Shakespeare and Experience of Love

Shakespeare and Experience of Love

Author: Arthur Kirsch

Publisher: Cambridge University Press

Published: 1981-09-30

Total Pages: 210

ISBN-13: 0521238250

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Professor Kirsch presents an original interpretations of Shakespeare's five plays using theological and psychoanalytical ideas.


Shakespeare on Love and Lust

Shakespeare on Love and Lust

Author: Maurice Charney

Publisher: Columbia University Press

Published: 2002-07-22

Total Pages: 246

ISBN-13: 0231500068

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The complex and sometimes contradictory expressions of love in Shakespeare's works—ranging from the serious to the absurd and back again—arise primarily from his dramatic and theatrical flair rather than from a unified philosophy of love. Untangling his witty, bawdy (and ambiguous) treatment of love, sex, and desire requires a sharp eye and a steady hand. In Shakespeare on Love and Lust, noted scholar Maurice Charney delves deeply into Shakespeare's rhetorical and thematic development of this largest of subjects to reveal what makes his plays and poems resonate with contemporary audiences. The paradigmatic star-crossed lovers of Romeo and Juliet, the comic confusions of couples wandering through the wood in A Midsummer Night's Dream, Othello's tragic jealousy, the homoerotic ways Shakespeare played with cross-dressing on the Elizabethan stage—Charney explores the world in which Shakespeare lived, and how it is reflected and transformed in the one he created. While focusing primarily on desire between young lovers, Charney also explores themes of love in marriage (Brutus and Portia) and in same-sex pairings (Antonio and Sebastian). Against the conventions of Renaissance literature, Shakespeare qualified the Platonic view that true love transcends the physical. Instead, as Charney demonstrates, love in Shakespeare's work is almost always sexual as well as spiritual, and the full range of desire's dramatic possibilities is displayed. Shakespeare on Love and Lust begins by considering the ways in which Shakespeare drew upon and satirized the conventions of Petrarchan Renaissance love poetry in plays like Romeo and Juliet, then explores how courtship is woven into the basic plot formula of the comedies. Next, Charney examines love in the tragedies and the enemies of love (Iago, for example). Later chapters cover the gender complications in such plays as Macbeth and The Taming of the Shrew as well as the homoerotic themes woven into many of the poems and plays. Charney concludes with a lively discussion of paradoxes and ambivalences about love expressed by Shakespeare's word play and sexual innuendoes.


Shakespeare in Love

Shakespeare in Love

Author: Lee Hall

Publisher: Concord Theatricals

Published: 2017

Total Pages: 148

ISBN-13: 0573705208

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Young Will Shakespeare has writers block... the deadline for his new play is fast approaching but hes in desperate need of inspiration. That is, until he finds his muse – Viola. This beautiful young woman is Will’s greatest admirer and will stop at nothing (including breaking the law) to appear in his next play. Against a bustling background of mistaken identity, ruthless scheming and backstage theatrics, Will’s love for Viola quickly blossoms and inspires him to write his greatest masterpiece.


The Cambridge Companion to Shakespearean Tragedy

The Cambridge Companion to Shakespearean Tragedy

Author: Claire McEachern

Publisher: Cambridge University Press

Published: 2013-08-08

Total Pages: 325

ISBN-13: 110701977X

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This updated Companion has been fully revised and includes an extensively overhauled bibliography and four new chapters by leading scholars.


Shakespeare in Love

Shakespeare in Love

Author: Marc Norman

Publisher: Gardners Books

Published: 1999

Total Pages: 169

ISBN-13: 9780571201082

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The companion screenplay to the acclaimed Miramax/Universal/Bedford Falls Company Film starring Gwyneth Paltrow, Joseph Fiennes, Ben Affleck, Geoffrey Rush, Colin Firth, and Dame Judy Dench. It is the summer of 1593, and the rising young star of London's theater scene, Will Shakespeare, faces a scourge like no other: a paralyzing bout of writer's block. The great Elizabethan age of entertainment unfolds around him, but Will is without inspiration, he just can't seem to work up any enthusiasm for his latest play, "Romeo and Ethel, the Pirate's Daughter." What he needs is a muse. She appears when Lady Viola, desperate to become an actor in a time when women are forbidden on stage, disguises herself as a man to audition for Will's play. But the guise slips away as their passion ignites. Now Will's quill again begins to flow, turning love into words, as Viola becomes his real-life Juliet and Romeo finds his reason to exist.


