This dictionary is the ideal supplement to the German/English Dictionary of Idioms, which together give a rich source of material for the translator from and into each language. The dictionary contains 15,000 headwords, each entry supplying the German equivalents, variants, contexts and the degree of currency/rarity of the idiomatic expression. This dictionary will be an invaluable resource for students and professional literary translators. Not for sale in Germany, Austria or Switzerland
This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg and his works in various countries and during different periods. It is thus very much a study in reception as well as a bibliographical record of published material. It traces the developing image of Strindberg and his writing both during his lifetime and in subsequent years, and with frequent cross reference offers a comprehensive overview of a literary and existential project that has rarely been matched for its multifaceted diversity. The bibliography is published in three parts. Volume 1, General Studies (978-0-947623-81-4) and Volume 3, Prose, Poetry, Miscellaneous (978-0-947623-83-8) are also now available. Michael Robinson is Emeritus Professor of Drama and Scandinavian Studies at the University of East Anglia, Norwich.
Perspektiven der Philosophie. Neues Jahrbuch eröffnet Forschern, denen die philosophische Begründung des Denkens wichtig ist, eine Publikationsmöglichkeit. Wir verstehen uns nicht als Schulorgan einer philosophischen Lehrmeinung, sondern sehen unsere Aufgabe darin, an der Intensivierung des wissenschaftlichen Philosophierens mitzuwirken. Besonders fördern wir den wissenschaftlichen Nachwuchs und laden ihn zur Mitarbeit ein.
This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.
The book series Studies in the History of German Literature covers the whole spectrum of research into German literary history and comprises monographs and collected volumes on individual epochs from the close of the Middle Ages up to the present day. It presents contributions explicating central concepts from literary history and on individual authors and works.
In recent Barth studies it has been argued that a key to understanding the theologian’s opposition to natural theology is his rejection of substantialist ontology. While this is true to an extent, this book argues that it is a mistake to see Barth’s ‘actualistic ontology’ as diametrically opposed to traditional substantialism. Probing into Barth’s soteriological hamartiology in Church Dogmatics, III-IV, a largely neglected aspect of these volumes in recent debates on his understanding of being and act, it shows how his descriptions of sin, nature, and grace shed light on the precise manners in which his actualistic ontology operates on both a substance grammar of being and a process grammar of becoming, while rejecting the metaphysics underlying both grammars. Looking at issues such as original sin, universal salvation and human will, Barth is shown to be radically redefining the relationship between humans, their actions and the divine. This book argues that human ‘nature’ is the total determination of the human being ‘from above’ by God’s grace in Christ, while the existential dimension of the human being is also totally determined ‘from below’ by the Adamic history of sin. This serves to demonstrate Barth’s endeavours in eliminating the vestiges of natural theology within the Western tradition handed down from Augustine. By exploring these issues this book offers a fresh insight into Barth’s relationship with his theological forbears. As such, it will be vital reading for any scholar of Barth studies, the problem of evil, and theological ontology.
