Embracing My Sexy Sixties is a full color, coffee table book featuring 20 dynamic women in their 60's who share their stories on how they are embracing who they are now, where they've been, and where they are going.
During the 1960s, many models, Playboy centerfolds, beauty queens, and Las Vegas showgirls went on to become "decorative actresses" appearing scantily clad on film and television. This well illustrated homage to 75 of these glamour girls reveals their unique stories through individual biographical profiles, photographs, lists of major credits and, frequently, in-depth personal interviews. Included are Carol Wayne, Edy Williams, Inga Neilsen, Thordis Brandt, Jo Collins, Phyllis Davis, Melodie Johnson, and many equally unforgettable faces of sixties Hollywood.
"Shows that engagement with art and literature was essential to the programmatic sexual theories of the late 1960s and early 70s and that the period's aesthetic theories were characterized by forms of sexual obsession. In the period around and after 1968, sexuality and the arts entered into a remarkably intimate and mutually beneficial relationship: on one hand, scientific theories of sexuality and their pop-psychological counterparts incorporated lengthy reflections on art movements and literary texts, since artistic media were understood as crucial to the project of inventing radically new modes of human living and loving. On the other hand, the aesthetic ambitions that informed new conceptions of sexuality had their mirror image in the varying forms of sexual obsession that characterized contemporary aesthetic theories. Approaches as diverse as those of Theodor W. Adorno, Roland Barthes, Susan Sontag, Leslie A. Fiedler, Peter Gorsen, and Herbert and Ludwig Marcuse all contributed to a dramatic eroticization of the arts. Christine Weder's interdisciplinary study explores this largely neglected relationship, providing a dual insight into an era of profound transformation: she demonstrates how and why the engagement with art and literature was essential to the programmatic theories of the new Eros. At the same time, she offers a fresh historical perspective on aesthetics around 1968. Whereas aesthetic developments in the late sixties have conventionally been conceived in terms of politicization, Weder demonstrates that the sexualization of the arts was no less profound, and in doing so contributes to a fundamental reframing of this tumultuous period"--
From the bestselling, Booker Prize-winning author of A Sense of an Ending comes a comedy of sexual awakening in the 1960s that is “wonderfully fresh, crackling with nostalgic irreverence” (Vogue). Only the author of Flaubert's Parrot could give us a novel that is at once a note-perfect rendition of the angsts and attitudes of English adolescence, a giddy comedy of sexual awakening, and a portrait of the accommodations that some of us call "growing up" and others "selling out.
Struggling to survive in post–World War II Germany, Beate Uhse (1919–2001)—a former Luftwaffe pilot, war widow, and young mother—turned to selling goods on the black market. A self-penned guide to the rhythm method found eager buyers and started Uhse on her path to becoming the world’s largest erotica entrepreneur. Battling restrictive legislation, powerful churches, and conservative social mores, she built a mail-order business in the 1950s that sold condoms, sex aids, self-help books, and more. The following decades brought the world’s first erotica shop, the legalization of pornography, the expansion of her business into eastern Germany, and web-based commerce. Uhse was only one of many erotica entrepreneurs who played a role in the social and sexual revolution accompanying Germany’s transition from Nazism to liberal democracy. Tracing the activities of entrepreneurs, customers, government officials, and citizen-activists, Before Porn Was Legal brings to light the profound social, legal, and cultural changes that attended the growth of the erotica sector. Heineman’s innovative readings of governmental and industry records, oral histories, and the erotica industry’s products uncover the roots of today’s sexual marketplace and reveal the indelible ways in which sexual expression and consumption have become intertwined.
Words of Wisdom from Wild Women In Wild Words from Wild Women, author and feminist August Stephens compiles words of wisdom from much loved famous feminists. Hilarious, inspiring, and empowering, this pocket book of affirmation quotes is the perfect gift for all nasty women with something to say. Some tongues just can’t be tamed. What can be better than words of wisdom from wild gals? Wild Words from Wild Women is a ribald compilation of powerful women quotes; everything from bras to babies, menopause to men, and politics to parties. Featuring historically nasty women like Jane Austen and Billie Jean King, these famous feminists knew how to read between the lines─and now you can too. Girls run the world. These words of wisdom─from strippers, CEOs, poets, senators, and every woman in between─make delectable reading for sassy, untamable, and fabulous ladies everywhere. In the time of “Girl Boss” learn why and how girls run the world with Wild Words from Wild Women. Inside, find powerful women quotes from famous feminists like: • Billie Holiday • Virginia Wolfe • Coco Chanel • And many more! If you enjoyed books like Badass Affirmations, Daily Affirmations for Women, or I Really Needed This Right Now, then you’ll love Wild Words from Wild Women.
3 generations, 3 second chances The Prequel Grace Baron had always been the good wife, despite a marriage based on a careless indiscretion, and sustained not by love, but by old-fashioned morality. She’d raised her daughter, bit her tongue, and silently lived with her guilt. Now that she’s a widow, she can’t help being glad for her sudden freedom. Howard Scott’s gentle, old-fashioned courting makes Grace feel alive again. Would marrying Howard be the trap Grace fears, or would it finally give her a kind of freedom she’d never imagined? Secrets Schoolteacher Kelly Baron raised her child alone. Now that her daughter’s grown and married, Kelly can finally start her new life, responsible only for herself. She has just one more thing to do: help her mother. To do so, she must return to Heritage Springs, Kentucky, the place she’d fled years before. Newly divorced lawyer Rob Scott seeks solace for his heartache in his small-town roots. The last thing he’s looking for is a relationship. Then he runs into Kelly, the girl who’d disappeared from his life years ago, leaving behind only hurt and unanswered questions. Kelly’s kept her secret all these years. But sometimes the only way to build a future is to face the past. Nom de Plume Divorced, with her dreams of a big, happy family smashed to pieces, C.B Lyons takes her son to live near family. Typing manuscripts for a famous author is the perfect job until she discovers the hidden truth about the reclusive writer. Madison Mallory is a best-selling romance author with a secret. “She” is a “he.” The original Madison is in a nursing home. Her son, Jamie Madison, is determined she’ll have the best care possible. Even if that taking up his mother’s pen name. Writing about romance is one thing. Making it work in real life is harder. When C.B.’s ex wants his family back, can the author and his assistant find a way to write their own happily-ever-after ending?
Julian Barnes is one of the most refined British writers and distinguished intellectuals of his generation whose rich body of work has been awarded many literary prizes both in the UK and abroad. This critical guide provides a wide range of current critical perspectives on Barnes' work.