New Directions for University Museums

New Directions for University Museums

Author: Brad King

Publisher: Rowman & Littlefield

Published: 2023-12-06

Total Pages: 274

ISBN-13: 1538157748

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New Directions for University Museums is intended to help university museum leaders to help them plan strategically in the context of the issues and needs of the 2020s by examining trends affecting them and directions in response to those forces. It will lay out a series of potential directions for university museums in the 21st century using examples from the field. Although university museums are similar to other museums in their topic areas (art, natural history, archaeology, etc.) they are a unique category that requires special consideration. Today university museums are grappling with new forces that are affecting their future: University museums still have a dual responsibility to campus and community, and they still try to mount exhibitions that are attractive to the communities in which they are embedded. But they are rethinking the nature of service to town and gown in response to larger trends around accessibility. It is no longer enough to try to attract visitors; these museums are becoming much more active and outgoing in their outreach to the broader public. They have unparalleled access to academic firepower, but university museum research is no longer the sole province of academics, intended for publication in scholarly journals. In the 2020s, research is being made much more relevant to existential problems of the world. For example, some are bridging the gap between academic research and teaching and the most pressing social issues of our time, such as climate change, the fight against racism and the interface between humans and technology. University museum research is no longer cloistered, and these institutions are finding ways to better leverage the new knowledge yielded by collections-based research for both the university’s and for public benefit. Student engagement and education is still important, but communication is no longer unidirectional (from faculty and museum staff to students). Now student input and co-curation is now invited as learning becomes a two-way street. Moreover, public science communication has become a much more important role for university museums. These are, in effect, the “new directions” to which the title refers. The main thesis of the book is therefore that university museums are becoming much more outward-facing. They are engaging with the public and with the world at large as never before. In effect, they matter more than ever. This is the overarching “new direction”. Within this general approach, there are a number of questions that the book addresses: What are the expectations of university museums in the 21st century from their key stakeholders – university administrations, faculties and students, and the communities in which they are embedded? How are those expectations changing and how are the museums evolving to meet them? How are university museums navigating the minefields of political polarization, “cancel culture” or heightened activism on campus and in society at large? What is the nature of the relationship between the university’s research and teaching mission and the university museum? What trends can we identify, and how can we help the university museum director navigate those trends? The university-donor relationship: what can we learn from a study of donor expectations and the dynamics of university-donor relationships in contemporary society? How is the relationship between the university museum and the broader external community changing? How is the university museum contributing to (or detracting from) the overall relationship between the university and the community? What role is the university museum playing in terms of public communication of research, especially public science communication? This book is for all those who work in, benefit from or are interested in university museums. In particular, it is hoped that the book will help university museum leaders who are embarking on strategic plans understand the common issues that are currently affecting their peers, and provide some context and guidance to those leaders as they chart their own paths for the future and to advance larger goals. For faculty, it will show how the museum can help improve undergraduate teaching and graduate student training via highlights and illustrations of new ways in which faculty departments are cooperating and partnering with their campus museums, and from a university administration point of view, how the museum can help the university achieve its bigger strategic goals (such as helping increase the percentage of successful faculty grant applications).


Born of Resistance

Born of Resistance

Author: Scott L. Baugh

Publisher: University of Arizona Press

Published: 2015-12-03

Total Pages: 353

ISBN-13: 0816532222

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This collection of essays interrogates the most contested social, political, and aesthetic concept in Chicana/o cultural studies—resistance. If Chicana/o culture was born of resistance amid assimilation and nationalistic forces, how has it evolved into the twenty-first century? This groundbreaking volume redresses the central idea of resistance in Chicana/o visual cultural expression through nine clustered discussions, each coordinating scholarly, critical, curatorial, and historical contextualizations alongside artist statements and interviews. Landmark artistic works—illustrations, paintings, sculpture, photography, film, and television—anchor each section. Contributors include David Avalos, Mel Casas, Ester Hernández, Nicholas Herrera, Luis Jiménez, Ellen Landis, Yolanda López, Richard Lou, Delilah Montoya, Laura Pérez, Lourdes Portillo, Luis Tapia, Chuy Treviño, Willie Varela, Kathy Vargas, René Yañez, Yvonne Yarbro-Bejarano, and more. Cara a cara, face-to-face, encounters across the collection reveal the varied richness of resistant strategies, movidas, as they position crucial terms of debate surrounding resistance, including subversion, oppression, affirmation, and identification. The essays in the collection represent a wide array of perspectives on Chicana/o visual culture. Editors Scott L. Baugh and Víctor A. Sorell have curated a dialog among the many voices, creating an important new volume that redefines the role of resistance in Chicana/o visual arts and cultural expression.


