"Sandler does a fine job of emphasizing the unjustness of the segregation policy as well as the excellence of the men who flew in segregated skies. He provides a good look at this lesser known aspect of (World War II).--"Retired Officer". 38 photos.
Launched in 1939, the Civilian Pilot Training Program (CPTP) was one of the largest government-sponsored vocational education programs of its time. In To Fill the Skies with Pilots, Dominick A. Pisano explores the successes and failures of the program, from its conception as a hybrid civilian-military mandate in peacetime, through the war years, and into the immediate postwar period. As originally conceived, the CPTP would serve both war-preparedness goals and New Deal economic ends. Using the facilities of colleges, universities, and commercial flying schools, the CPTP was designed to provide a pool of civilian pilots for military service in the event of war. The program also sought to give an economic boost to the light-plane industry and the network of small airports and support services associated with civilian aviation. As Pisano demonstrates, the CPTP's multiple objectives ultimately contributed to its demise. Although the program did train tens of thousands of pilots who later flew during the war (mostly in noncombat missions), military leaders faulted the project for not being more in line with specific recruitment and training needs. After attempting to adjust to these needs, the CPTP then faced a difficult and ultimately unsuccessful transition back to civilian purposes in the postwar era. By charting the history of the CPTP, Pisano sheds new light on the politics of aviation during these pivotal years as well as on civil-military relations and New Deal policy making.
An engaging look at life and legacy of Muhammad Ali for readers of all ages Muhammad Ali was one of the world’s best-known figures, and this incredible biography delves into precisely why. From his unlikely beginnings as a skinny, young Cassius Clay learning to box at a local gym to becoming the heavyweight champion of the world at the famous “Rumble in the Jungle,” where even the skies let loose with rain right after his victory, Ali has captivated the world. Tonya Bolden’s careful research and elegant telling, paired with R. Gregory Christie’s incredible paintings, make this a book that will inform and inspire readers of all ages. "Bolden's engaging text has a free-verse structure punctuated with enthusiastic exclamations that is enjoyable to read aloud.... The illustrations are striking." —School Library Journal (Starred review)
"During the 1930s a prominent black entrepreneur and pilot named William J. Powell urged blacks to acquire the skills to become pilots, mechanics, and aviation business leaders, so that they could attain economic power in the air age and break down the barriers of racism." "Powell shared his vision of black advancement in his thinly disguised 1934 autobiography, Black Wings, now reissued as Black Aviator after six decades of obscurity. Containing new photographs and historical information on Powell's life and times (1899-1942), the book chronicles the formative part of Powell's career in aviation through the fictional personality of "Bill Brown." The narrative begins with Powell's first airplane ride in Paris in 1927 (three months after Charles Lindbergh crossed the Atlantic) and then moves to Los Angeles, where he pursued his career in aviation full time." "Powell worked tirelessly to promote black awareness of aviation, recruiting Duke Ellington, Joe Louis, and other prominent figures as sponsors. Black Aviator recounts how he founded the Bessie Coleman Aero Club to promote flying within the black community, sponsored record-breaking flights, and organized air shows. Powell provides vivid portrayals of early black pilots such as Hubert Fauntleroy Julian, James Herman Banning, and C. Alfred Anderson." "Based on real events and individuals, Bill Brown's story describes how black pilots first broke into aviation in the Depression years. An introductory essay by Von Hardesty places Powell's life and work in the larger context of American social history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In this major collection of his essays, Alberto Manguel, whom George Steiner has called “the Casanova of reading,” argues that the activity of reading, in its broadest sense, defines our species. “We come into the world intent on finding narrative in everything,” writes Manguel, “landscape, the skies, the faces of others, the images and words that our species create.” Reading our own lives and those of others, reading the societies we live in and those that lie beyond our borders, reading the worlds that lie between the covers of a book are the essence of A Reader on Reading. The thirty-nine essays in this volume explore the crafts of reading and writing, the identity granted to us by literature, the far-reaching shadow of Jorge Luis Borges, to whom Manguel read as a young man, and the links between politics and books and between books and our bodies. The powers of censorship and intellectual curiosity, the art of translation, and those “numinous memory palaces we call libraries” also figure in this remarkable collection. For Manguel and his readers, words, in spite of everything, lend coherence to the world and offer us “a few safe places, as real as paper and as bracing as ink,” to grant us room and board in our passage.
The "wisest and most captivating novel" (Boston Globe) from the author of the bestselling The Valley of Amazement and the new memoir Where the Past Begins Set in San Francisco and in a remote village of Southwestern China, Amy Tan's The Hundred Secret Senses is a tale of American assumptions shaken by Chinese ghosts and broadened with hope. In 1962, five-year-old Olivia meets the half-sister she never knew existed, eighteen-year-old Kwan from China, who sees ghosts with her "yin eyes." Decades later, Olivia describes her complicated relationship with her sister and her failing marriage, as Kwan reveals her story, sweeping the reader into the splendor and violence of mid-nineteenth century China. With her characteristic wisdom, grace, and humor, Tan conjures up a story of the inheritance of love, its secrets and senses, its illusions and truths.
Growing up in the late 19th century, Laura Wheeler Waring didn't see any artists who looked like her. She didn't see any paintings of people who looked like her, either. As a young woman studying art in Paris, she found inspiration in the works of Matisse and Gaugin to paint the people she knew best. Back in Philadelphia, the Harmon Foundation commissioned her to paint portraits of accomplished African-Americans. Her portraits still hang in Washington DC's National Portrait Gallery, where children of all races can admire the beautiful shades of brown she captured.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.