Shakespeare and Protestant Poetics

Shakespeare and Protestant Poetics

Author: Jason Gleckman

Publisher: Springer Nature

Published: 2019-10-29

Total Pages: 379

ISBN-13: 9813295996

DOWNLOAD EBOOK

This book explores the impact of the sixteenth-century Reformation on the plays of William Shakespeare. Taking three fundamental Protestant concerns of the era – (double) predestination, conversion, and free will – it demonstrates how Protestant theologians, in England and elsewhere, re-imagined these longstanding Christian concepts from a specifically Protestant perspective. Shakespeare utilizes these insights to generate his distinctive view of human nature and the relationship between humans and God. Through in-depth readings of the Shakespeare comedies ‘The Merry Wives of Windsor’, ‘Much Ado About Nothing’, ‘A Midsummer Night’s Dream’, and ‘Twelfth Night’, the romance ‘A Winter’s Tale’, and the tragedies of ‘Macbeth’ and ‘Hamlet’, this book examines the results of almost a century of Protestant thought upon literary art.


Shakespeare's Christianity

Shakespeare's Christianity

Author: E. Beatrice Batson

Publisher: Baylor University Press

Published: 2006

Total Pages: 198

ISBN-13: 1932792368

DOWNLOAD EBOOK

This volume explores the influences of Catholicism and Protestantism in a trio of Shakespeare's tragedies: Julius Caesar, Macbeth, and Hamlet. Bypassing the discussion of Shakespeare's personal religious beliefs, Batson instead focuses on distinct footprints left by Catholic and Protestant traditions that underlie and inform Shakespeare's artistic genius.


Shakespeare and the Elizabethan Reformation

Shakespeare and the Elizabethan Reformation

Author: Dennis Taylor

Publisher: Rowman & Littlefield

Published: 2022-07-18

Total Pages: 495

ISBN-13: 1666902098

DOWNLOAD EBOOK

Shakespeare and the Elizabethan Reformation: Literary Negotiation of Religious Difference explores how Shakespeare’s plays dramatize key issues of the Elizabethan Reformation, the conflict between the sacred, the critical, and the disenchanted; alternatively, the Catholic, the Protestant, and the secular. Each play imagines their reconciliation or the failure of reconcilation. The Catholic sacred is shadowed by its degeneration into superstition, Protestant critique by its unintended (fissaparous) consequences, the secular ordinary by stark disenchantment. Shakespeare shows how all three perspectives are needed if society is to face its intractable problems, thus providing a powerful model for our own ecumenical dialogues. Shakespeare begins with history plays contrasting the saintly but impractical King Henry VI, whose assassination is the ”primal crime,” with the pragmatic and secular Henry IV, until imagining in the later 1590’s how Hal can reconnect with sacred sources. At the same time in his comedies, Shakespeare imagines cooperative ways of resolving the national ”comedy of errors,” of sorting out erotic and marital and contemplative confusions by applying his triple lens. His late Elizabethan comedies achieve a polished balance of wit and devotion, ordinary and the sacred, old and new orders. Hamlet is Shakespeare’s ultimate Elizabethan consideration of these issues, its so-called lack of objective correlation a response to the unsorted trauma of the Reformation.


Believing in Shakespeare

Believing in Shakespeare

Author: Claire McEachern

Publisher: Cambridge University Press

Published: 2018-04-19

Total Pages: 337

ISBN-13: 1108422241

DOWNLOAD EBOOK

A discussion of the connections between believing in Shakespeare's play and a post-Reformation understanding of salvation.


Catholic Theology in Shakespeare's Plays

Catholic Theology in Shakespeare's Plays

Author: David N. Beauregard

Publisher: Associated University Presse

Published: 2008

Total Pages: 227

ISBN-13: 0874130026

DOWNLOAD EBOOK

Explores and reexamines Shakespeare's theology from the standpoint of revisionist history of the English Reformation.


