A young black female lawyer is preoccupied with dreams of becoming a judge, her rebellious daughter, her radical activist ex-husband, and her new weathly and white paramour. When she's appointed special prosecutor on a high-profile case, she learns secrets best forgotten and will be forced to make a decision that will change her life forever.
Few individuals have had as great an impact on the law--both its practice and its history--as A. Leon Higginbotham, Jr. A winner of the Presidential Medal of Freedom, the nation's highest civilian honor, he has distinguished himself over the decades both as a professor at Yale, the University of Pennsylvania, and Harvard, and as a judge on the United States Court of Appeals. But Judge Higginbotham is perhaps best known as an authority on racism in America: not the least important achievement of his long career has been In the Matter of Color, the first volume in a monumental history of race and the American legal process. Published in 1978, this brilliant book has been hailed as the definitive account of racism, slavery, and the law in colonial America. Now, after twenty years, comes the long-awaited sequel. In Shades of Freedom, Higginbotham provides a magisterial account of the interaction between the law and racial oppression in America from colonial times to the present, demonstrating how the one agent that should have guaranteed equal treatment before the law--the judicial system--instead played a dominant role in enforcing the inferior position of blacks. The issue of racial inferiority is central to this volume, as Higginbotham documents how early white perceptions of black inferiority slowly became codified into law. Perhaps the most powerful and insightful writing centers on a pair of famous Supreme Court cases, which Higginbotham uses to portray race relations at two vital moments in our history. The Dred Scott decision of 1857 declared that a slave who had escaped to free territory must be returned to his slave owner. Chief Justice Roger Taney, in his notorious opinion for the majority, stated that blacks were "so inferior that they had no right which the white man was bound to respect." For Higginbotham, Taney's decision reflects the extreme state that race relations had reached just before the Civil War. And after the War and Reconstruction, Higginbotham reveals, the Courts showed a pervasive reluctance (if not hostility) toward the goal of full and equal justice for African Americans, and this was particularly true of the Supreme Court. And in the Plessy v. Ferguson decision, which Higginbotham terms "one of the most catastrophic racial decisions ever rendered," the Court held that full equality--in schooling or housing, for instance--was unnecessary as long as there were "separate but equal" facilities. Higginbotham also documents the eloquent voices that opposed the openly racist workings of the judicial system, from Reconstruction Congressman John R. Lynch to Supreme Court Justice John Marshall Harlan to W. E. B. Du Bois, and he shows that, ironically, it was the conservative Supreme Court of the 1930s that began the attack on school segregation, and overturned the convictions of African Americans in the famous Scottsboro case. But today racial bias still dominates the nation, Higginbotham concludes, as he shows how in six recent court cases the public perception of black inferiority continues to persist. In Shades of Freedom, a noted scholar and celebrated jurist offers a work of magnificent scope, insight, and passion. Ranging from the earliest colonial times to the present, it is a superb work of history--and a mirror to the American soul.
One August night in 1931, on a secluded mountain ridge overlooking Birmingham, Alabama, three young white women were brutally attacked. The sole survivor, Nell Williams, age eighteen, said a black man had held the women captive for four hours before shooting them and disappearing into the woods. That same night, a reign of terror was unleashed on Birmingham's black community: black businesses were set ablaze, posses of armed white men roamed the streets, and dozens of black men were arrested in the largest manhunt in Jefferson County history. Weeks later, Nell identified Willie Peterson as the attacker who killed her sister Augusta and their friend Jennie Wood. With the exception of being black, Peterson bore little resemblance to the description Nell gave the police. An all-white jury convicted Peterson of murder and sentenced him to death. In Murder on Shades Mountain Melanie S. Morrison tells the gripping and tragic story of the attack and its aftermath—events that shook Birmingham to its core. Having first heard the story from her father—who dated Nell's youngest sister when he was a teenager—Morrison scoured the historical archives and documented the black-led campaigns that sought to overturn Peterson's unjust conviction, spearheaded by the NAACP and the Communist Party. The travesty of justice suffered by Peterson reveals how the judicial system could function as a lynch mob in the Jim Crow South. Murder on Shades Mountain also sheds new light on the struggle for justice in Depression-era Birmingham. This riveting narrative is a testament to the courageous predecessors of present-day movements that demand an end to racial profiling, police brutality, and the criminalization of black men.
Among the contemporary political issues that cry out for theoretical articulation, Seery suggests, are abortion politics, ethnic cleansing, suicide assistance, national reparations, environmental degradation, and capital punishment.
Sulh is a centuries-old Arab-Islamic peacemaking practice. Rasha Diab explores the possibilities and limits of the rhetoric of sulh as it is used to resolve interpersonal, communal, and (inter)national conflicts--with a case illustrating each of these domains. The cases range from medieval to contemporary times and are analyzed using both rhetorical and critical discourse analyses.
