Women and Gender in Central and Eastern Europe, Russia, and Eurasia

Women and Gender in Central and Eastern Europe, Russia, and Eurasia

Author: Mary Zirin

Publisher: Routledge

Published: 2015-03-26

Total Pages: 2121

ISBN-13: 131745197X

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This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.


Men Without Women

Men Without Women

Author: Eliot Borenstein

Publisher: Duke University Press

Published: 2000

Total Pages: 372

ISBN-13: 9780822325925

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An analysis of the construction of masculinity in early Soviet culture that finds in the novels of Babel and others an utopian society composed exclusively of men.


The Foundation Pit

The Foundation Pit

Author: Andrei Platonov

Publisher: ISCI

Published: 2022-03-01

Total Pages: 123

ISBN-13:

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Written at the height of Stalin's first "five-year plan" for the industrialization of Soviet Russia and the parallel campaign to collectivize Soviet agriculture, Andrei Platonov's The Foundation Pit registers a dissonant mixture of utopian longings and despair. Furthermore, it provides essential background to Platonov's parody of the mainstream Soviet "production" novel, which is widely recognized as one of the masterpieces of twentieth-century Russian prose. In addition to an overview of the work's key themes, it discusses their place within Platonov's oeuvre as a whole, his troubled relations with literary officialdom, the work's ideological and political background, and key critical responses since the work's first publication in the West in 1973.