Architecture and Art of Southern India

Architecture and Art of Southern India

Author: George Michell

Publisher: Cambridge University Press

Published: 1995-08-17

Total Pages: 340

ISBN-13: 9780521441100

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George Michell provides a pioneering and richly illustrated introduction to the architecture, sculpture and painting of Southern India under the Vijayanagara empire and the states that succeeded it. This period, encompassing some four hundred years, from the fourteenth to the eighteenth century, was endowed with an abundance of religious and royal monuments which remain as testimonies to the history and ideology behind their evolution. The author evaluates the legacy of this artistic heritage, describing and illustrating buildings, sculptures and paintings that have never been published before. In a previously neglected area of art history, the author presents an original and much-needed reassessment.


History of Indian Theatre

History of Indian Theatre

Author: Manohar Laxman Varadpande

Publisher: Abhinav Publications

Published: 1987

Total Pages: 380

ISBN-13: 9788170172215

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This Is The First Volume Of The Six-Volume History Of Indian Theatre. Written By An Eminent Scholar M.L, Varadpande This Veritable Encyclopedia Speaks About An Early Phase Of India S Theatre History, Which Also Is The History Of India S Fine Arts. For The First Time The Origin And Evolution Of Theatrical Arts In India Is Traced In An Elaborate Manner Providing An Insight Into One Of The Oldest Theatrical Traditions Of The World. The Book Draws From The Sources Including Mesolithic Cave Paintings, Ancient Archaeological Finds And Mass Of Literature Belonging To The Vedic And Buddhist Era To Give You The Complete Picture Of India S Theatre History.In A Lucid Style It Tells About Ritualistic Dances And Hunt Dramas Of Aboriginals; Statuettes Of Dancers, Jesters And String Manipulated Puppet Toys Belonging To Earliest Known Urban Civilization Of India The Indus Civilization; Dramatic Rituals Full Of Dancing, Singing And Music; The Dancing Gods And Compositions In Dialogue Form Of Early Aryans; The Troupes Of Actors Moving In The Country Enacting Humorous Plays And Erotic Dances; Efforts Of The State Administration To Impose Entertainment Tax And Strict Code Of Censors And The Flourishing Theatre Of The People. The Book Also Tells About The Advent Of Greeks In India And Their Theatrical Activities, Staging Of A Play Agen In The Military Camp Of Alexander The Great And The Play Written In Greek And Indian Languages Found In Egypt. It Discusses The Problem Of Greek Influence On Indian Theatre In Detail And Speaks About Indian View Of Theatre.This Well-Documented And Profusely Illustrated Work Presents An Enchanting Panorama Of India S Early Theatre History In A Manner At Once Scholarly And Interesting. Known For His Erudition And Profound Scholarship, M.L. Varadpande (B; 1936) Is An Eminent Theatre Historian Of India. His Major Works Published By Abhinav Publications Are Traditions Of Indian Theatre, Ancient Indian And Indo-Greek Theatre, Religion And Theatre And Krishna Theatre In India. His Other Well-Known Works On Indian Theatre Are Invitation To An Indian Theatre And The Critique Of Indian Theatre (Ed.). The Sahita Akademi, India S National Academy Of Letters, Has Published His Book Shripad Krishna Kolhatkar In Marathi (Out Of Print), Hindi (Second Edition) And Punjabi. It Is Now Being Translated Into English. His Forthcoming Works Are The Mahabharata In Performance And Ankia Nat: Vaishnava Opera Of Assam. As A Research Fellow Of The Indian Council Of Historical Research He Is Working On The Research Project Temple Theatre In India.


Narrative Art of South Indian Temples

Narrative Art of South Indian Temples

Author: G. Venkataramayya

Publisher:

Published: 2004

Total Pages: 208

ISBN-13:

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This book begins by giving a brief review of temple studies inIndiaand in Andhra Pradesh and in particular the significance of Srisailam prakara aswell as literacy importance are discussed in detail. The patronage byvarious dynastic rulers leading to the physical growth of Srisailam templecomplex, the prevalence of various Saivite sects are presented on the basis ofarchaeological and literary sources from Telugu and Sanskrit. The materialculture identified in the sculptures generally comprising architecture, costumes, ornaments, hair styles, head dresses, household objects, etc. are described in detail with linedrawings.