Antedating Shakespeare's Poems and Plays

Antedating Shakespeare's Poems and Plays

Author: Penny McCarthy

Publisher: Cambridge Scholars Publishing

Published: 2024-09-05

Total Pages: 197

ISBN-13: 1036410048

DOWNLOAD EBOOK

The academic community treats the chronology of Shakespeare’s works as settled. He supposedly served an apprenticeship collaborating on plays in the 1580s, wrote two great poems in the early 90s, three plays a year from the mid-90s, some problem plays around the turn of the century, then his greatest tragedies, and finally some “romances” late in his career. This investigation highlights the flaws in the consensus view: over-reliance on precarious stylometrics, dubious identification of topical relevance, and unfounded conviction that composition preceded publication, performance, or first mention by only a short interval. Concentrating on his poems and six of his plays, the study ascribes parallels in others’ literary works to their authors’ imitation or parodying of Shakespeare, not vice versa. The importance of patronage circles rather than London theatre companies to writers, players, and printers is spelled out. The conclusion is that Shakespeare’s works must be radically antedated.


Drama and the Market in the Age of Shakespeare

Drama and the Market in the Age of Shakespeare

Author: Douglas Bruster

Publisher: Cambridge University Press

Published: 2005-01-27

Total Pages: 192

ISBN-13: 9780521607063

DOWNLOAD EBOOK

Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the status of playwrights such as Shakespeare and the establishment of commercial theatres. He identifies in the drama a materialist vision which has its origins in the climate of uncertainty engendered by the rapidly expanding economy of London. His examples range from the economic importance of cuckoldry to the role of stage props as commodities, and the commercial significance of the Troy story in Shakespeare's Troilus and Cressida, and he offers new ways of reading English Renaissance drama, by returning the theatre and the plays performed there, to its basis in the material world.


Shakespeare's Religious Allusiveness

Shakespeare's Religious Allusiveness

Author: Maurice Hunt

Publisher: Routledge

Published: 2019-10-28

Total Pages: 263

ISBN-13: 1351149229

DOWNLOAD EBOOK

Shakespeare's Religious Allusiveness complicates debates about whether Shakespeare's plays are fundamentally Protestant or Catholic in sympathy, challenging analyses that either find Protestant elements consistently undercutting Catholic motifs or, less often, discover evidence of the playwright's endorsement of Catholic doctrine and customs. Rather, Maurice Hunt argues that Shakespeare's syncretistic method of incorporating both Protestant and Catholic elements into his plays was singular among early modern English playwrights at a time when governmental and social tolerance of Protestantism in the theatre was high and criticism of stereotyped Catholicism was correspondingly rampant in drama. In-depth discussions of The Two Gentlemen of Verona, the Second Henriad, All's Well That Ends Well, Twelfth Night, and Othello reveal how Shakespeare allusively integrates Reformation Protestant and Roman Catholic motifs and systems of thought. This book sheds new light on the playwright's knowledge of and interest in Elizabethan and Jacobean religious debates over the nature of spiritual reformation, the efficacy of merit for redemption, and the operation of Providence. It will appeal not only to Shakespeare scholars but to those interested in the cultural history of the Reformation.


Shakespeare and the Theater of Religious Conviction in Early Modern England

Shakespeare and the Theater of Religious Conviction in Early Modern England

Author: Walter S H Lim

Publisher: Springer Nature

Published: 2024-01-20

Total Pages: 296

ISBN-13: 3031400062

DOWNLOAD EBOOK

This book analyzes Shakespeare’s use of biblical allusions and evocation of doctrinal topics in Hamlet, Measure for Measure, The Winter’s Tale, Richard II, and The Merchant of Venice. It identifies references to theological and doctrinal commonplaces such as sin, grace, confession, damnation, and the Fall in these plays, affirming that Shakespeare’s literary imagination is very much influenced by his familiarity with the Bible and also with matters of church doctrine. This theological and doctrinal subject matter also derives its significance from genres as diverse as travel narratives, sermons, political treatises, and royal proclamations. This study looks at how Shakespeare’s deployment of religious topics interacts with ideas circulating via other cultural texts and genres in society. It also analyzes how religion enables Shakespeare’s engagement with cultural debates and political developments in England: absolutism and law; radical political theory; morality and law; and conceptions of nationhood.