduced projects as well. There are abundant anecdotes about his many collaborations, and readers are treated to rare personal material in this volume, as Sondheim includes songs culled from commissions, parodies and personal special occasions—such as a hilarious song for Leonard Bernstein’s seventieth birthday. As he did in the previous volume, Sondheim richly annotates his lyrics with invaluable advice on songwriting, discussions of theater history and the state of the industry today, and exacting dissections of his work, both the successes and the failures. Filled with even more behind-the-scenes photographs and illustrations from Sondheim’s original manuscripts, Look, I Made a Hat is fascinating, devourable and essential reading for any fan of the theater or this great man’s work.
