The collection of the author's papers, which includes some unpublished material and some published in English for the first time, comprises not only the later Group-Analytic writings but also those from the first part of his career as a psychoanalyst. Among the latter, the paper "On Introjections" is of particular interest and importance.
The 'anti-group' is a major conceptual addition to the theory and practice of group psychotherapy. It comprises the negative, disruptive elements, which threaten to undermine and even destroy the group, but when contained, have the potential to mobilise the group's creative processes. Understanding the 'anti-group' gives therapists new perspectives on the nature of relationships and alternative strategies for managing destructive behaviour.
This book captures the flavor and spirit of the highly trained and experienced practitioner as he goes about the task of organizing and conducting a group. It also captures the warmth and humanity of a professional who is deeply devoted to his patients, his profession and humanity at large.
This book examines the ways in which we make use of the Group Relations model, set up in the experimental field of the Group Relations conferences, to understand and modify the functioning of working groups. It is based on a psychoanalytic knowledge of the psychosocial development of human beings.
Group Analysis, the approach pioneered by Foulkes, is a form of psychotherapy in small groups and also a method of studying groups and the behaviour of individuals in their social aspects. Apart from a number of practical advantages, it has features of specific value. It is the method of choice for the investigation of many problems and for the treatment of many disturbances.
The therapeutic uses of music can vary greatly from one part of a country to the next, from one therapist to the next and across national and continental lines. This groundbreaking work is the first to bring together the expertise of an international array of contributors into one resource. The International Dictionary of Music Therapy offers models, methods and interventions that range from regional to international, including several terms that have never been published before. Essential for both the seasoned and novice music therapists and those working closely with the field, it offers a comprehensive guide to key terms, explained from multiple perspectives and with reference to clinical literature. Each entry contains detailed definitions for the reader, to develop practice, to generate discussion, and to establish more of a global common music therapy language. Covering more than 450 carefully selected terms, this comprehensive reference tool is a foundational text for defining and exploring the therapeutic value of music. The ultimate companion to understanding the science and art of music therapy on an international level, the International Dictionary of Music Therapy is ideal for music therapists, theorists, educators, researchers, and students.
Group music therapy has been widely practised for many years, and features substantially in training, yet there has been no publication devoted to the discussion of this area of therapy. This book fills this gap by bringing together the experiences of group music therapy practitioners who work with diverse client groups in various settings.
This book presents a selection of papers on the subjects of Relational Analysis and Group Analysis, written in the ten-year period that goes from 2002 to 2012. It deals with the problems of interpretation from the hermeneutic, psychoanalytic, and group-analytic points of view.
Two volumes of original papers by leading thinkers and practitioners of group therapy... The diverse collection that has informed and stimulated my thinking.' - International Journal of Group Psychotherapy 'The concepts that I liked were about the truth, the unknowable and unknown, and the functions he devised to communicate what is going on in the patients' world to other psychoanalyst. I am glad that I read these books with their wide range of ideas and I have gained insights which will make me more aware in my psychodrama practice.' - British Journal of Psychodrama. 'The book begins with a wonderful introduction by James Grotstien, a theorist whose grasp of Bion is enriched by his own formidable ideas. He sets the stage for what's to follow, toucing on Bion's groundbreaking work with groups, his formalizing of psychotic experience and several key concepts, like Bion's elaboration on the concept of projective identification. Grotstien's prose is remarkable. He conveys ideas about the most complex internal states with a clarity and reach that is unparalled, even by Bion himself. This is without a doubt a richly rewarding and ultimately exhausting text.' - www.mentalhelp.net This stimulating collection of papers by distinguished international contributors from the fields of psychoanalysis, group analysis, management consultancy and social science explores formative influences affecting Bion's emotional and intellectual development. The authors revisit in depth the origins of Bion's ideas, setting them in the context of his World War I experiences, his contact with Trotter, and his later work with the Tavistock Clinic and psychoanalysis. Chapters discuss the roots of his epistemology, re-examining and extending basic assumption theory; links between Bion and Foulkes; group mentality and Bion in Italy. Through these the spirit and shape of his work can be discovered by those new to Bion, and rediscovered by those who feel well acquainted with him. This is a collection of original and insightful papers which, along with its companion volume Building on Bion: Branches, will not only deepen understanding of Bion's contributions to theory and practice, but will also be invaluable to those who work with groups, in both therapeutic and management contexts.