The Shakespeare Wars

The Shakespeare Wars

Author: Ron Rosenbaum

Publisher: Random House

Published: 2011-11-09

Total Pages: 626

ISBN-13: 0307807924

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“[Ron Rosenbaum] is one of the most original journalists and writers of our time.” –David Remnick In The Shakespeare Wars, Ron Rosenbaum gives readers an unforgettable way of rethinking the greatest works of the human imagination. As he did in his groundbreaking Explaining Hitler, he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. He gives us a Shakespeare book like no other. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare’s enchantment and illumination–the astonishing language itself. How best to unlock the secrets of its spell? With quicksilver wit and provocative insight, Rosenbaum takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the Shakespearean experience–deeper into the mind of Shakespeare. Was Shakespeare the one-draft wonder of Shakespeare in Love? Or was he rather–as an embattled faction of textual scholars now argues–a different kind of writer entirely: a conscientious reviser of his greatest plays? Must we then revise our way of reading, staging, and interpreting such works as Hamlet and King Lear? Rosenbaum pursues key partisans in these debates from the high tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in the Deep South. He makes ostensibly arcane textual scholarship intensely seductive–and sometimes even explicitly sexual. At an academic “Pleasure Seminar” in Bermuda, for instance, he examines one scholar’s quest to find an orgasm in Romeo and Juliet. Rosenbaum shows us great directors as Shakespearean scholars in their own right: We hear Peter Brook–perhaps the most influential Shakespearean director of the past century–disclose his quest for a “secret play” hidden within the Bard’s comedies and dramas. We listen to Sir Peter Hall, founder of the Royal Shakespeare Company, as he launches into an impassioned, table-pounding fury while discussing how the means of unleashing the full intensity of Shakespeare’s language has been lost–and how to restore it. Rosenbaum’s hilarious inside account of “the Great Shakespeare ‘Funeral Elegy’ Fiasco,” a man-versus-computer clash, illustrates the iconic struggle to define what is and isn’t “Shakespearean.” And he demonstrates the way Shakespearean scholars such as Harold Bloom can become great Shakespearean characters in their own right. The Shakespeare Wars offers a thrilling opportunity to engage with Shakespeare’s work at its deepest levels. Like Explaining Hitler, this book is destined to revolutionize the way we think about one of the overwhelming obsessions of our time.


Romantic and Realistic Love in Shakespeare’s "As You Like It"

Romantic and Realistic Love in Shakespeare’s

Author: Doreen Klahold

Publisher: GRIN Verlag

Published: 2013-07-29

Total Pages: 9

ISBN-13: 3656469520

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Essay from the year 2013 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Paderborn, language: English, abstract: As typical for romantic comedy, the central theme in William Shakespeare's "As You Like It" is love in its various forms. In total, there are four conventional couples (Rosalind & Or-lando, Celia & Oliver, Phebe & Silvius, Audrey & Touchstone) and one rejected country fellow (William). Nevertheless, the forms of love differ between those couples. Most of the relationships in "As You Like It" are based on the principle of love at first sight, implying an abrupt and overwhelming falling in love; this can be seen with Rosalind and Orlando right at the beginning of the comedy as well as with Celia and Oliver later in the play, although in the case of the latter the audience does not know at what point of the plot they actually fell in love with each other. An overwhelming romantic, however, is also experienced by Silvius, but his beloved Phebe dismisses him because she believes his love to be a fantasy, mocking thus the principle of love at first sight as well as the impulsive love expressions.