"A brilliant and groundbreaking exploration of the promises and pitfalls of the spiritual path written by one of the pioneers of transpersonal psychology. A must for every serious spiritual seeker, students of consciousness, and all those concerned about the future of our planet." -Stanislav Grof, M.D. "Regardless of one's religious preferences, this pioneering classic eloquently and objectively addressees the spiritual issues of our time." -Angeles Arrien "Here, presented with clarity and courage, are the foundations for a transpersonal psychotherapy that respects the multileveled richness of the human psyche." -Ram Dass
When her German hometown becomes part of Poland after World War I, Lena, a young German Jew, struggles to come to terms with the anti-Semitism and anti-German hatred that seems to be growing around her.
Melody always wondered why she could see ghosts and why one killed her great-grandfather. She discovers the answer, Melody is the Earth Elemental. Melody finds the other three Elementals. Together, they embark on a quest in search of a magical land. They are the only ones who can defeat the evil creature threatening to destroy the world.
When college students Elliot Fleming and Vesta Lloyd agree to join English Professor Rydar Colson’s production of Shakespeare’s Henry IV Part 1 and Part 2, they do not know what to expect. Sacred Shadows and Latent Light follows Elliot and Vesta as they prepare for what they assume will be little more than an enriching extracurricular challenge. However, when student reporter Ermine Jackson goes beyond his journalism professor’s instruction to lobby the university for a second director, he initiates a campaign to cancel the plays and remove Shakespeare from the university curriculum—and Colson from campus. Between Colson’s production and Jackson’s crusade, the campus steadily divides, leading to unexpected allegiances, betrayals, questionable accusations, and threats of physical violence. Throughout their time admiring, questioning, resenting, and defending Colson and his production, the characters discover when and how to stand up for their convictions, all the while examining different views on the extent of free speech, the place of the canon in higher academia, the safety and representation of women in society, the growth of “cancel culture” on a changing university campus, and how much is truly involved in what and how one reads.
5 1/2 by 8 1/2 paperback, black and white photo intensive. The layout/design provides the reader, young and old a like, with an easy read about an intense subject. Many have reported that they could not put it down once they started reading the book.
• Details hands-on techniques, spells, and rituals paired with personal stories from the author’s decades of magical practice • Presents teachings on working with each element in different ways--such as divination, communication, healing, protection, manifestation, and enchantment • Explores elemental altars, scrying and reading the bones, undines and fairies, working with runes and crystals, ancestral healing, weather sensing, fire gazing, candle magic, sex magic, and communicating with the Otherworld A Book of Shadows is a witch’s sacred journal, filled with personal experiences and the intimate working of spells. In this practical guide to elemental witchcraft, Salicrow invites you into her personal Book of Shadows, detailing hands-on techniques, spells, and rituals to work with the magic of the four elements--Water, Earth, Air, and Fire. She presents teachings on each element through the lens of different schools of magic, such as divination, healing, protection, manifestation, and enchantment. Within each of these elemental teachings is a series of progressive lessons, including a personal story from the author’s lifetime of magical practice paired with a technique for you to explore. For the Water witch, she explores scrying, engaging with undines, weather protection, fairy glamour, and healing with kitchen spells. For the Earth witch, she describes reading the bones, animal messengers, listening to plants, crystal grids, and shadow work. For the Air witch, she looks at communicating with sylphs and crows, divination through clouds and wind, sonic magic and healing, spell accelerants, and smudging. For the Fire witch, she examines the Djinn, the magical hearth, fire divination, candle work, and sex magic. For all the elements, she explores how to build elemental altars and customize the ceremonies and rituals. Sharing intimate examples and practices to help you progressively develop the skills of witchcraft, Salicrow invites you to create your own personal Book of Shadows as you forge a magical relationship with the natural world.
