Lonely dunes and marshes; ruined mills and lighthouses; unmarked tracks that lead you into the unknown¿¿¿ No wonder so many of the masters of the English ghost story, from M.R. James to E.F. Benson, chose to set their tales in East Anglia. Now, for the first time, the writer Wayne Drew has brought together the very best stories from the ghost-ridden counties of Norfolk, Suffolk, Essex and Cambridgeshire in one volume. Some may be old friends; others have been out of print and lost for years. This collection includes three new stories, to show that the Eastern Counties can still inspire writers to explore the darker side. Featured writers include Noel Boston, Ramsey Campbell, Celia Dale and Gladys Mitchell.
A dangerous case with ties leading back to the battlefields of World War I dredges up dark memories for Scotland Yard Inspector Ian Rutledge in Hunting Shadows, a gripping and atmospheric historical mystery set in 1920s England, from acclaimed New York Times bestselling author Charles Todd. A society wedding at Ely Cathedral in Cambridgeshire becomes a crime scene when a man is murdered. After another body is found, the baffled local constabulary turns to Scotland Yard. Though the second crime had a witness, her description of the killer is so strange its unbelievable. Despite his experience, Inspector Ian Rutledge has few answers of his own. The victims are so different that there is no rhyme or reason to their deaths. Nothing logically seems to connect them—except the killer. As the investigation widens, a clear suspect emerges. But for Rutledge, the facts still don’t add up, leaving him to question his own judgment. In going over the details of the case, Rutledge is reminded of a dark episode he witnessed in the war. While the memory could lead him to the truth, it also raises a prickly dilemma. To stop a murderer, will the ethical detective choose to follow the letter—or the spirit—of the law?
Gothic tourism is a growing phenomenon and a medium through which Gothic fictions and folkloric tales are re-imagined and generated. This book examines the complex relationship between contemporary English Gothic attractions and storytelling, uncovering how works of Gothic fiction can both inspire Gothic tourism and emerge from the spaces of Gothic tourism, contending that Gothic tourist attractions are multi-layered storytelling experiences. Contributing to the study of literature and place, Gothic Literary Travel and Tourism draws together the study of literary Gothic tourism and spatial philosophy, offering interdisciplinary analysis into the interface between Gothic narrative(s) and the spaces in which the tourist navigates. The storytelling practices taking place in Gothic caves, theme parks, ghost tours and rural walks serve to reflect contemporary fears and anxieties. This book situates the act of touring a Gothic site as a process of literary and social discovery.
Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time four hundred years -- to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life -- in none other than William Shakespeare himself. Does Nat have to remain trapped in the past forever, or give up the friendship he's so longed for in his own time?
How landowners, drainage projectors, and investors worked with the Crown to transform England's waterlogged Fens. 2017 Choice Outstanding Academic Title The draining of the Fens in eastern England was one of the largest engineering projects in seventeenth-century Europe. A series of Dutch and English "projectors," working over several decades and with the full support of the Crown, transformed hundreds of thousands of acres of putatively barren wetlands into dry, arable farmland. The drainage project was also supposed to reform the sickly, backward fenlanders into civilized, healthy farmers, to the benefit of the entire commonwealth. As projectors reconstructed entire river systems, these new, artificial channels profoundly altered both the landscape and the lives of those who lived on it. In this definitive account, historian Eric H. Ash provides a detailed history of this ambitious undertaking. Ash traces the endeavor from the 1570s, when draining the whole of the Fens became an imaginable goal for the Crown, through several failed efforts in the early 1600s. The book closes in the 1650s, when, in spite of the project's enormous difficulty and expense, the draining of the Great Level of the Fens was finally completed. Ash ultimately concludes that the transformation of the Fens into fertile farmland had unintended ecological consequences that created at least as many problems as it solved. Drawing on painstaking archival research, Ash explores the drainage from the perspectives of political, social, and environmental history. He argues that the efficient management and exploitation of fenland natural resources in the rising nation-state of early modern England was a crucial problem for the Crown, one that provoked violent confrontations with fenland inhabitants, who viewed the drainage (and accompanying land seizure) as a grave threat to their local landscape, economy, and way of life. The drainage also reveals much about the political flash points that roiled England during the mid–seventeenth century, leading up to the violence of the English Civil War. This is compelling reading for British historians, environmental scholars, historians of technology, and anyone interested in state formation in early modern Europe.
Discover ancient civilizations that have disappeared beneath the ocean's surface and explore how the science of submergence adds to our knowledge of human history. The traces of much of human history – and that which preceded it – lie beneath the ocean surface; broken up, dispersed, often buried and always mysterious. This is fertile ground for speculation, even myth-making, but also a topic on which geologists and climatologists have increasingly focused in recent decades. We now know enough to tell the true story of some of the continents and islands that have disappeared throughout Earth's history, to explain how and why such things happened, and to unravel the effects of submergence on the rise and fall of human civilizations. In Worlds in Shadow Patrick Nunn sifts the facts from the fiction, using the most up-to-date research to work out which submerged places may have actually existed versus those that probably only exist in myth. He looks at the descriptions of recently drowned lands that have been well documented, those that are plausible, and those that almost certainly didn't exist. Going even further back, Patrick examines the presence of more ancient lands, submerged beneath the waves in a time that even the longest-reaching folk memory can't touch. Such places may have played important roles in human evolution, but can only be reconstructed through careful geological detective work. Exploring how lands become submerged, whether from sea-level changes, tectonic changes, gravity collapse, giant waves or volcanoes, helps us determine why, when and where land may disappear in the future, and what might be done to prevent it.
