European Art of the Eighteenth Century

European Art of the Eighteenth Century

Author: Daniela Tarabra

Publisher: Getty Publications

Published: 2008

Total Pages: 390

ISBN-13: 9780892369218

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"The Art Through the Century series introduces readers to important visual vocabulary of Western art."--Back cover.


Seventeenth-century Art and Architecture

Seventeenth-century Art and Architecture

Author: Ann Sutherland Harris

Publisher: Laurence King Publishing

Published: 2005

Total Pages: 454

ISBN-13: 9781856694155

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Encompassing the socio-political, cultural background of the period, this title takes a look at the careers of the Old Masters and many lesser-known artists. The book covers artistic developments across six countries and examines in detail many of the artworks on display.


European Art of the Seventeenth Century

European Art of the Seventeenth Century

Author: Rosa Giorgi

Publisher: Getty Publications

Published: 2008

Total Pages: 384

ISBN-13: 9780892369348

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This volume presents the most noteworthy concepts, artists, and cultural centers of the seventeenth century through a close examination of many of its greatest paintings, sculptures, and buildings. The Baroque, rooted in classicism but with a new emphasis on emotionalism and naturalism, was the leading style of the seventeenth century. The movement exhibited both stylistic complexity and great diversity in its subject matter, from large religious works and history paintings to portraits, landscapes, and scenes of everyday life. Masters of the era included Caravaggio, whose innovations in the dramatic uses of light and shadow influenced many of the century's artists, notably Rembrandt; the sculptor, painter, and architect Bernini, with his combination of technical brilliance and expressiveness; and other familiar names such as Rubens, Poussin, Velázquez, and Vermeer. This was the era of absolute monarchs, including Spain's Habsburgs and Louis XIII and XIV of France, whose artistic patronage helped furnish their opulent palaces. But a new era of commercialism, in which artists increasingly catered to affluent collectors of the professional and merchant classes, also flourished.


Dutch Paintings of the Seventeenth Century

Dutch Paintings of the Seventeenth Century

Author: National Gallery of Art (U.S.)

Publisher: Oxford University Press, USA

Published: 1995

Total Pages: 0

ISBN-13: 9780894682117

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Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.


Looking at Seventeenth-century Dutch Art

Looking at Seventeenth-century Dutch Art

Author: Wayne E. Franits

Publisher:

Published: 1997

Total Pages: 274

ISBN-13: 9780521499453

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Despite the active tradition of scholarship on Dutch painting of the seventeenth century, scholars continue to grapple with the problem of how the strikingly realistic characteristics of art from this period can be reconciled with its possible meanings. With the advent of new methodologies, these debates have gained momentum in the past decade. Looking at Seventeenth-Century Dutch Art, which includes classic essays as well as contributions especially written for this volume, provides a timely survey of the principal interpretative methods and debates, from their origins in the 1960s to current manifestations, while suggesting potential avenues of inquiry for the future. The book offers fascinating insights into the meaning of Dutch art in its original cultural context as well as into the world of scholarship that it has inspired.


Art at Auction in 17th Century Amsterdam

Art at Auction in 17th Century Amsterdam

Author: John Michael Montias

Publisher: Amsterdam University Press

Published: 2002

Total Pages: 340

ISBN-13: 9789053565919

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In this study of Amsterdam's Golden Age cultural elite, John Michael Montias analyzes records of auctions from the Orphan Chamber of Amsterdam through the first half of the seventeenth century, revealing a wealth of information on some 2,000 art buyers' regional origins, social and religious affiliations, wealth, and aesthetic preferences. Chapters focus not only on the art dealers who bought at these auctions, but also on buyers who had special connections with individual artists.