Shadow and Substance is the first book to present a sustained examination of the relationship between Eucharistic controversy and English drama across the Reformation divide. In this compelling interdisciplinary study, Jay Zysk contends that the Eucharist is not just a devotional object or doctrinal crux, it also shapes a way of thinking about physical embodiment and textual interpretation in theological and dramatic contexts. Regardless of one’s specific religious identity, to speak of the Eucharist during that time was to speak of dynamic interactions between body and sign. In crossing periodic boundaries and revising familiar historical narratives, Shadow and Substance challenges the idea that the Protestant Reformation brings about a decisive shift from the flesh to the word, the theological to the poetic, and the sacred to the secular. The book also adds to studies of English drama and Reformation history by providing an account of how Eucharistic discourse informs understandings of semiotic representation in broader cultural domains. This bold study offers fresh, imaginative readings of theology, sermons, devotional books, and dramatic texts from a range of historical, literary, and religious perspectives. Each of the book’s chapters creates a dialogue between different strands of Eucharistic theology and different varieties of English drama. Spanning England’s long reformation, these plays—some religious in subject matter, others far more secular—reimagine semiotic struggles that stem from the controversies over Christ’s body at a time when these very concepts were undergoing significant rethinking in both religious and literary contexts. Shadow and Substance will have a wide appeal, especially to those interested in medieval and early modern drama and performance, literary theory, Reformation history, and literature and religion.
Magus leaves circle by the doorway, goes to Postulant, and says, "Since there is no other brother here, I must be thy sponsor, as well as priest. I am about to give you a warning. If you are still of the same mind, answer it with these words: 'Perfect Love and Perfect Trust.'" Placing the point of the sword to the Postulant's breast, he says, "O thou who standeth on the threshold between the pleasant world of men and the domains of the Dread Lords of the Outer Spaces, hast thou the courage to make the Assay? For I tell thee verily, it were better to rush on my weapon and perish miserably than to make the attempt with fear in thy heart." Postulant: "I have two Passwords: Perfect Love and Perfect Trust." Magus drops the sword point, saying, "All who approach with perfect love and perfect trust are doubly welcome." Going around behind her, he blindfolds her, then putting his left arm around her waist and his right arm around her neck, he pulls her head back, says, "I give you the 3rd password, a Kiss to pass through this dread Door," and pushes her forward with his body, through the doorway and into the circle. Once inside, he releases her saying, "This is the way all are first brought into the circle." Magus closes the doorway by drawing the point of the sword across it three times, joining all three circles, saying, "Agla, Azoth, Adonai," then drawing three pentacles to seal it. Magus guides Postulant to south of altar, and whispers, "Now there is the Ordeal." Taking a short piece of cord from the altar, he ties it around her right ankle, saying, "Feet neither bound nor free." Taking a longer cord, he ties her hands together behind her back, then pulls them up, so that the arms form a triangle, and ties the cord around her neck, leaving the end dangling down in front as a Cable Tow. With the Cable Tow in his left hand and the sword in his right hand, the Magus leads her sunwise around the circle to the east, where he salutes with the sword and proclaims, "Take heed, O Lords of the Watchtowers of the East, (name), properly prepared, will be made a Priestess and a Witch." Magus leads her similarly to the south, west, and north, making the proclamation at each quarter. , clasping Postulant around the waist with his left arm, and holding the sword erect in his right hand, he makes her circumambulate three times around the circle with a half-running, half-dancing step. He halts her at the south of the altar, and strikes eleven knells on the bell.
Since Phyllis Currot first published Book of Shadows, the story of her spiritual journey and initiation as a High Priestess in the Wiccan community, Witchcraft has captured America's imagination as a theme for fiction, television shows, and films. Now America's highest-profile Witch returns to dispel more myths and misrepresentations of her faith, and to share a practical guide to the beautiful spiritual rituals and philosophies behind Wiccan tradition. Rich with enchanting stories from Currot's own experiences and detailed advice for creating potions, working with Nature, and finding the Divine within, Witch Crafting is much more than just another superficial recipe book. Curott's unique guidebook integrates the inspiration of religious wisdom with sound, practical information. Witch Crafting reveals how to: incorporate Wiccan practices into your daily life; master the secret arts of effective spell casting; create sacred space and personal rituals; perform divinations for insight and success; and tap the magical power of altered states, such as dreaming meditation, prayer, and trance. Perfect for beginners or seasoned practitioners, Witch Crafting is the ideal handbook for anyone seeking to unlock the divine power that makes real magic happen, and to experience the power and gifts of the universe more fully.
A provocative book that reminds us that our soul's primary longing is for love and then explores that longing. Goodchild explains that our most important task is the growth of our consciousness and that this cannot be accomplished apart from an awareness of the complexities of love and its shadows. It takes the us into that domain where eros' arrows thrust us into those shadowy depths where our keenest vulnerabilities and woundings--and our deepest imaginings and longings-are hidden.
