Sexual Outcasts presents a wide range of texts selected to illustrate the diversity of responses to the concealed body and to the secret or forbidden sexual practices of 1750-1850. Each volume follows the means by which prohibitions and taboos were produced and circulated. The reader can therefore explore the processes that disciplined the representation of the body and the constuction of sexual outcasts.This four-volume set presents a wide range of textual material: criminal reports; scientific and medical publications; newspaper items; sex manuals; guidebooks; speculative accounts, and case histories. The variety of sources permits a multiple perspective on the body, sexual drives, gendered psychologies and perverse behaviour across the century.
Sexual Outcasts presents a wide range of texts selected to illustrate the diversity of responses to the concealed body and to the secret or forbidden sexual practices of 1750-1850. Each volume follows the means by which prohibitions and taboos were produced and circulated. The reader can therefore explore the processes that disciplined the representation of the body and the constuction of sexual outcasts.This four-volume set presents a wide range of textual material: criminal reports; scientific and medical publications; newspaper items; sex manuals; guidebooks; speculative accounts, and case histories. The variety of sources permits a multiple perspective on the body, sexual drives, gendered psychologies and perverse behaviour across the century.
Sexual Outcasts presents a wide range of texts selected to illustrate the diversity of responses to the concealed body and to the secret or forbidden sexual practices of 1750-1850. Each volume follows the means by which prohibitions and taboos were produced and circulated. The reader can therefore explore the processes that disciplined the representation of the body and the constuction of sexual outcasts.This four-volume set presents a wide range of textual material: criminal reports; scientific and medical publications; newspaper items; sex manuals; guidebooks; speculative accounts, and case histories. The variety of sources permits a multiple perspective on the body, sexual drives, gendered psychologies and perverse behaviour across the century.
Sex is fundamental to society. We cannot think about politics, power, identity or culture without also thinking about sexuality. Despite this, the scientific study of sexual behaviour is a relatively recent phenomenon. Doctors, legal experts and other intellectuals have all pondered challenging questions in an attempt to stay abreast of the latest sexual research. How might we separate talking about sex scientifically from discussing and consuming pornography? How do we speak objectively about desire and pleasure? And how do the words that we use to talk about sex affect what we are able to say about it? Such questions increasingly inform public discourse across a variety of media. Showing how ancient words and ideas have left a significant imprint on present-day ideas about sex, Daniel Orrells offers a bold new narrative of how the scientific study of sexuality came into being. Uncovering the intriguing story of how the obscene and erotic verse of Roman epigram and love poetry became the sanitised language of nineteenth-century sexual science, this divertingly readable book demonstrates how the reception of both Latin and Greek texts was central to the development of modernmsexology and psychoanalysis. Ranging from Sappho, Catullus and Martial to Michel Foucault, Richard von Krafft-Ebing and Sigmund Freud, the author reveals just how profoundly classics has shaped the landscape of sexual identity that we inhabit today.
A Shakespearean actor who made his career on the public stage, whose sex life was known and discussed in Britain, America and France, Edmund Kean has inspired numerous writings, many biographies among them. But until now, no work has tackled the complicated and fascinating story of his literary appropriation, both in his own day and after his death. Dealing with the way a variety of canonical authors-including Byron, Coleridge, Keats, Dumas, Twain and Sartre-appropriated Kean through the centuries, The Cult of Kean traces a remarkable literary legacy. In each chapter Jeffrey Kahan discusses how many of history's greatest figures viewed Kean, and how these figures examined and discussed themselves in relation to-or projected themselves onto-a variety of constructions of the great actor. Kahan first explores the rise of Kean in light of rising democratic sympathies, then in light of Kean's equally autocratic dealings with playwrights, among them John Keats. He looks at Kean's sexual shenanigans at Drury Lane, exploring them in the wider social context of infidelity; and explores perceptions of Kean in America, during his 1820-1 and 1825-6 tours. The Cult of Kean cites many letters from Kean's mother and still others from his wife, none of which have been published previously. The study also features rare and interesting paintings of Kean, as well as depictions of how writers, actors and film makers continue to add to his remarkable literary legacy.
This book discusses sex and death in the eighteenth-century, an era that among other forms produced the Gothic novel, commencing the prolific examination of the century’s shifting attitudes toward death and uncovering literary moments in which sexuality and death often conjoined. By bringing together various viewpoints and historical relations, the volume contributes to an emerging field of study and provides new perspectives on the ways in which the century approached an increasingly modern sense of sexuality and mortality. It not only provides part of the needed discussion of the relationship between sex, death, history, and eighteenth-century culture, but is a forum in which the ideas of several well-respected critics converge, producing a breadth of knowledge and a diversity of perspectives and methodologies previously unseen. As the contributors demonstrate, eighteenth-century anxieties over mortality, the body, the soul, and the corpse inspired many writers of the time to both implicitly and explicitly embed mortality and sexuality within their works. By depicting the necrophilic tendencies of libertines and rapacious villains, the fetishizing of death and mourning by virtuous heroines, or the fantasy of preserving the body, these authors demonstrate not only the tragic results of sexual play, but the persistent fantasy of necro-erotica. This book shows that within the eighteenth-century culture of profound modern change, underworkings of death and mourning are often eroticized; that sex is often equated with death (as punishment, or loss of the self); and that the sex-death dialectic lies at the discursive center of normative conceptions of gender, desire, and social power.
Sexual Outcasts presents a wide range of texts selected to illustrate the diversity of responses to the concealed body and to the secret or forbidden sexual practices of 1750-1850. Each volume follows the means by which prohibitions and taboos were produced and circulated. The reader can therefore explore the processes that disciplined the representation of the body and the constuction of sexual outcasts.This four-volume set presents a wide range of textual material: criminal reports; scientific and medical publications; newspaper items; sex manuals; guidebooks; speculative accounts, and case histories. The variety of sources permits a multiple perspective on the body, sexual drives, gendered psychologies and perverse behaviour across the century.
"Sexuality, as we live it, is primarily a social creation and therefore it changes historically; sexual definition which we accept as "natural" - such as lesbian, gay, or heterosexual - emerge only through a specific social process linked to broader changes in class, gender, and State formation. This pioneering analysis uncovers the history of the Canadian lesbian and gay communities, and, by extension, the history of sexuality in general. Kinsman offers insights into the social forces that have organized and maintained gay oppression and pinpoints some potential allies of sexual liberation. He suggest moving towards very different criteria for organizing and regulating sexuality, desire, and pleasure. The Regulation of Desire concludes with suggestions as to how sexual politics and help transform progressive politics and contribute to broad social change."--Page [4] of cover.
