These suspenseful stories will leave readers on the edge of their seats! Each spine-tingling tale features a brave, clever girl solving an intriguing mystery at an important time in America's past. In 1621, Merry is kidnapped in England and brought to the Jamestown settlement in the New World. She's forced to work at the glasshouse, where an intruder is set on sabotage!
A YA novel set in a seaside New England town in the 1920s, where twelve-year-old Clare discovers a mysterious glass house and falls in love with Jack, the ghost of a boy who can't remember how he died.
A deliciously gothic story of wishes and curses – a new dark fairy tale set against a Victorian backdrop full of lace and smoke. ‘Deliciously dark’ Woman Magazine
NATIONAL BESTSELLER • From the bestselling, National Book Award–winning author of Three Junes comes a tender, riveting book of two sisters and their complicated relationship. Louisa Jardine is the older one, the conscientious student, precise and careful: the one who yearns for a good marriage, an artistic career, a family. Clem, the archetypal youngest, is the rebel: committed to her work saving animals, but not to the men who fall for her. In this vivid, heartrending story of what we can and cannot do for those we love, the sisters grow closer as they move further apart. All told with sensual detail and deft characterization, I See You Everywhere is a candid story of life and death, companionship and sorrow, and the nature of sisterhood itself.
Sam, Derek, and Caitlin travel to historic Jamestown as part of Field School. When a priceless artifact is labeled a fraud, they must work to uncover the mystery.
An ominous butterfly house. A sinister legacy. An untraceable killer. In 1921, Marian Arnold, the heiress to a brewing baron's empire, seeks solace in the glass butterfly house on her family's Wisconsin estate as Prohibition and the deaths of her parents cast a long shadow over her shrinking world. When Marian's sanctuary is invaded by nightmarish visions, she grapples with the line between hallucinations of things to come and malevolent forces at play in the present. With dead butterflies as the killer's ominous signature, murders unfold at a steady pace. Marian, fearful she might be next, enlists the help of her childhood friend Felix, a war veteran with his own haunted past. In the present day, researcher Remy Shaw becomes entangled in an elderly biographer's quest to uncover the truth behind Marian Arnold's mysterious life and the unsolved murders linked to an infamous serial killer. Joined by Marian's great-great-grandson, can Remy expose the evil that lurks beneath broken wings? Or will the dark legacy surrounding the manor and its glass house destroy yet another generation? "Wright is in a class by herself."--Library Journal
Lighting and shadows are used within a range of art forms to create aesthetic effects. Piotr Sadowski's study of light and shadow in Weimar cinema and contemporaneous visual arts is underpinned by the evolutionary semiotic theories of indexicality and iconicity. These theories explain the unique communicative and emotive power of light and shadow when used in contemporary indexical media including the shadow theatre, silhouette portraits, camera obscura, photography and film. In particular, Sadowski highlights the aesthetic and emotional significance of shadows. The 'cast shadow', as an indexical sign, maintains a physical connection with its near-present referent, such as a hidden person, stimulating a viewer's imagination and provoking responses including anxiety or curiosity. The 'cinematic shadow' plays a stylistic role, by enhancing image texture, depth of field, and tonal contrast of cinematic moments. Such enhancements are especially important in monochromatic films, and Sadowski interweaves the book with accounts of seminal Weimar cinema moments. Sadowski's book is distinctive for combining historical materials and theoretical approaches to develop a deeper understanding of Weimar cinema and other contemporary art forms. The Semiotics of Light and Shadows is an ideal resource for both scholars and students working in linguistics, semiotics, film, media, and visual arts.
The dragon of Kural is dreaming of a song that is not his. He stirs and tries to shrug, but his wings are pinned. Seventeen-year-old Emlin is about to become a fully-fledged crafter of dragon-inspired stained glass. Then her mother is murdered following a mysterious, nighttime trip to the palace. The Watch hasn’t a clue who the murderer is, so Emlin vows to find the killer herself. A series of attacks on her and her sister glassmakers makes her suspect that the attacker is keen to destroy the glass crafthouse, an event that would weaken the island’s connection to its dragon and leave it vulnerable. Dogged by a curious if charming scholar who can’t keep his nose out of her business, she questions anyone her mother saw in the days before her death, finds herself breaking dragon-given laws, and learns things about her mother that call into question whether she’ll ever become a glassmaker — assuming she lives long enough.
Awakening in a clinic with most of his memories missing, Robin goes on the run from unknown enemies out to kill him, volunteering to take part in the Glasshouse, an experimental polity simulating a pre-accelerated culture in which he will be assigned an anonymous identity, but he experiences radical changes that threaten everything. 20,000 first printing.
