The direct descendant of the General's Estate died for no reason. When she opened her eyes, she was reborn into the body of the village girl, Chu Fang'er, who shared the same surname and surname. Faced with the four walls of the mansion, there were not even two acres of land, which was cleaner than one's face. With a large family to support, Chu Fang'er had no choice but to roll up her sleeves and start earning money to support her family. He had wanted to save up enough money to return to the capital, but who would have thought that his savior would confess to him? "Is this savior a general?" "My wife, we should repay the debt of saving your life with our bodies ..." "Scram!" Believe your evil! " Chu Fang'er glared at him and kicked him off the bed with her hands on his waist.
Which sort of seducer could you be? Siren? Rake? Cold Coquette? Star? Comedian? Charismatic? Or Saint? This book will show you which. Charm, persuasion, the ability to create illusions: these are some of the many dazzling gifts of the Seducer, the compelling figure who is able to manipulate, mislead and give pleasure all at once. When raised to the level of art, seduction, an indirect and subtle form of power, has toppled empires, won elections and enslaved great minds. In this beautiful, sensually designed book, Greene unearths the two sides of seduction: the characters and the process. Discover who you, or your pursuer, most resembles. Learn, too, the pitfalls of the anti-Seducer. Immerse yourself in the twenty-four manoeuvres and strategies of the seductive process, the ritual by which a seducer gains mastery over their target. Understand how to 'Choose the Right Victim', 'Appear to Be an Object of Desire' and 'Confuse Desire and Reality'. In addition, Greene provides instruction on how to identify victims by type. Each fascinating character and each cunning tactic demonstrates a fundamental truth about who we are, and the targets we've become - or hope to win over. The Art of Seduction is an indispensable primer on the essence of one of history's greatest weapons and the ultimate power trip. From the internationally bestselling author of The 48 Laws of Power, Mastery, and The 33 Strategies Of War.
Shorn of her glorious raven tresses and dressed as a man, Lady Antonia Lamb became Lord Anthony Lamb, desperate to keep the property entailed to her twin brother, who is missing at sea. Trapped—and liberated—by her masquerade, Tony meets her new guardian, the devastatingly dangerous Adam Savage, who has returned from his plantation in Ceylon, determined to turn the innocent “boy” into a worldly man. A rake whose scarred face and ice-blue eyes made strong women weak, Adam Savage, legendary adventurer, vowed to take young Tony to the fleshpots of London; to teach him everything a young heir should know. But not even Savage guesses Tony's deepest secret, a masquerade destined to erupt in passionate abandon on one scorching, unforgettable night.
Seduce Me. . . Rémi Bouchard has enjoyed more than her share of delicious trysts amidst the seductive sounds and glittering lights of South Beach. With good looks, limitless sex appeal, and the wealth and popularity that comes from owning the city's hottest jazz bar and restaurant, Rémi can seduce just about anyone she wants. But lately, the allure of wild one-night stands and no-strings flings is starting to wear thin. Rémi craves something more--and what Rémi wants, Rémi gets. . . At her best friend's wedding, Rémi looks across the crowd and finds exactly what she's been searching for--an intense, soul-searing connection. Now, on a journey of sensual exploration that will take her from decadent after-hours clubs to South Beach's most elegant nightspots, Rémi engages in a tantalizing dance of seduction. But passion this deep has its dangers--especially when it means falling in love with the one person who should be off limits. . .
