Das Buch wendet sich an Fachleute ebenso wie Studierende und das allgemeine Publikum. Es präsentiert eine ungewöhnliche Vielfalt von Beiträgern verschiedener Generationen, Fachrichtungen und nationaler Wissenskulturen, teilweise zum ersten Mal überhaupt in Englisch. Gemeinsam betonen sie die Einheit von Senecas Oeuvre und seine Originalität als Mittler stoischen Gedankenguts in den literarischen Formen des Prinzipats.
"Today philosophy's promises to enhance the lives of those who study it are couched, like justifications for the humanistic disciplines more generally, in circumspect terms. In the ancient world, however, philosophy commonly claimed for itself the status of an exclusive guide to happiness. Through philosophy's characteristic practices of argument and rational inquiry, its advocates believed, human beings could learn what was really good for themselves and free themselves from illusion. In the process, they would necessarily come to lead happier lives. This link between learning and action meant that philosophy was often regarded as an entire way of life, in which intellectual activity and practice were closely associated and mutually interdependent. Nowhere else in ancient literature is this ideal given such full and nuanced exposition as in the prose writings of Seneca, in which we can see a philosopher and literary artist of the first rank exploring in detail the dilemmas posed by the confrontation of the idea of the philosophical life with the historical and cultural specificity of the first-century CE Rome in which he wrote. His vast prose oeuvre defends, elaborates, and aims to make appealing this ideal of a life guided by disciplined thought. He is unequivocal about the necessary centrality of philosophy to any attempt at living a good life: philosophy, he writes, "shapes and forges the mind, it puts life in order, it directs actions, it points out what is to be done and what is not to be done, it sits at the helm and steers a course through the hazards of the waves" (animum format et fabricat, vitam disponit, actiones regit, agenda et omittenda demonstrat, sedet ad gubernaculum et per ancipitia fluctuantium derigit cursum, Ep. 16.3). A successful life, for Seneca as for many other ancient philosophers, is governed by, indeed constituted by, the practice of philosophy. His rich and varied corpus, I argue, presents us with a unique opportunity to learn how one reflective and well-informed ancient philosopher reconciled this ideal of philosophical living, and all the aspirations to independence and universality that come with it, to the fact that he and his readers were living in a sociopolitical setting with its own set of norms and customs. These customs, and the claims of community more generally, stand in potential contradiction with the practical guidance philosophy aims to supply. For Seneca, as we will see, this tension was a prodigiously fruitful one. Recent work has rehabilitated Seneca's standing as a major philosopher"--
In this volume, tragedy in antiquity is examined synoptically, from its misty origins in archaic Greece, through its central position in the civic life of ancient Athens and its performances across the Greek-speaking world, to its new and very different instantiations in Republican and Imperial Roman contexts. Lively, original essays by eminent scholars trace the shifting dramatic forms, performance environments, and social meanings of tragedy as it was repeatedly reinvented. Tragedy was consistently seen as the most serious of all dramatic genres; these essays trace a sequence of different visions of what the most serious kind of dramatic story might be, and the most appropriate ways of telling those stories on stage. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual, and myth; politics of city and nation; society and family, and gender and sexuality.
This volume is the first systematic study of Seneca's interaction with earlier literature of a variety of genres and traditions. It examines this interaction and engagement in his prose works, offering interpretative readings that are at once groundbreaking and stimulating to further study. Focusing on the Dialogues, the Naturales quaestiones, and the Moral Epistles, the volume includes multi- perspectival studies of Seneca's interaction with all the great Latin epics (Lucretius, Vergil and Ovid), and discussions of how Seneca's philosophical thought is informed by Hellenistic doxography, forensic rhetoric and declamation, the Homeric tradition, Euripidean tragedy and Greco-Roman mythology. The studies analyzes the philosophy behind Seneca's incorporating exact quotations from earlier tradition (including his criteria of selectivity) and Seneca's interaction with ideas, trends and techniques from different sources, in order to elucidate his philosophical ideas and underscore his original contribution to the discussion of established philosophical traditions. They also provide a fresh interpretation of moral issues with particular application to the Roman worldview as fashioned by the mos maiorum. The volume, finally, features detailed discussion of the ways in which Seneca, the author of philosophical prose, puts forward his stance towards poetics and figures himself as a poet. Intertextuality in Seneca's Philosophical Writings will be of interest not only to those working on Seneca's philosophical works, but also to anyone working on Latin literature and intertextuality in the ancient world.
Brad Inwood presents a selection of his most influential essays on the philosophy of Seneca, the Roman Stoic thinker, statesman, and tragedian of the first century AD. Including two brand-new pieces, and a helpful introduction to orient the reader, this volume will be an essential guide for anyone seeking to understand Seneca's fertile, wide-ranging thought and its impact on subsequent generations. In each of these essays Seneca is considered as a philosopher, but with as much account as possible taken of his life, his education, his intellectual and literary background, his career, and his self-presentation as an author. Seneca emerges as a discerning and well-read Stoic, with a strong inclination to think for himself in the context of an intellectual climate teeming with influences from other schools. Seneca's intellectual engagement with Platonism, Aristotelianism, and even with Epicureanism involved a wide range of substantial philosophical interests and concerns. His philosophy was indeed shaped by the fact that he was a Roman, but he was a true philosopher shaped by his culture rather than a Roman writer trying his hand at philosophical themes. The highly rhetorical character of his writing must be accounted for when reading his works, and when one does so the underlying philosophical themes stand out more clearly. While it is hard to generalize about an overall intellectual agenda or systematic philosophical method, key themes and strategies are evident. Inwood shows how Seneca's philosophical ingenium worked itself out in a fundamentally particularistic way as he pursued those aspects of Stoicism that engaged him most forcefully over his career.