Engaging important discussions about social conflict, environmental change, and imperialism in Africa, Different Shades of Green points to legacies of African environmental writing, often neglected as a result of critical perspectives shaped by dominant Western conceptions of nature and environmentalism. Drawing on an interdisciplinary framework employing postcolonial studies, political ecology, environmental history, and writing by African environmental activists, Byron Caminero-Santangelo emphasizes connections within African environmental literature, highlighting how African writers have challenged unjust, ecologically destructive forms of imperial development and resource extraction. Different Shades of Green also brings into dialogue a wide range of African creative writing—including works by Chinua Achebe, Ngũgĩ wa Thiong’o, Bessie Head, Nadine Gordimer, Zakes Mda, Nuruddin Farah, Wangari Maathai, and Ken Saro-Wiwa—in order to explore vexing questions for those involved in the struggle for environmental justice, in the study of political ecology, and in the environmental humanities, urging continued imaginative thinking in effecting a more equitable, sustain¬able future in Africa.
A wanderer. An outcast. A Queen. Against the customs of the land, Kigal is amongst the few still willing to bury the dead. It is a life that has left her wandering, without friend or home, but she spreads her message of justice for the deceased wherever she can. However, when targeted by those who loathe her, she narrowly escapes execution and tumbles into the Underworld. There Kigal is met with the impossible: the souls of the dead proclaiming her as their goddess, fated to be Queen of the Underworld. Hurled into a world beyond her imagining, clashing with seductive gods and bringing demons to heel, she must fight to bring justice to the forgotten dead. Yet as an ancient evil rises in the Land of the Living, Kigal must not only fight for the lives of those who sought her ruin, but for their very souls. Queen of Shades is a 110-page novella, the first in a Mesopotamian fantasy series. Grab your copy and begin the journey today. About the Queen of Shades series This fast-paced historical fantasy series is packed with demons, monsters, gods and goddesses, ancient lore, and more. If you enjoy diverse fantasy with intrigue of mythic proportions, struggles for justice, enemies-to-lovers, and a lot of heart – this series is for you. What Readers are Saying “An exciting, fast-paced story full of magic and monsters, this nonetheless got me thinking deeply about death, grieving, and rituals surrounding grief. If you’re looking for an evocative, thought-provoking story with girl power and just a dash of sass, give this a shot!” - Elisabeth W. “If gods, demons and mythical creatures are up your street, you're in for a treat. There were definitely a few moments where the action took a completely unexpected twist.” - Gem J. “With its fresh characters, thoughtful themes, vivid setting, and pacy plot, I thoroughly enjoyed Queen of Shades and look forward to reading the next novellas. - Suzannah R. “Hinze manages to build a world that is rich and believable in its details, and compelling in its mythology. The book never loses a kind of charmingly otherworldly feel.” - Heather D.
Fugitives Chasidah "Chaz" Bergren and her lover, ex-monk, mercenary, and telepath Gabriel Ross Sullivan, are forced out of hiding when Chaz's brother is arrested for treason.
Scottie Farley: A sensitive, withdrawn child connected to painted sunsets and make-believe. He lives with too much fearand must work up the courage to change that. Sharon Farley: His motheroverwhelmed by denial and dead dreams, she loves her children, but is blind to the one truth she needs. Steve Farley: Father, lover, husband . . . monster. Jessie Sandler: Hired by the District Attorney to uphold victims rights, she is both haunted and driven by a terrifying secret. She will do anything to banish her ghosts. Then she meets the Farleysand discovers the haunting has just begun. THEY WILL ALL COME TOGETHER in the maze of the court systemand will finally comprehend Justice: . . . no gray or violet or yellow, or any shade in-between . . . just black or white . . . all or nothing . . . alive or dead . . . As A DARK SHADE OF JUSTICE marches uncompromisingly toward its provocative conclusion, Jo Mitchell delivers an insiders glimpse of one aspect of the Criminal Justice System. You will be drawn into the lives of the characters. You will feel their heartache, frustration, anticipation and dread. And, like them, you will not rest until you know.
Growing up in the late 19th century, Laura Wheeler Waring didn't see any artists who looked like her. She didn't see any paintings of people who looked like her, either. As a young woman studying art in Paris, she found inspiration in the works of Matisse and Gaugin to paint the people she knew best. Back in Philadelphia, the Harmon Foundation commissioned her to paint portraits of accomplished African-Americans. Her portraits still hang in Washington DC's National Portrait Gallery, where children of all races can admire the beautiful shades of brown she captured.