A Short History of Shakespeare in Performance
A Short History of Shakespeare in Performance

Author: Richard Schoch

Publisher: Cambridge University Press

Published: 2021-05-13

Total Pages: 160

ISBN-13: 110878867X

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This short history of Shakespeare in global performance-from the re-opening of London theatres upon the restoration of the monarchy in 1660 to our present multicultural day-provides a comprehensive overview of Shakespeare's theatrical afterlife and introduces categories of analysis and understanding to make that afterlife intellectually meaningful. Written for both the advanced student and the practicing scholar, this work enables readers to situate themselves historically in the broad field of Shakespeare performance studies and equips them with analytical tools and conceptual frameworks for making their own contributions to the field.

Shakespeare and Feminist Performance
Shakespeare and Feminist Performance

Author: Sarah Werner

Publisher: Routledge

Published: 2005-07-08

Total Pages: 146

ISBN-13: 1134588038

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How do performances of Shakespeare change the meanings of the plays? In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning. By focusing on The Royal Shakespeare Company, Werner demonstrates how actor training, company management and gender politics fundamentally affect both how a production is created and the interpretations it can suggest. Werner concentrates particularly on: The influential training methods of Cicely Berry and Patsy Rodenburg The history of the RSC Women's Group Gale Edwards' production of The Taming of the Shrew She reveals that no performance of Shakespeare is able to bring the plays to life or to realise the playwright's intentions without shaping them to mirror our own assumptions. By examining the ideological implications of performance practices, this book will help all interested in Shakespeare's plays to explore what it means to study them in performance.

Shakespeare and the Cultures of Performance
Shakespeare and the Cultures of Performance

Author: Paul Edward Yachnin

Publisher: Ashgate Publishing, Ltd.

Published: 2008

Total Pages: 232

ISBN-13: 9780754655855

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Using the tools of theatre history in their investigation into the phenomenology of the performance experience, the essays here also consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. The contributors strive to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms.

This Wide and Universal Theater
This Wide and Universal Theater

Author: David Bevington

Publisher: University of Chicago Press

Published: 2009-05

Total Pages: 256

ISBN-13: 0226044793

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This study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions.

Looking at Shakespeare
Looking at Shakespeare

Author: Dennis Kennedy

Publisher: Cambridge University Press

Published: 2001-12-20

Total Pages: 468

ISBN-13: 9780521785488

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Most studies of the performance of Shakespeare's work concentrate on how the text has been played and what meanings have been conveyed through acting and interpretive directing. Dennis Kennedy demonstrates that much of audience response is determined by the visual representation, which is normally more immediate and direct than the aural conveyance of a text. Ranging widely over productions in Britain, Europe, Japan and North America, Kennedy gives a thorough account of the main scenographic movements of the century, investigating how the visual relates to Shakespeare on the stage. The second edition of this acclaimed history includes a new chapter on Shakespeare performance in the 1990s, bringing the story up to date by drawing on examples from a wide international field. There are more than twenty new illustrations, some of them in colour (bringing the total number of illustrations to almost 200), and previous references have been updated.

Shakespeare's Theatres and the Effects of Performance
Shakespeare's Theatres and the Effects of Performance

Author: Farah Karim Cooper

Publisher: Bloomsbury Publishing

Published: 2015-01-05

Total Pages: 317

ISBN-13: 1408157055

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How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays? Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period.

Unearthing Shakespeare
Unearthing Shakespeare

Author: Valerie Clayman Pye

Publisher: Taylor & Francis

Published: 2017-01-20

Total Pages: 239

ISBN-13: 1317208781

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What can the Globe Theatre tell us about performing Shakespeare? Unearthing Shakespeare is the first book to consider what the Globe, today’s replica of Shakespeare’s theatre, can contribute to a practical understanding of Shakespeare’s plays. Valerie Clayman Pye reconsiders the material evidence of Early Modern theatre-making, presenting clear, accessible discussions of historical theatre practice; stages and staging; and the relationship between actor and audience. She relays this into a series of training exercises for actors at all levels. From "Shakesball" and "Telescoping" to Elliptical Energy Training and The Radiating Box, this is a rich set of resources for anyone looking to tackle Shakespeare with authenticity and confidence.

Hamlet
Hamlet

Author: Anthony Dawson

Publisher: Manchester University Press

Published: 1995

Total Pages: 276

ISBN-13: 9780719046254

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In this illuminating study, Anthony Dawson surveys the stage history of Hamlet from its appearance in Shakespeare’s time to the efflorescence of new and challenging productions in our own. He vividly re-creates more than a dozen representative performances across three centuries. Bringing together theatre history and the interests of cultural criticism and performance theory, Dawson traces the Anglo-American acting tradition and provides a succinct account of the interpretative problems associated with texts, character, design, and the production of meaning. The final chapters extend the analysis to a number of film versions, notably those of Olivier, Kozintsev and Zeffirelli, as well as to several important European stage productions.