In this all-new novel from the author of After Hours and Unbound, a woman with a rocky past finds romance in the last place she’d ever expect... Annie Goodhouse doesn’t need to be warned about bad boys; good sense and an abusive ex have given her plenty of reasons to play it safe. But when she steps into her new role as outreach librarian for Cousins Correctional Facility, no amount of good sense can keep her mind—or eyes—off inmate Eric Collier. Eric doesn’t claim to be innocent of the crime that landed him in prison. In fact, he’d do it again if that’s what it took to keep his family safe. Loyalty and force are what he knows. But meeting Annie makes him want to know more. When Eric begins courting Annie through letters, they embark on a reckless, secret romance—a forbidden fantasy that neither imagines could ever be real…until early parole for Eric changes everything, and forces them both to face a past they can’t forget, and a desire they can’t deny. Praise for Cara McKenna and her novels “Cara McKenna is my go-to author for gritty, hot love stories full of honest emotion.”—Victoria Dahl, USA Today bestselling author “McKenna writes dark, lush, erotic romance.”—Heroes and Heartbreakers “Sweet, smoking hot, standout erotic romance.”—Beth Kery, New York Times bestselling author Before becoming a purveyor of smart erotic romance, Cara McKenna worked as a lousy barista, a decent designer, and an over-enthusiastic penguin handler. She loves writing sexy, character-driven stories about strong-willed men and women who keep each other on their toes…and bring one another to their knees. Cara now writes full-time and lives north of Boston with her bearded husband. When she’s not trapped in her own head, she can usually be found in the kitchen, the coffee shop, or jogging around the nearest duck-filled pond.
The CIA is on edge. All signs indicate that something is coming at the United States. Perhaps another 9/11, maybe bigger. The body of CIA agent Louis Updegraf ends up on the steps of the US Embassy in Mexico. His last operation was to tap into the communications of the Chinese Embassy, but there is no record of why. He appeared to be freelancing and the Agency must scramble to get a clue as to what he was after. Kirk McGarvey, serving as a visiting professor at the University of Florida, is once again longing for the action of the field. So when his old friend Otto Rencke asks him to help figure out the connection between China and the murdered agent, it takes almost no effort to get McGarvey up and running. The only informant they can find is an enigmatic Iranian belly dancer—the dark and lovely Shahrzad Shadmand. But her story changes with the wind, and her knowledge of McGarvey's past is uncanny. Kirk McGarvey must unravel her shattered mind to get to something that might resemble the truth. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Many autobiographers share profound questions about human life with their readers—questions like: To what extent was my life imposed on me? To what extent did I bring it about through particular choices and actions, through the activity of my own will? Indeed, the issue of the will is central to autobiographical writing, and some of the greatest autobiographies give extended consideration to the will—its nature; its powers; its limitations; the forms of freedom, constraint, and expression it finds in various cultures; its role in particular human lives. In this new study, unprecedented in subject and scope, Richard Freadman offers the first sustained account of how changing theological, philosophical, and psychological accounts of the human will have been reflected in the writing of autobiography, and of how autobiography in its turn has helped shape various understandings of the will. Early chapters trace narrative representations of the will from antiquity (the Greeks and Augustine) to postmodernism (Derrida and Barthes), with particular emphasis on late modernity's culture of the will. Later chapters then present detailed and powerfully original readings of autobiographical texts by Louis Althusser, Roland Barthes, B. F. Skinner, Ernest Hemingway, Simone de Beauvoir, Arthur Koestler, Stephen Spender, and Diana Trilling. Freadman's interdisciplinary approach to autobiography and the will includes a theoretical defense of the view that autobiographers are, in varying degrees, agents in their own texts. Threads of Life argues that late modernity has inherited deeply conflicted attitudes to the will. Freadman suggests that these attitudes, now deeply embedded in contemporary cultural discourse, need reexamining. In this, he contends, 'reflective autobiography' has an important part to play.
The spellbinding New York Times–bestselling sequel to Love’s Tender Fury follows Marietta Danver as she is captured by pirates in the Caribbean and caught once again between the desires of three very different, passionate men After surviving harrowing twists of fate, Marietta Danver has finally overcome her hardscrabble past. Soon she will be the wife of Lord Derek Hawke, the English aristocrat who fought for his legacy and is about to reclaim his beloved ancestral estate. But in New Orleans, Marietta meets rakish, indigo-eyed Jeremy Bond, who both attracts and intrigues her. Then, on the eve of her voyage back to England, Marietta once more becomes the prisoner of a cruel and capricious destiny. A shocking act of violence shatters her romantic dreams. A prisoner on the high seas, she’s now at the mercy of the seductive and ruthless pirate Red Nick. It is here, on an island far from civilization, where she will again meet Jeremy Bond—a man who will risk his life over and over for the woman he loves. The Marietta Danver Trilogy also includes Love’s Tender Fury and When Love Commands.
