Excerpt from Seventh Annual Report of the Waterloo Historical Society, 1919 The Seventh Annual Meeting of the Waterloo Historical Society was held in the Museum in the Public Library on the above date, the President, W. H. Breithaupt, in the chair. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Kitchener, Ontario, is a community with two histories. As Berlin, it was a rapidly growing and prosperous town reveling in its Germanic heritage. After dramatic civic upheavals from 1915 to 1919, it emerged, somewhat bruised, as Kitchener. From a twenty-first-century viewpoint, there often appears to be a disconnection between the two. Kitchener (Berlin): 1880-1960 challenges this perception and bridges the two histories. Using mostly unpublished photographs, many from the Waterloo Historical Society's collection, the author captures the town that was and the city that is. Kitchener (Berlin): 1880-1960 brings to life many long-gone treasures, such as the classic city hall, the post office, and the sugar factory. William Lyon Mackenzie King, Canada's longest-serving prime minister, is seen during his hometown visits. Famous, as well as less familiar, individuals are captured, including Breithaupt and Bailey, Ahrens and Timm, Schmalz and Peoli, and Euler and Izma. This history also welcomes the reader to explore such questions as who was the father of Canadian soccer, who really turned on the first hydropower in 1910, who were "Big Charlie" and "Pop," and what was the Committee-of-One?
A supplemental textbook for middle and high school students, Hoosiers and the American Story provides intimate views of individuals and places in Indiana set within themes from American history. During the frontier days when Americans battled with and exiled native peoples from the East, Indiana was on the leading edge of America’s westward expansion. As waves of immigrants swept across the Appalachians and eastern waterways, Indiana became established as both a crossroads and as a vital part of Middle America. Indiana’s stories illuminate the history of American agriculture, wars, industrialization, ethnic conflicts, technological improvements, political battles, transportation networks, economic shifts, social welfare initiatives, and more. In so doing, they elucidate large national issues so that students can relate personally to the ideas and events that comprise American history. At the same time, the stories shed light on what it means to be a Hoosier, today and in the past.
"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relationships, changing identity politics, and issues of colonial power and dispossession contemporary artists have produced landscape art that explores what was absent in the work of their predecessors. Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing debates about the place of landscape in Canadian art and the national imagination through the twentieth century to the present. Critical writings from both contemporary and historically significant curators, historians, feminists, media theorists, and cultural critics and exactingly reproduced artworks by contemporary and historical artists are brought together in productive dialogue. Beyond Wilderness explains why landscape art in Canada had to be reinvented, and what forms the reinvention took. Contributors include Benedict Anderson (Cornell), Grant Arnold (Vancouver Art Gallery). Rebecca Belmore, Jody Berland (York), Eleanor Bond (Concordia), Jonathan Bordo (Trent), Douglas Cole, Marlene Creates, Marcia Crosby (Malaspina), Greg Curnoe, Ann Davis (Nickle Arts Museum), Leslie Dawn (Lethbridge), Shawna Dempsey, Christos Dikeakos, Peter Doig, Rosemary Donegan (OCAD), Stan Douglas, Paterson Ewen, Robert Fones, Northrop Frye, Robert Fulford, General Idea, Rodney Graham, Reesa Greenberg, Gu Xiong (British Columbia), Cole Harris (British Columbia), Richard William Hill (Middlesex), Robert Houle, Andrew Hunter (Waterloo), Lynda Jessup (Queen's), Zacharias Kunuk (Igloolik Isuma Productions), Johanne Lamoureux (Montreal), Robert Linsley (Waterloo), Barry Lord (Lord Cultural Resources), Marshall McLuhan, Mike MacDonald, Liz Magor (ECIAD), Lorri Millan, Gerta Moray (Guelph), Roald Nasgaard (Florida State), N.E. Thing Company, Carol Payne (Carleton), Edward Poitras, Dennis Reid (Art Gallery of Ontario), Michel Saulnier, Nancy Shaw (Simon Fraser), Johanne Sloan (Concordia), Michael Snow, Robert Stacey, David Thauberger, Loretta Todd, Esther Trepanier (Quebec), Dot Tuer (OCAD), Christopher Varley, Jeff Wall, Paul H. Walton (McMaster), Mel Watkins (Toronto), Scott Watson (British Columbia), Anne Whitelaw (Alberta), Joyce Wieland, Jin-me Yoon (Simon Fraser), Lawrence Paul Yuxweluptun, and Joyce Zemans (York).
From the local bestselling author of Winnipeg 1912 comes the riveting next chapter in the city’s history. Winnipeg’s Great War picks up in 1914, just as the city is regrouping after a brief economic downturn. War comes unexpectedly, thoughts of recovery are abandoned, and the city digs in for a hard-fought four years.Using letters, diaries, and newspaper reports, Jim Blanchard brings us into the homes and public offices of Winnipeg and its citizens to illustrate the profound effect the war had on every aspect of the city, from its politics and economy, to its men on the battlefield, and its war-weary families fighting on the home front. We witness the emergence of the city’s social welfare services through the work of women’s volunteer organizations; the political scandals that led to the fall of the Rodmond Roblin government; and the clash between independent jitneys and the city’s private transit company. And we hear the conflicted emotions that echoed in the city’s streets, from anti-foreign sentiment and labour unrest, to patriotic parades, and a spontaneous Victory Day celebration that refused to end.Through these stories, Blanchard reveals how these crucial years set the stage for the decades ahead, and how the First World War transformed Winnipeg into the city it is today.
