The Muses of Resistance

The Muses of Resistance

Author: Donna Landry

Publisher: Cambridge University Press

Published: 1990

Total Pages: 344

ISBN-13: 9780521374125

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In this challenging 1990 study, Donna Landry shows how an understanding of the remarkable but neglected careers of laboring-class women poets in the eighteenth century provokes a reassessment of our ideas concerning the literature of the period. Poets such as the washerwoman Mary Collier, the milkwoman Ann Yearsley, the domestic servants Mary Leapor and Elizabeth Hands, the dairywoman Janet Little, and the slave Phyllis Wheatley can be seen adapting the conventions of polite verse for the purposes of social criticism. Some of their strategies relate to earlier texts, revealing ideological blind spots in the tropes of male poets. Elsewhere, they made interesting innovations in poetic form. Mary Leapor's 'Crumble Hall', for instance, by attending to sexual politics, extends the critique of aristocratic privilege in the country-house poem beyond that of Pope and Crabbe. In Ann Yearsley's verse, landscape description, historical narrative, and philosophical meditation are infused with political comment. Historically important, technically impressive and often aesthetically innovative, the poetic achievements of these plebeian women writers constitute an exciting literary discovery.


The Many-Headed Muse

The Many-Headed Muse

Author: Pauline A. LeVen

Publisher: Cambridge University Press

Published: 2014-01-16

Total Pages: 389

ISBN-13: 1107653932

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This is the first monograph entirely devoted to the corpus of late classical Greek lyric poetry. Not only have the dithyrambs and kitharodic nomes of the New Musicians Timotheus and Philoxenus, the hymns of Aristotle and Ariphron, and the epigraphic paeans of Philodamus of Scarpheia and Isyllus of Epidaurus never been studied together, they have also remained hidden behind a series of critical prejudices – political, literary and aesthetic. Professor LeVen's book provides readings of these little-known poems and combines engagement with the style, narrative technique, poetics and reception of the texts with attention to the socio-cultural forces that shaped them. In examining the protean notions of tradition and innovation, the book contributes to the current re-evaluation of the landscape of Greek poetry and performance in the late classical period and bridges a gap in our understanding of Greek literary history between the early classical and the Hellenistic periods.


How Women Became Poets

How Women Became Poets

Author: Emily Hauser

Publisher: Princeton University Press

Published: 2023-08-22

Total Pages: 376

ISBN-13: 0691239282

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How the idea of the author was born in the battleground of gender When Sappho sang her songs, the only word that existed to describe a poet was a male one—aoidos, or “singer-man.” The most famous woman poet of ancient Greece, whose craft was one of words, had no words with which to talk about who she was and what she did. In How Women Became Poets, Emily Hauser rewrites the story of Greek literature as one of gender, arguing that the ways the Greeks talked about their identity as poets constructed, played with, and broke down gender expectations that literature was for men alone. Bringing together recent studies in ancient authorship, gender, and performativity, Hauser offers a new history of classical literature that redefines the canon as a constant struggle to be heard through, and sometimes despite, gender. Women, as Virginia Woolf recognized, need rooms of their own in order to write. So, too, have women writers through history needed a name to describe what it is they do. Hauser traces the invention of that name in ancient Greece, exploring the archaeology of the gendering of the poet. She follows ancient Greek poets, philosophers, and historians as they developed and debated the vocabulary for authorship on the battleground of gender—building up and reinforcing the word for male poet, then in response creating a language with which to describe women who write. Crucially, Hauser reinserts women into the traditionally all-male canon of Greek literature, arguing for the centrality of their role in shaping ideas around authorship and literary production.


Roots of Ancient Greek Civilization

Roots of Ancient Greek Civilization

Author: Harald Haarmann

Publisher: McFarland

Published: 2014-09-17

Total Pages: 247

ISBN-13: 0786478276

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Contrary to a prevalent belief of the Western world, that democracy, agriculture, theater and the arts were the attainments of Classical Greek civilization, these were actually a Bronze Age fusion of earlier European concepts and Hellenic ingenuity. This work considers both the multicultural wellspring from which these ideas flowed and their ready assimilation by the Greeks, who embraced these hallmarks of civilization, and refined them to the level of sophistication that defines classical antiquity.


Archilochos Heros

Archilochos Heros

Author: Diskin Clay

Publisher: Harvard University Press

Published: 2004

Total Pages: 276

ISBN-13:

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The discovery of the Mnesiepes inscription on Paros revealed the third century B.C. belief that the young Archilochos was transformed into a poet by an encounter with the Muses. It also revealed that the poet had become the object of a cult by his fellow islanders as he was transformed in death to a local hero. This is the first attempt to trace the history of this cult from the late sixth century B.C. to the third century A.D.. The author also integrates the iconography of the poet into the history of this cult, and addresses for the first time the larger phenomenon of the cult of poets in the Greek states. This study provides appendices giving sources of information for these cults, including the text of the Mnesiepes inscription. It is illustrated by in-text figures and plates.


Staged Narrative

Staged Narrative

Author: James Barrett

Publisher: Univ of California Press

Published: 2002-08-13

Total Pages: 276

ISBN-13: 0520231805

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Combining several critical approaches - narrative theory, genre study, and rhetorical analysis - this lucid and sophisticated study develops a synthetic view of the messenger of Greek tragedy, showing how this role illuminates some of the genre's most persistent concerns, especially those relating to language, knowledge, and the workings of tragic theater itself.".


Origen: Contra Celsum

Origen: Contra Celsum

Author: Origen

Publisher: Cambridge University Press

Published: 1980-02-28

Total Pages: 576

ISBN-13: 1139935496

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Few works of the early Church are as interesting to the modern reader or as important to the historian as Origen's reply to the attack on Christianity made by the pagan Celsus. The Contra Celsum is the culmination of the great apologetic movement of the second and third centuries AD, and is for the Greek Church what St Augustine's City of God is for Western Christendom. It is also one of the chief monuments of the coming together of ancient Greek culture and the new faith of the expanding Christian society. Thus Origen's work is of interest not only to the historian and theologian, but also to the hellenist. Professor Chadwick's English translation is preceded by a substantial introduction which includes discussion on Celsus' date, identity and theological outlook, as well as an account of Origen's philosophical background and method. The notes elucidate the many obscure allusions of a difficult text.


Tombs of the Ancient Poets

Tombs of the Ancient Poets

Author: Nora Goldschmidt

Publisher: Oxford University Press

Published: 2018-09-13

Total Pages: 381

ISBN-13: 0192561030

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Tombs of the Ancient Poets explores the ways in which the tombs of the ancient poets - real or imagined - act as crucial sites for the reception of Greek and Latin poetry. Drawing together a range of examples, it makes a distinctive contribution to the study of literary reception by focusing on the materiality of the body and the tomb, and the ways in which they mediate the relationship between classical poetry and its readers. From the tomb of the boy poet Quintus Sulpicius Maximus, which preserves his prize-winning poetry carved on the tombstone itself, to the modern votive offerings left at the so-called 'Tomb of Virgil'; from the doomed tomb-hunting of long-lost poets' graves, to the 'graveyard of the imagination' constructed in Hellenistic poetry collections, the essays collected here explore the position of ancient poets' tombs in the cultural imagination and demonstrate the rich variety of ways in which they exemplify an essential mode of the reception of ancient poetry, poised as they are between literary reception and material culture.