Seduction ad Absurdum is a witty, humorous work by the American journalist of the early 20th century Emily Hahn. The book deals with the theory and practice of seduction, mainly how men court women. It is called one of the forgotten treasures of American literature and is full of fun to entertain the modern reader.
Emily Hahn was one of the most prolific and enduring writers atThe New Yorker– her first by-line appeared there in 1926, her last in 1996. She was also the author of fifty-three books, and, had her 1933 travel memoir,Congo Solo, not been published in a censored version during the darkest days of the Great Depression, it might well have been hailed as a classic of the genre, alongside Dinesen'sOut of Africa. In many ways Hahn's vivid account of her eight-month sojourn in a remote medical clinic was years ahead of its time. A woman who lived life on her own terms, Hahn was an unknown and struggling writer whenCongo Solowas published. Here – restored to the form she had intended – is Hahn's unforgettable narrative, a vivid, provocative, and at times disturbing firsthand account of the racism, brutality, sexism, and exploitation that were everyday life realities under Belgium's iron-fisted colonial rule. Until now, the few copies ofCongo Soloin circulation were the adulterated version, which the author altered after pressure from her publisher and threats of litigation from the main character's family. This edition makes available a lost treasure of women's travel writing that shocks and impresses, while shedding valuable light on the gender and race politics of the period.
The true story of a British aristocrat, an American flapper, and a Chinese poet trapped in an unlikely love triangle amid the decadence of Jazz Age Shanghai. On the eve of World War II, the foreign-controlled port of Shanghai was the rendezvous for the twentieth century’s most outlandish adventurers, all under the watchful eye of the fabulously wealthy Sir Victor Sassoon. Emily “Mickey” Hahn was a legendary New Yorker journalist whose vivid writing played a crucial role in opening Western eyes to the realities of life in China. At the height of the Depression, Hahn arrives in Shanghai after a disappointing affair with an alcoholic Hollywood screenwriter, convinced she would never love again. After checking in to Sassoon’s glamorous Cathay Hotel, Hahn is absorbed into the social swirl of the expats drawn to pre-war China, among them Ernest Hemingway, Martha Gellhorn, Harold Acton, and a colorful gangster named Morris “Two-Gun” Cohen. But when she meets Zau Sinmay, a Chinese poet from an illustrious family, she discovers the real Shanghai through his eyes: the city of rich colonials, triple agents, opium smokers, displaced Chinese peasants, and increasingly desperate White Russian and Jewish refugees—a place her innate curiosity will lead her to explore firsthand. Danger lurks on the horizon, though, as the brutal Japanese occupation destroys the seductive world of pre-war Shanghai, paving the way for Mao Tse-tung’s Communists’ rise to power. Praise for Shanghai Grand “A headlong swoon for old Shanghai. The feeling is easy to catch.” —The New York Times Book Review “Filled with excellent short character sketches and keeps the reader turning the pages to find out what happens next . . . Brings to life a special time and a special place.” —The Wall Street Journal “Grescoe exuberantly captures the glamour and intrigue of a lost world.” —Kirkus Reviews
An essential and field-defining resource, this volume brings fresh approaches to major US novels, poetry, and performance literature of the twentieth century. With sections on 'structures', 'movements', 'attachments', and 'imaginaries', this handbook brings a new set of tools and perspectives to the rich and diverse traditions of American literary production. The editors have turned to leading as well as up-and-coming scholars in the field to foreground methodological concerns that assess the challenges of transnational perspectives, critical race and indigenous studies, disability and care studies, environmental criticism, affect studies, gender analysis, media and sound studies, and other cutting-edge approaches. The 20 original chapters include the discussion of working-class literature, border narratives, children's literature, novels of late-capitalism, nuclear poetry, fantasies of whiteness, and Native American, African American, Asian American, and Latinx creative texts.
A descriptive and informative guide to more than 100 sites of literary significance in the greater St. Louis area, Literary St. Louis: A Guide includes historical and biographical information, maps, literary anecdotes, and photographs. Edited by William H. Gass and Lorin Cuoco, the volume includes selections by T. S. Eliot, Mark Twain, Sara Teasdale, Fannie Hurst, William S. Burroughs, Tennessee Williams, Kate Chopin, Thomas Wolfe, and many others who have helped define American literature over the past 150 years. This book is indispensable for understanding the region's rich literary landscape.
