"But as A Drink with Shane MacGowan shows, the inspiration for his artistry and beliefs is as varied as his range of mind - embracing Ireland, religion, his family, esoteric philosophy and history."--Jacket.
Punk protagonist, legendary drinker, Irish musical icon. The complete and extraordinary journey of the Pogues' notorious frontman from outcast to national treasure has never been told - until now. A Furious Devotion vividly recounts the experiences that shaped the greatest songwriter of his generation: the formative trips to his mother's homestead in Tipperary, the explosion of punk which changed his life, and the drink and drugs that nearly ended it. As well as exclusive interviews with Shane himself, author Richard Balls has secured contributions from his wife and family, and people who have never spoken publicly about Shane before: close associates, former girlfriends and the English teacher who first spotted his literary gift. Nick Cave, Aidan Gillen, Cillian Murphy, Christy Moore, Sinead O'Connor and Dermot O'Leary are on the rollcall of those paying tribute to the gifted songwriter and poet. This frank and extensive biography also includes many previously unseen personal photographs, printed in black and white.
Rake at the Gates of Hell: Shane MacGowan in Context is a mix of Irish history and culture, biography, and music criticism. It explores Shane MacGowan "s art by juxtaposing details of his life with those elements of Irish culture and history that inform the themes in his work. The book presents MacGowan "s life chronologically, supplementing information on Irish history and culture at those points where it can best illuminate MacGowan "s story. His career with the Nips, the Pogues, and the Popes is covered extensively. The book includes critical assessments of significant live performances and all studio recordings made with each of these three bands. MacGowan "s life story is told warts and all. His hedonistic lifestyle and history of substance abuse is reported in a way that neither sensationalizes nor minimizes the facts. The text is enlivened by extensive quotations, primarily from MacGowan himself, which were either taken from conversations with the author or culled from published interviews. The book explores several themes prominent in MacGowan "s work. Foremost among these are Irish Republicanism, the Irish Republican Army, Irish emigration, and various factors that contribute to Irish emigration. While the discussion of these topics is not exhaustive, it is detailed enough to enhance appreciation of Shane MacGowan "s art. Moreover, Rake at the Gates of Hell: Shane MacGowan in Context is the only book yet written that chronicles MacGowan "s remarkable comeback with the Pogues, the band that fired him nearly two decades ago.
Set in suffragette London. Lotta Rae is a working-class 15-year-old, raped by a wealthy gentleman, who makes the brave decision to testify in court. William Lindon is a barrister about to lose everything. Both have decisions to make that will change the course of their lives and the lives of everyone around them for generations to come.
As lead singer of The Pogues and as a solo artist, Shane MacGowan is a defining figure of modern Irish music. Among the greatest songwriters of his generation, he has infused traditional Irish folk with the spirit of punk and a bleary-eyed romanticism to create a compelling and unique musical brew. Joe Merrick's biography is an incredible story, sometimes sad, sometimes wonderful, and often soaked in a mixture of alcohol and genius.
Black Vinyl White Powder is the definitive story of the British music industry’s first five decades, as told by its ultimate insider. A key player since the 1960s – whether penning hits for Dusty Springfield, discovering Marc Bolan or managing a series of stellar acts ranging from the Yardbirds to Wham! – Simon Napier-Bell draws on his wealth of contacts and unparalleled personal experience to give an enthralling account of a business that became like no other. From the crazed debauchery of rock megastars like the Rolling Stones and Led Zeppelin to the ecstasy culture that shaped dance music in the 1980s, Napier-Bell charts the growth of a world in which bad behaviour is not only tolerated but encouraged; where drugs are as important as talent; and where artists are pushed to their mental and physical limits in the name of profit and ego. Filled with the voices of artists, producers, managers and record company execs, Black Vinyl White Powder is the most raucous, entertaining and revealing history of British pop ever written.
Rebel Song is a collection of pictures and words of some of the most important musicians who changed the face of Irish Music to the international force it is today. As Irish musicians began to find international fame in the second half of the 20th century, there was a growing swell of bands like the Fureys, the Pogues and the Dubliners who transformed traditional rebel music into something with an energy and intensity that was more direct and outspoken than ever before. Irish folk music had expressed the pain of generations under colonial domination. This blossomed into a nation's resistance and rebellion, and spilled over into rock and pop, and then into a fusion with punk. Filled with passion and politics, the tunes of rebellion moved from a rallying call to resistance, and onto a global stage that continues to push back and assert Irish identity and love of life. Artists like U2, Sinéad O'Connor, Bob Geldof and the Pogues have often taken an outspoken stand on matters of global politics, while always maintaining a direct connection back to Ireland. Featuring pictures by legendary music photographer Andrew Catlin that include many taken very early in the careers of the artists, often while at their creative peak, with photographs that span more than thirty years. The book explores the connection between the traditions of Irish music, the history of Ireland, and the extraordinary power and intensity of some of the greatest songwriters and performers of the last 50 years.
Think "Woodstock" and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs, and rock 'n' roll. But the town of Woodstock, New York, the original planned venue of the concert, is located over 60 miles from the site to which the fabled half a million flocked. Long before the landmark music festival usurped the name, Woodstock-the tiny Catskills town where Bob Dylan holed up after his infamous 1966 motorcycle accident-was already a key location in the '60s rock landscape. In Small Town Talk, Barney Hoskyns re-creates Woodstock's community of brilliant dysfunctional musicians, scheming dealers, and opportunistic hippie capitalists drawn to the area by Dylan and his sidekicks from the Band. Central to the book's narrative is the broodingly powerful presence of Albert Grossman, manager of Dylan, the Band, Janis Joplin, Paul Butterfield, and Todd Rundgren-and the Big Daddy of a personal fiefdom in Bearsville that encompassed studios, restaurants, and his own record label. Intertwined in the story are the Woodstock experiences and associations of artists as diverse as Van Morrison, Jimi Hendrix, Tim Hardin, Karen Dalton, and Bobby Charles (whose immortal song-portrait of Woodstock gives the book its title). Drawing on numerous first-hand interviews with the remaining key players in the scene-and on the period when he lived there himself in the 1990s-Hoskyns has produced an East Coast companion to his bestselling L.A. canyon classic Hotel California. This is a richly absorbing study of a vital music scene in a revolutionary time and place.