Annual Report

Annual Report

Author: National Endowment for the Arts

Publisher:

Published:

Total Pages: 580

ISBN-13:

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Reports for 1980-19 also include the Annual report of the National Council on the Arts.


The American West in Bronze, 1850-1925

The American West in Bronze, 1850-1925

Author: Thayer Tolles

Publisher: Metropolitan Museum of Art

Published: 2013

Total Pages: 218

ISBN-13: 1588395057

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Themes of the American West have been enduringly popular, and 'The American West in Bronze' features sixty-five iconic bronzes that display a range of subjects, from portrayals of the noble Indian to rough-and-tumble scenes of rowdy cowboys to tributes to the pioneers who settled the lands west of the Mississippi. Fascinating texts offer a fresh look at the roles that artists played in creating interpretations of the "vanishing West"--Whether based on fact, fiction or something in-between. These artists, including Charles M. Russell and Frederic Remington, embody a range of life experiences and artistic approaches."'The American West in Bronze, 1850-1925' is the first full-scale exhibition to explore the aesthetic and cultural impulses behind the creation of statuettes with American western themes, which have been so popular with audiences then and now. Both the exhibition and this accompanying catalogue offer a fresh look at the multifaceted roles played by these sculptors in creating three-dimensional interpretations of western life, whether based on historical fact, mythologized fiction, or most often, something in-between. Examples by such archetypal representatives of the West as Frederic Remington and Charles M. Russell are complemented by the work of sculptors such as James Earle Fraser and Paul Manship, who contributed to the popularity of the American bronze statuette even though their western subjects were less frequent."--Publisher's description.


Christ among Us

Christ among Us

Author: Joseph Antenucci Becherer

Publisher: Wm. B. Eerdmans Publishing

Published: 2022-09-27

Total Pages: 291

ISBN-13: 1467462675

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No single figure has been more often featured in Western art than Jesus Christ. Sculptures, particularly—though they have received less notice than paintings—provide some of the most moving representations in their capacity to show Christ alongside us in three-dimensional space. In this “catalog for an imagined exhibition,” two prominent art historians—one from the Roman Catholic tradition, one from the Protestant tradition—offer a guided tour of fifty-two sculptures of Jesus Christ from throughout the Western world. The chronological scope of the selection ranges from the third century to the present, with the work of well-known sculptors featured alongside the work of less familiar artists who deserve more attention. Along with lush, high-resolution photographs, each piece is accompanied by an essay that places it in context and brings it to life, so readers can experience the sculpture almost as vividly as they would in person. Those interested in devotional as well as artistic significance will find inspiration in the striking representations of Christ in his many forms: healer, sage, sovereign, and savior, from his humble yet majestic birth to his harrowing death and miraculous resurrection.


Rembrandt's Religious Prints

Rembrandt's Religious Prints

Author: Charles M. Rosenberg

Publisher: Indiana University Press

Published: 2017-09-11

Total Pages: 496

ISBN-13: 0253025907

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A stunning catalogue of the seventy religious prints from the 2017 exhibition, featuring detailed background information on each piece. Rembrandt’s stunning religious prints stand as evidence of the Dutch master’s extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the seventyreligious prints through detailed background information on the artist’s career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt’s etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints—modest, intimate, fragile objects—are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter. “Despite many reliable catalogues of Rembrandt etchings, very few have focused on the religious content of these prints. The outstanding range of the Feddersen Collection offers an excellent occasion for closer examination of Rembrandt’s development—as a printmaker but also as a spiritual devout Christian, especially evident from his thoughtful return to the same subjects across his career. Charles Rosenberg and his team at the Snite Museum deserve our thanks for fresh analysis of Rembrandt’s religious prints, combined with the latest scholarship on the artist and his etchings output. Rembrandt scholars but also all lovers of the artist will want to consult this important catalogue.” —Larry Silver, author (with Shelley Perlove) of Rembrandt’s Faith: Church and Temple in the Dutch Golden Age “Rembrandt’s etchings of religious themes capture the emotional heart of their subjects through a uniquely inventive approach to both technique and content. . . . The seventy prints gathered by Jack and Alfrieda Feddersen span the full range of Rembrandt’s production and offer an outstanding resource for appreciation and research. This catalogue tells the fascinating story of how the collection was formed and brings a fresh analysis to each print. Charles Rosenberg’s extensive catalogue entries will be useful reading for anyone interested in the history of European art and one of its most talented practitioners, Rembrandt van Rijn.” —Stephanie Dickey, Queen’s University