“A rip-roaring bio” of the trailblazing New Yorker journalist that “explore[s] both the passion and dissatisfaction that fueled Hahn’s wanderlust” (Entertainment Weekly). Emily Hahn first challenged traditional gender roles in 1922 when she enrolled in the University of Wisconsin’s all-male College of Engineering, wearing trousers, smoking cigars, and adopting the nickname “Mickey.” Her love of writing led her to Manhattan, where she sold her first story to the New Yorker in 1929, launching a sixty-eight-year association with the magazine and a lifelong friendship with legendary editor Harold Ross. Imbued with an intense curiosity and zest for life, Hahn traveled to the Belgian Congo during the Great Depression, working for the Red Cross; set sail for Shanghai, becoming a Chinese poet’s concubine; had an illegitimate child with the head of the British Secret Service in Hong Kong, where she carried out underground relief work during World War II; and explored newly independent India in the 1950s. Back in the United States, Hahn built her literary career while also becoming a pioneer environmentalist and wildlife conservator. With a rich understanding of social history and a keen eye for colorful details and amusing anecdotes, author Ken Cuthbertson brings to life a brilliant, unconventional woman who traveled fearlessly because “nobody said not to go.” Hahn wrote hundreds of acclaimed articles and short stories as well as fifty books in many genres, and counted among her friends Rebecca West, Ernest Hemingway, Dorothy Parker, James Thurber, Jomo Kenyatta, and Madame and General Chiang Kai-shek.
WINNER OF THE MARK LYNTON HISTORY PRIZE • A prize-winning historian’s “effervescent” (The New Yorker) account of a close-knit band of wildly famous American reporters who, in the run-up to World War II, took on dictators and rewrote the rules of modern journalism “High-speed, four-lane storytelling . . . Cohen’s all-action narrative bursts with colour and incident.”—Financial Times NEW YORK TIMES EDITORS’ CHOICE • WINNER OF THE GOLDSMITH BOOK PRIZE • FINALIST FOR THE PROSE AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, BookPage, Booklist They were an astonishing group: glamorous, gutsy, and irreverent to the bone. As cub reporters in the 1920s, they roamed across a war-ravaged world, sometimes perched atop mules on wooden saddles, sometimes gliding through countries in the splendor of a first-class sleeper car. While empires collapsed and fledgling democracies faltered, they chased deposed empresses, international financiers, and Balkan gun-runners, and then knocked back doubles late into the night. Last Call at the Hotel Imperial is the extraordinary story of John Gunther, H. R. Knickerbocker, Vincent Sheean, and Dorothy Thompson. In those tumultuous years, they landed exclusive interviews with Hitler and Mussolini, Nehru and Gandhi, and helped shape what Americans knew about the world. Alongside these backstage glimpses into the halls of power, they left another equally incredible set of records. Living in the heady afterglow of Freud, they subjected themselves to frank, critical scrutiny and argued about love, war, sex, death, and everything in between. Plunged into successive global crises, Gunther, Knickerbocker, Sheean, and Thompson could no longer separate themselves from the turmoil that surrounded them. To tell that story, they broke long-standing taboos. From their circle came not just the first modern account of illness in Gunther’s Death Be Not Proud—a memoir about his son’s death from cancer—but the first no-holds-barred chronicle of a marriage: Sheean’s Dorothy and Red, about Thompson’s fractious relationship with Sinclair Lewis. Told with the immediacy of a conversation overheard, this revelatory book captures how the global upheavals of the twentieth century felt up close.
Missouri Biographical Dictionary contains biographies on hundreds of persons from diverse vocations that were either born, achieved notoriety and/or died in the state of Missouri. Prominent persons, in addition to the less eminent, that have played noteworthy roles are included in this resource. When people are recognized from your state or locale it brings a sense of pride to the residents of the entire state.
Analyzes the work of both the best known and the long neglected women writers in America, providing essential biographical information and comprehensive bibliographies.
Seductio ad Absurdum: The Principles and Practices of Seduction—A Beginner's Handbook as a tongue-in-cheek exploration of how men court women. The book was written by Emily Hahn, an American journalist and author who is considered an early feminist and called "a forgotten American literary treasure." The book came out of her frustration that there is nothing new under the sun in regard to seduction techniques used in particular from men towards women. When suggested by her friend to write about that, she produced this satirical how-to book about the art of seduction which clearly shows her bemused light writing style that seems to always questions the status quo with a bit of humor.