Lavishly illustrated with full-color reproductions of classic works of art, this wicked and whimsical book is a collection of poems and quotes by some of Shakespeare's most mischievous and comical characters.
“Fantastic . . . an honest, beautifully detailed book and an entertaining read.” —DIANA GABALDON, THE WASHINGTON POST "A fantastical treat." —PEOPLE “Simultaneously sweeping and intricate . . . Tompkins’s amazing debut novel conjures an epic battle for the soul of Ireland. Filled with papal machination and royal intrigue, magic and mayhem, faeries, Vikings, legates, kings and queens, angels and goddesses, this is one wild and breathless ride.” —KAREN JOY FOWLER “Plundering the treasure chest of human myths, from mysterious biblical giants to ferocious Celtic faeries, Tompkins has created a fantasy adventure with the shifting perspectives of dreamscape. A novel rich and strange.” —GERALDINE BROOKS What became of magic in the world? Who needed to do away with it, and for what reasons? Drawing on myth, legend, fairy tales, and Biblical mysteries, The Last Days of Magic brilliantly imagines answers to these questions, sweeping us back to a world where humans and magical beings co-exist as they had for centuries. Aisling, a goddess in human form, was born to rule both domains and—with her twin, Anya—unite the Celts with the powerful faeries of the Middle Kingdom. But within medieval Ireland interests are divided, and far from its shores greater forces are mustering. Both England and Rome have a stake in driving magic from the Emerald Isle. Jordan, the Vatican commander tasked with vanquishing the remnants of otherworldly creatures from a disenchanted Europe, has built a career on such plots. But increasingly he finds himself torn between duty and his desire to understand the magic that has been forbidden. As kings prepare, exorcists gather, and divisions widen between the warring clans of Ireland, Aisling and Jordan must come to terms with powers given and withheld, while a world that can still foster magic hangs in the balance. Loyalties are tested, betrayals sown, and the coming war will have repercussions that ripple centuries later, in today’s world—and in particular for a young graduate student named Sara Hill. The Last Days of Magic introduces us to unforgettable characters who grapple with quests for power, human frailty, and the longing for knowledge that has been made taboo. Mark Tompkins has crafted a remarkable tale—a feat of world-building that poses astonishing and resonant answers to epic questions.
National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
Leigh Bardugo's Six of Crows meets Alexandra Bracken's Passenger in this spellbinding conclusion the "vivid and compelling" (BCCB), New York Times bestselling Last Magician series. Bind the Book. Stop the Order. Save the Magic. Esta is no stranger to high-stakes heists; she is a seasoned thief with no reservations about using her time traveling abilities to give her an edge. But saving Harte--and magic itself--will put her skills to the test. The Book of Mysteries threatens to tear through the world and change the shape of magic forever, and only Esta and Harte stand in its way. They race through time and across the country to steal back the remaining elemental stones needed to bind the book's power, stop the Order, and save the future of the Mageus.
A history of popular superstitions, tales, and magic in British literature. In The Fairy Way of Writing, Kevin Pask seeks to explain the origins and popularity of enchantment in Shakespeare’s plays. Writers John Dryden and Joseph Addison originated the phrase “fairy way of writing” to define the concept of an English creative imagination founded on a synthesis of high literary culture and the popular culture of tales and superstitions. Beginning with Chaucer, Johnson, Dryden, and Milton, Pask argues that the fairy way of writing not only sets the stage for the fairy tale, the Gothic novel, and children’s literature but also informs genres beyond the English canon, including painting, twentieth-century fantasy fiction, and French fairy tales. In addition to English writers and visual artists such as Pope, Blake, and Keats, who were directly engaged with Shakespearean fantasy, Pask also examines fairy tales, letters, and paintings by the French writers Madame d'Aulnoy, Charles Perrault, Madame de Sévigné, and the Swiss-born artist Johann Heinrich Füssli (Fuseli). The Fairy Way of Writing alters the traditional sense of English literary history and of Shakespeare’s singular place in it, insisting on the importance of often-overlooked literary and visual works. It recovers a distinctive aspect of English literary culture from across the entire early modern era and beyond, one that has been studied in the context of individual periods and writers but is only now explored in relation to the history of European nationalism and the creation of the modern literary system.
If you have ever believed in a world beyond the everyday, this is the book to help you find it. A Complete Guide to Faeries and Magical Beings is a wonderful companion for those who wish to tour an enchanted world. Cassandra Eason begins with the myths, legends, and real evidence surrounding the origins and existence of fairies and then takes us on a journey throughout the world to introduce us to the many different varieties of these mysterious beings. From fairies to viking giants, selkies to gnomes, fey beings abound. In this spritely volume, Eason shares fascinating anecdotes of people who have actually seen them. And if you'd like to meet them yourself, Eason also provides simple techniques, exercises, and rituals to attract, find, and communicate with the little people. Hang silver bells by a window. Keep potted plants in your home. Or sit quietly between two oaks at dusk or dawn. Fairyland mirrors universal human issues: fortune versus misfortune, fate versus free will, perfection and imperfection, illusion and objective reality, different time scales, the existence of parallel dimensions, and the duality of human nature. Some people even believe that fairies are becoming more visible again, as they were in pre-industrial days, to remind us of the consequences of consumer society -- the danger of being seduced by our own versions of fairy gold. "If you want to be happy, be." -- Henry David Thoreau
Fashion AND fairies? An unbeatable combination! The Fashion Fairies use their magic accessories to make sure that fashion everywhere is fun and fresh. But when jealous Jack Frost steals their magic away, it could lead to a fashion flop! Luckily, Rachel and Kirsty are ready to dive into another fairy adventure. . . . Without Jennifer the Hair Stylist Fairy's magic brush, bad hair days are happening every day! Can Rachel and Kirsty come to the rescue?
In Shakespeare the Illusionist, Neil Forsyth reviews the history of Shakespeare’s plays on film, using the basic distinction in film tradition between what is owed to Méliès and what to the Lumière brothers. He then tightens his focus on those plays that include some explicit magical or supernatural elements—Puck and the fairies, ghosts and witches, or Prospero’s island, for example—and sets out methodically, but with an easy touch, to review all the films that have adapted those comedies and dramas, into the present day. Forsyth’s aim is not to offer yet another answer as to whether Shakespeare would have written for the screen if he were alive today, but rather to assess what various filmmakers and TV directors have in fact made of the spells, haunts, and apparitions in his plays. From analyzing early camera tricks to assessing contemporary handling of the supernatural, Forsyth reads Shakespeare films for how they use the techniques of moviemaking to address questions of illusion and dramatic influence. In doing so, he presents a bold step forward in Shakespeare and film studies, and his fresh take is presented in lively, accessible language that makes the book ideal for classroom use.
Discovering a secret fairy land, sisters Sophie and Ellen share a series of timeless adventures with fairies and the magical pixies, brownies, and goblins they encounter.
Learn to interact with fairies and tap into their powerful magic with the help of this accessible guide. Many people today regard stories of fairies to be nothing more than the stuff of fantasy, folklore, and superstition. But for those who experience these otherworldly beings, fairies are a very real part of our existence. Whimsical and lyrical, this book explores what and who fairies may be. It’s sure to intrigue anyone who wants to acquaint themselves with the “wee folk.” Elaine Clayton takes a look at how we distinguish fairies from angels, how fairies came about, visions and dreaming of fairies, looking for fairy faces in rocks and nature, the co-existence of animals and fairies, and more.