Seven Deadly Sins of London

Seven Deadly Sins of London

Author: Thomas Dekker

Publisher: Literary Licensing, LLC

Published: 2014-03

Total Pages: 66

ISBN-13: 9781497893504

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This Is A New Release Of The Original 1895 Edition.


The Seven Deadly Sins of London

The Seven Deadly Sins of London

Author: Thomas Dekker

Publisher: Legare Street Press

Published: 2022-10-27

Total Pages: 0

ISBN-13: 9781016824934

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The Seven Deadly Sins

The Seven Deadly Sins

Author: Kevin M. Clarke

Publisher: CUA Press

Published: 2018-05-18

Total Pages: 241

ISBN-13: 0813230217

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Gluttony -- Lust -- Greed -- Anger -- Sloth -- Envy and sadness -- Vainglory and pride.


Author:

Publisher: Arihant Publications India limited

Published:

Total Pages: 889

ISBN-13: 9326192512

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Digital Humanities and the Lost Drama of Early Modern England

Digital Humanities and the Lost Drama of Early Modern England

Author: Matthew Steggle

Publisher: Routledge

Published: 2016-04-22

Total Pages: 250

ISBN-13: 1317150783

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This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays’ authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracy (bef. 1639). From this list of bare titles, it is argued, can be reconstructed comedies, tragedies, and histories, whose leading characters included a saint, a robber, a Medici duchess, an impotent king, at least one pope, and an angel. In each case, newly-available digital research resources make it possible to interrogate the title and to identify the play's subject-matter, analogues, and likely genre. But these concrete examples raise wider theoretical problems: What is a lost play? What can, and cannot, be said about objects in this problematic category? Known lost plays from the early modern commercial theatre outnumber extant plays from that theatre: but how, in practice, can one investigate them? This book offers an innovative theoretical and practical frame for such work, putting digital humanities into action in the emerging field of lost play studies.