Ophelia

Ophelia

Author: Sharon Keefe Ugalde

Publisher: University of Wales Press

Published: 2020-05-15

Total Pages: 283

ISBN-13: 1786835991

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The study emphasizes the role of the arts and humanities in the re-plotting of gender and also links cultural production to political circumstances, specifically to the end of the Franco dictatorship and the transitional to a new democracy in Spain. The inclusion of both the visual art of Marina Núnez and art photographs as well as literary authors and dramatists offers views of overarching motifs in the cultural production of Spain. The book includes an historical component, with an analysis of works by major nineteenth and early twentieth-century Spanish poets, including Espronceda, Bécquer, Villaspesas, Lorca, and the pioneer female author Blanca de los Rios. The list of writers from the 1970s forward includes both highly recognized figures, Clara Janés, María Victoria Atencia, Eduardo Quiles and an extensive group of important writers less recognized beyond among critics.


Spanish Studies in Shakespeare and His Contemporaries

Spanish Studies in Shakespeare and His Contemporaries

Author: José Manuel González Fernández de Sevilla

Publisher: University of Delaware Press

Published: 2006

Total Pages: 342

ISBN-13: 9780874139037

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Spanish Studies in Shakespeare and His Contemporaries offers aselection of the most significant studies on Shakespeare and hiscontemporaries from a variety of perspectives in order to present a freshand inclusive vision of Shakespearean criticism in Spain to reach aworldwide readership. Plurality, maturity, and diversity are itsoutstanding characteristics as the transition has given shape to newcritical attitudes, readings, and approaches in the analysis and study ofShakespeare in the new Spain.


Shakespeare and Spain

Shakespeare and Spain

Author: Sir Henry Thomas

Publisher:

Published: 1922

Total Pages: 38

ISBN-13:

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The Taylorian lecture for 1922, in English (cf. S.b. 92-93, the same in Spanish).


Ruled Britannia

Ruled Britannia

Author: Harry Turtledove

Publisher: Penguin

Published: 2002-11-05

Total Pages: 577

ISBN-13: 1101212519

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The year is 1597. For nearly a decade, the island of Britain has been under the rule of King Philip in the name of Spain. The citizenry live under an enforced curfew—and in fear of the Inquisition’s agents, who put heretics to the torch in public displays. And with Queen Elizabeth imprisoned in the Tower of London, the British have no symbol to unite them against the enemy who occupies their land. William Shakespeare has no interest in politics. His passion is writing for the theatre, where his words bring laughter and tears to a populace afraid to speak out against the tyranny of the Spanish crown. But now Shakespeare is given an opportunity to pen his greatest work—a drama that will incite the people of Britain to rise against their persecutors—and change the course of history.


Shakespeare and Latinidad

Shakespeare and Latinidad

Author: Trevor Boffone

Publisher: Edinburgh University Press

Published: 2021-06-30

Total Pages: 351

ISBN-13: 147448851X

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Shakespeare and Latinidad is a collection of scholarly and practitioner essays in the field of Latinx theatre that specifically focuses on Latinx productions and appropriations of Shakespeare’s plays.


Shakespeare and the Spanish Comedia

Shakespeare and the Spanish Comedia

Author: Bárbara Mujica

Publisher: Bucknell University Press

Published: 2013-10-03

Total Pages: 310

ISBN-13: 1611485185

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Shakespeare and the Spanish Comedia is a nearly unique transnational study of the theater / performance traditions of early modern Spain and England. Divided into three parts, the book focuses first on translating for the stage, examining diverse approaches to the topic. It asks, for example, whether plays should be translated to sound as if they were originally written in the target language or if their “foreignness” should be maintained and even highlighted. Section II deals with interpretation and considers such issues as uses of polyphony, the relationship between painting and theater, and representations of women. Section III highlights performance issues such as music in modern performances of classical theater and the construction of stage character. Written by a highly respected group of British and American scholars and theater practitioners, this book challenges the traditional divide between the academy and the stage and between one theatrical culture and another.


Theatre Cultures within Globalising Empires

Theatre Cultures within Globalising Empires

Author: Joachim Küpper

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2018-08-06

Total Pages: 246

ISBN-13: 3110536889

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This volume presents the proceedings of the international conference “Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain”, held in 2012 as part of the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet). Implementing the concept of culture as a virtual network, it investigates Early modern European drama and its global dissemination. The 12 articles of the volume – all written by experts in the field teaching in the United Kingdom, the USA, Russia, Switzerland, India and Germany – focus on a selection of English and Spanish dramas from the sixteenth and seventeenth centuries. Analysing and comparing motifs, formal parameters as well as plot structures, they discuss the commonalities and differences of Early modern drama in England and Spain.


Shakespeare's Literary Lives

Shakespeare's Literary Lives

Author: Paul Franssen

Publisher: Cambridge University Press

Published: 2016-01-21

Total Pages: 289

ISBN-13: 1107125618

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In this book, Franssen investigates the use of Shakespeare as a fictional character in different literary genres, periods and cultures.


English Renaissance Drama and the Specter of Spain

English Renaissance Drama and the Specter of Spain

Author: Eric J. Griffin

Publisher: University of Pennsylvania Press

Published: 2012-02-28

Total Pages: 317

ISBN-13: 0812202104

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The specter of Spain rarely figures in our discussions of the drama that is often regarded as the crowning achievement of the English literary Renaissance. Yet dramatists such as Thomas Kyd, Christopher Marlowe, and William Shakespeare are exactly contemporary with England's protracted conflict with the Spanish Empire, a traditional ally turned archetypical adversary. Were these playwrights really so mute with respect to their nation's Spanish troubles? Or have we failed—for reasons cultural and institutional—to hear the Hispanophobic crosstalk that permeated the drama no less than England's other public discourses? Imagining an early modern public sphere in which dramatists cross pens with proto-imperialists, Protestant polemicists, recusant apologists, and a Machiavellian network of propagandists that included high government officials as well as journeyman printers, Eric Griffin uncovers the rhetorical strategies through which the Hispanophobic perspectives that shaped the so-called Black Legend of Spanish Cruelty were written into English cultural memory. At the same time, he demonstrates that the English were as ready to invoke Spain in the spirit of envious emulation as to demonize the Spanish other as an ethnic agent of intolerance and oppression. Interrogating the Whiggish orientation that has continued to view the English Renaissance through a haze of Anglo-American triumphalism, English Renaissance Drama and the Specter of Spain recovers the voices of key Spanish participants and the "Hispanized" Catholic resistance, revealing how England and Spain continued to draw upon shared traditions and cultural resources, even during the moments of their most storied confrontation.