Shakespeare's Bastard

Shakespeare's Bastard

Author: Simon Andrew Stirling

Publisher: The History Press

Published: 2016-02-04

Total Pages: 347

ISBN-13: 0750968567

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Sir William Davenant (1606–1668) – Poet Laureate and Civil War hero – is one of the most influential and neglected figures in the history of British theatre. He introduced 'opera', actresses, scenes and the proscenium arch to the English stage. Narrowly escaping execution for his Royalist activities during the Civil War, he revived theatrical performances in London, right under Oliver Cromwell's nose. Nobody, perhaps, did more to secure Shakespeare's reputation or to preserve the memory of the Bard. Davenant was known to boast over a glass of wine that he wrote 'with the very spirit' of Shakespeare and was happy to be thought of as Shakespeare's son. By recounting the story of his eventful life backwards, through his many trials and triumphs, this biography culminates with a fresh examination of the vexed issue of Davenant's paternity. Was Sir William's mother the voluptuous and maddening 'Dark Lady' of Shakespeare's Sonnets, and was he Shakespeare's 'lovely boy'?


Mr. Shakespeare's Bastard

Mr. Shakespeare's Bastard

Author: Richard B. Wright

Publisher: HarperCollins Australia

Published: 2010

Total Pages: 13

ISBN-13: 0732292409

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In a quiet manor house in Oxfordshire, an ailing housekeeper by the name of Aerlene Ward feels the time has come to confess the great secret that has shaped her life --


Mr. Shakespeare's Bastard

Mr. Shakespeare's Bastard

Author: Richard B Wright

Publisher: HarperCollins Australia

Published: 2017-01-01

Total Pages: 0

ISBN-13: 0730493903

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Shakespeare's legacy lives on in a novel of secrets, illicit love and yearning, brought to us by master storyteller Richard B. Wright. Shakespeare's legacy lives on in a novel of secrets, illicit love and yearning, brought to us by master storyteller Richard B. Wright.In failing health, Aerlene Ward, an elderly housekeeper in an Oxfordshire manor, feels compelled to confess the incredible secret that has shaped her life: she is the illegitimate daughter of William Shakespeare, England's most famous playwright. But will anyone believe her? Even Charlotte, the young mistress of the house, who is writing down Aerlene's words, seems doubtful. Enchanted by the power and rhythm of words that she considers her birthright, coupled with her own imaginative mind, Aerlene draws back the curtain on her life and that of her mother, the sensual Elizabeth, who allowed herself to be seduced by a poor but ambitious writer from Stratford. As her tale unfolds, secrets are revealed, mysteries are uncovered, and lives are changed in the most unexpected of ways. MR. SHAKESPEARE'S BAStARD interweaves an engaging blend of invention and historical detail, with echoes of the Bard himself. Richard B. Wright, master storyteller, brings the teeming streets of Elizabethan London to life in a novel about love, daring, beauty and play that will delight the senses and touch the heart of every reader.


Shakespeare's Bastard

Shakespeare's Bastard

Author: Simon Stirling

Publisher: The History Press

Published: 2016-02-04

Total Pages: 294

ISBN-13: 0750968567

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Sir William Davenant (1606–1668) – Poet Laureate and Civil War hero – is one of the most influential and neglected figures in the history of British theatre. He introduced ‘opera’, actresses, scenes and the proscenium arch to the English stage. Narrowly escaping execution for his Royalist activities during the Civil War, he revived theatrical performances in London, right under Oliver Cromwell’s nose. Nobody, perhaps, did more to secure Shakespeare’s reputation or to preserve the memory of the Bard.Davenant was known to boast over a glass of wine that he wrote ‘with the very spirit’ of Shakespeare and was happy to be thought of as Shakespeare’s son. By recounting the story of his eventful life backwards, through his many trials and triumphs, this biography culminates with a fresh examination of the vexed issue of Davenant’s paternity. Was Sir William’s mother the voluptuous and maddening ‘Dark Lady’ of Shakespeare’s Sonnets, and was he Shakespeare’s ‘lovely boy’?


Shakespeare's Legal Language

Shakespeare's Legal Language

Author: B. J. Sokol

Publisher: A&C Black

Published: 2000-03-01

Total Pages: 510

ISBN-13: 0567145697

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This encyclopedia-style dicitonary explores early modern social life, legal thought, and the interactions within Shakespearean drama.


Drama and Sonnets of William Shakespeare vol. 1

Drama and Sonnets of William Shakespeare vol. 1

Author: Samiran Kumar Paul

Publisher: Notion Press

Published: 2020-12-15

Total Pages: 834

ISBN-13: 1649518676

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Dramas and Sonnets of William Shakespeare Vol. 1 is helpful to every learner of William Shakespeare (1564-1616) who, doubtless, saw himself as merely another professional man of the theatre who moved almost casually from play-acting to playwriting. And indeed he was very much a man of his time, a man of the Elizabethan theatre, who learnt to exploit brilliantly the stagecraft, the acting, and the pub¬lic taste of his day. It happens very rarely in the history of literature that a craftsman who has acquired perfect control of his medium, masterly ease in handling the techniques and conventions of his day, is also a universal genius of the highest order, combining with his technical proficiency a unique ability to render experience in poetic language and an uncanny, intuitive understanding of hu¬man psychology. Man of the theatre, poet and expert in the human passions, Shakespeare has appealed equally to those who admire the art with which he renders a story in terms of the acted drama or the insight with which he presents states of mind and complex¬ities of attitude or the unsurpassed brilliance he shows in giving conviction and a new dimension to the utterances of his characters through the poetic speech he puts in their mouths. It is a remark¬able combination of qualities. Yet he was no poetic genius descending on the theatre from above, but a working dramatist who found himself in catering for the public theatre of his day. Unquestionably the greatest poetic dramatist of Europe, he was also Marlowe’s successor, the heir to a tradition of playwriting, which we saw developing in the preceding chapter. His contemporaries saw him as one dramatist among others—a good one, and a popular one, but no transcendent genius who left all others far behind—and to the end of his active life he showed no reluctance to collaborate with other playwrights.