Bio-Diversity as Reflected on the Ramappa Temple Complex in Warangal District

Bio-Diversity as Reflected on the Ramappa Temple Complex in Warangal District

Author: Dr. Palnati Naresh

Publisher: Apna Book Publisher

Published:

Total Pages: 116

ISBN-13:

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The Kakatiya kings had ruled the Telugu speaking regions from Warangal as their capital during the period from 1000AD to 1323 AD. During the rule of Ganapathi Deva (1199-1262 AD), Rudrama Devi (1262-1289) and Prathapa Rudra (1289-1323AD), theKakatiya Kingdom emerged as a powerful state and there was all-round development. The rulers and their subordinates had constructed several large irrigational tanks and promoted agriculture. The tanks are still existing in and around Warangal region and providing water to the people for drinking and also for agriculture. There was a brisk internal and foreign trade which led to economic development in the kingdom. The writings of the foreign travellers like Marco Polo (Venice, Italy) are testimony to the prosperity and glory of the Kakatiya Kingdom. The Kakatiya Rulers had patronised scholars and artists and promoted literature and fine arts like music, dance, sculpture art and architecture. Vidyanada, the court poet of PratapaRudra had written Prataparudrayeshobushanam in Sanskrit language. VinukondaVallbamatya had written Kreedabhiramamin Telugu, Palkuriki Somanadha had written Panditaradya Charitra, Kolanuganapathi Deva had written Shivayoga Saramu, Kakatiya Rudra Deva had written Neetisaramu, Baddena’s Neetisara Mukthavali , Jayapa Senani’s Nritya Ratnavali in Sanskrit are very popular writings. The Kakatiya Rulers had constructed several temples and forts etc. The Warangal fort is very famous for its strength, art and architecture during the medieval times. The Temples of Palampeta, Jakaram, Ramanujapuram, Pillalamarri, Nagulapadu, Kusumanchi and several other places are known for their beautiful art, architecture and sculpture. The Ramappa Temple, Thousand Pillar Temple, Swayambhu Temple, Ganapeswara Temple of Kusumanchi, Ghanapur group of Temples of Mulugu region are well known. The sculpture art and architecture of these temples reflect the life and culture, art, crafts, costumes, sports, music and dance forms of their times and are inspiring the present generation. There are several aspects of Bio-Diversity reflected on the temple walls. There are several figures of lions, elephants, wild boars, cow and calf, swans, lotus flowers, creepers, snakes, birds, human figures both male and female etc, on the walls and pillars of the temple complex. They reflect the Bio- Diversity of those times and also the relation of man with the nature. This book is based on my research work under the Ph.D programme. I have undertaken field work and visited all the temples built by the Kakatiyas in the Telangana region. As part of the study, I consulted several Archaeologists, Historians, Writers, who worked on the Kakatiya Temples and Culture. I have also interacted with the local people, who have been living in the surroundings of the temples. I have also collected necessary data from various libraries like Kakatiya University Library, Central Library in Warangal and also Osmania University Library, Abzal Gunz Library, City Library, Srikrishna Devaraya Andhra Bhasha Nilayam, Hyderabad. I would like to acknowledge my debt to my parents Smt. Prameela and Sri Sambaiah (late), who have brought me up to this stage with utmost care and love. I wish to express my gratitude to my Teacher and Research Supervisor Prof. Kokkonda Vijaya Babu, who guided and supported me in bringing out this book. I also thank Smt. Chandra Kala Vijaya Babu and their children, Srimukhi,Karthik and Sai Maduri, Raj Kumar for their encouragement during the course of my research. I am grateful to the Faculty Members of the Department of History, Kakatiya University, Prof. S. Srinath, Prof. T. Manohar, Dr. P. Sadanandam, Dr. T. Dayakar Rao and Dr. M. Brahmaiah for their support and encouragement. I would like to express my appreciation to my wife Palnati Mamatha, who has supported me during the research work. On this occasion, I would like to convey my blessings to my daughter, Adhvaitha who also supported me. I am thankful to my aunt and uncle Smt. Radha Rajashekar for their encouragement. I also thank my relatives, Dr. Naveen and Sushmita, Akkapelli Srinivas and Rama, Dr. G. Jaya Prakash Narayana and Kavitha, for their encouragement. I am thankful to my well-wishers and friends, who helped me in the field work and visited the temples along with me during the collection of data. They are Akula Sambaiah, Akula Ramakrishna, M. Purnender, Dr. K. Veeranna, Dr. V. Nagaraju, Dr. K. Kumaraswamy, Dr. Abhinesh, Mr. Alladi Yadagiri, Anilkumar Ettaboina and Naredla Narayana. I also thank Dr. G. Tirupati, Dr. A. Hari Babu, Dr. B. Sumalatha, B. Jyoti. Dr. Suryakiran for their support.


Precolonial India in Practice

Precolonial India in Practice

Author: Cynthia Talbot

Publisher: Oxford University Press

Published: 2001-09-20

Total Pages: 326

ISBN-13: 0198031238

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The society of traditional India is frequently characterized as static and dominated by caste. This study challenges older interpretations, arguing that medieval India was actually a time of dynamic change and fluid social identities. Using records of religious endowments from Andhra Pradesh, author Cynthia Talbot reconstructs a regional society of the precolonial past as it existed in practice.