Shakespeare and his Contemporaries in Performance

Shakespeare and his Contemporaries in Performance

Author: Edward J. Esche

Publisher: Routledge

Published: 2017-03-02

Total Pages: 475

ISBN-13: 135190082X

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The creation of the new Globe Theatre in London has heightened interest in Shakespeare performance studies in recent years. The essays in this volume testify to this burgeoning research into issues surrounding contemporary performances of plays by Shakespeare and his fellow dramatists, as well as modern trends and developments in stage and media presentations of these works. Truly international in coverage, the discussion here ranges across the performance and reception of Shakespeare in Japan, India, Germany, Italy, Denmark and the United States as well as in Britain. Dennis Kennedy's introductory essay places the new Globe Theatre in the context of Shakespearean cultural tourism generally. This is followed by five sections of essays covering aspects of Shakespeare on film, the stage history of his plays, Renaissance contexts, the movement of the text from page to stage, and female roles. Exploring many of current issues in Shakespeare studies, this volume provides a global perspective on Renaissance performance and the wide variety of ways in which it has been translated by today's media. About the Editor: Edward J. Esche is a Senior Lecturer in English and Head of Drama at Anglia Polytechnic University. He has published on renaissance drama and twentieth-century modern British and American drama. His most recent publication is an edition of Christopher Marlowe's The Massacre at Paris for the Clarendon Press The Complete Works of Christopher Marlowe.


Reinventing the Renaissance

Reinventing the Renaissance

Author: S. Brown

Publisher: Springer

Published: 2013-05-12

Total Pages: 221

ISBN-13: 1137319402

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The plays of Shakespeare and his contemporaries has inspired interpretations in every genre and medium. This book offers perspectives on the ways in which practitioners have used Renaissance drama to address contemporary concerns and reach new audiences. It provides a resource for those interested in the creative reception of Renaissance drama.


Shakespeare and Race

Shakespeare and Race

Author: Catherine M. S. Alexander

Publisher: Cambridge University Press

Published: 2000-12-21

Total Pages: 254

ISBN-13: 9780521779388

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This volume, first published in 2000, draws together thirteen important essays on the concept of race in Shakespeare's drama.


Double Shakespeares

Double Shakespeares

Author: Cary M. Mazer

Publisher: Rowman & Littlefield

Published: 2015-09-10

Total Pages: 215

ISBN-13: 1611478448

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Double Shakespeares examines contemporary performances of Shakespeare plays that employ the “emotional realist” traditions of acting that were codified by Stanislavski over a century ago. These performances recognize the inescapable doubleness of realism: that the actor may aspire to be the character but can never fully do so. This doubleness troubled the late-nineteenth-century actors and theorists who first formulated realist modes of acting; and it equally troubles theorists and theatre practitioners today. The book first looks at contemporary performances that foreground the doubleness of the actor’s body, particularly through cross-dressing. It then examines narratives of Shakespearean rehearsal—both fictional representations of rehearsal in film and video, and eye-witness narratives of actual rehearsals—and how they show us the process by which the actor does or does not “become” the character. And, finally, it looks at modern performances that “frame” Shakespeare’s play as a play-within-a-play, showing the audience both the character in the Shakespeare play-within and the actor in the frame-play acting that character.


India's Shakespeare

India's Shakespeare

Author: Poonam Trivedi

Publisher: University of Delaware Press

Published: 2005

Total Pages: 316

ISBN-13: 9780874138818

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This is a collection on the diverse aspects of the interaction between Shakespeare and India, a process embedded in the contradictions of colonialism - of simultaneous submission and resistance. The essays, grouped around the key issues of translation, interpretation, and performance, deal with how the plays were taught, translated, and adapted, as well as the literary, social, and political implications of this absorption into the cultural fabric of India. They also look at the other side, what India meant to Shakespeare. Further, they document how the performance of Shakespeare both colonized and catalyzed Indian theater - being staged in English in schools, in translation in various parts of the country, through acculturation into indigenous theater forms and Hindi cinema. The book highlights, and thus rereads, not just one of the longest and most widespread interactions between a Western author and the East but also part of the colonial and postcolonial history of India. Poonam Trivedi is a Reader in English at Indraprastha College, University of Delhi. Now retired, Dennis Bartholomeusz was Reader in English literature at Monash University in Melbourne.


Foreign Shakespeare

Foreign Shakespeare

Author: Dennis Kennedy

Publisher: Cambridge University Press

Published: 2004-11-11

Total Pages: 338

ISBN-13: 9780521617086

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This collection considers contemporary performance of Shakespeare's plays in non-English-speaking theatres.


Dance Lexicon in Shakespeare and His Contemporaries

Dance Lexicon in Shakespeare and His Contemporaries

Author: Fabio Ciambella

Publisher: Routledge

Published: 2021-05-23

Total Pages: 142

ISBN-13: 1000423573

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This book provides a thorough analysis of terpsichorean lexis in Renaissance drama. Besides considering not only the Shakespearean canon but also the Bard’s contemporaries (e.g., dramatists as John Marston and Ben Jonson among the most refined Renaissance dance aficionados), the originality of this volume is highlighted in both its methodology and structure. As far as methods of analysis are concerned, corpora such as the VEP Early Modern Drama collection and EEBO, and corpus analysis tools such as #LancsBox are used in order to offer the widest range of examples possible from early modern plays and provide co-textual references for each dance. Examples from Renaissance playwrights are fundamental for the analysis of connotative meanings of the dances listed and their performative, poetic and metaphoric role in sixteenth- and seventeenth-century drama. This study will be of great interest to Renaissance researchers, lexicographers and dance historians.


Shakespeare Re-dressed

Shakespeare Re-dressed

Author: James C. Bulman

Publisher: Associated University Presse

Published: 2008

Total Pages: 260

ISBN-13: 9780838641149

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"This collection covers a wide range of Shakespeare productions, from Granville Barker and Poel's experiments with cross-gender casting to recent performances by Cheek by Jowl, the National Theatre, and the new Globe; from early twentieth-century performances by women's companies in England and Japan to contemporary stagings by the Los Angeles Women's Shakespeare Company; from Mabou Mines' controversial Lear in New York to a more subtly transgressive Tempest by the Georgia Shakespeare Festival." "These essays are comprehensive in their consideration of cross-gender-cast Shakespeare as it evolved over the past century. Theoretically informed yet grounded in the particularity of individual performances, they forge new connections between performance studies and gender theory and broach issues vital to anyone interested in Shakespeare."--BOOK JACKET.


Performing Early Modern Drama Today

Performing Early Modern Drama Today

Author: Pascale Aebischer

Publisher: Cambridge University Press

Published: 2012-10-11

Total Pages: 263

ISBN-13: 0521193354

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Recent performances of early modern plays are analysed in essays by practitioners and academics, featuring critical, pedagogical and practical approaches.


Acts of Criticism

Acts of Criticism

Author: James P. Lusardi

Publisher: Fairleigh Dickinson Univ Press

Published: 2006

Total Pages: 292

ISBN-13: 9780838640593

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This book assembles a cast of sixteen distinguished theater historians and performance critics, each of whom has contributed significantly to our understanding of issues associated with performing works of Shakespeare and his contemporaries. Their essays, all appearing in print for the first time, are presented in two groupings: a theater history and practice section, in which contributors examine matters related to performance in Shakespeare's time and our own, and a performance criticism section, in which contributors treat modern productions on stage and screen. In the theater history and practice section, Roslyn L. Knutson explores the 1599-1600 repertory of the Admiral's Men and the Chamberlain's Men, who performed in rival playhouses.