Seán ӠRiada

Seán ӠRiada

Author: Tomás Ó Cannain

Publisher: Gill & Macmillan Ltd

Published: 2003-04-03

Total Pages: 278

ISBN-13: 1848898630

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Imagine no Chieftains, no Planxty or Bothy Band, no Moving Hearts or Riverdance! This biography of Seán Ó Riada, who spearheaded the revival of Irish traditional music and moved it onto the international stage, shows it might not have happened without him. One of the few significant artists to remain in Ireland after the Second World War, he became an influential and intriguing character – composer, musician, raconteur, film-maker and academic. In this wide-ranging account of his life, his friend and colleague looks behind the mask to reveal the complex personality of a unique individual and paint a vivid picture of an ambivalent talent. In his short life, Ó Riada encountered a host of personalities and suffered personal, professional and financial crises. The result is a fund of anecdotes, many almost surreal. The book concludes with the highly amusing Charles Acton correspondence and the great critic's obituary for Ó Riada. * Also available: An Poc Ar Buile by Seán Ó Sé


The Masses of Seán and Peadar Ó Riada

The Masses of Seán and Peadar Ó Riada

Author: John O'Keeffe

Publisher:

Published: 2017

Total Pages: 297

ISBN-13: 9781782052357

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It presents an investigation into the liturgical music of Sean and Peadar O Riada through an examination of three Roman-Rite mass settings composed in the Irish vernacular from within the cultural context of the West-Cork Gaeltacht of Muscrai. The main part of the work, running from Chapters Three to Six, consists of a detailed analysis of the contents of the mass settings, a body of material which is considered from the following perspectives: as emanating from a living culture of native traditional song; as part of a historical continuum of monophonic liturgical composition for the Roman Rite, having at its origins the compositional traditions of plainchant; as part of a broader aesthetic context of text-music relationships found in the repertoires of plainchant, medieval song and folksong; and finally, as part of the new liturgical reality existing since the Second Vatican Council which requires viable and sustainable musical approaches to the setting of vernacular texts.


Field Work

Field Work

Author: Seamus Heaney

Publisher: Farrar, Straus and Giroux

Published: 2014-01-13

Total Pages: 73

ISBN-13: 146685569X

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Field Work is the record of four years during which Seamus Heaney left the violence of Belfast to settle in a country cottage with his family in Glanmore, County Wicklow. Heeding "an early warning system to get back inside my own head," Heaney wrote poems with a new strength and maturity, moving from the political concerns of his landmark volume North to a more personal, contemplative approach to the world and to his own writing. In Field Work he "brings a meditative music to bear upon fundamental themes of person and place, the mutuality of ourselves and the world" (Denis Donoghue, The New York Times Book Review).


The Keeper's Recital

The Keeper's Recital

Author: Harry White

Publisher: Critical Conditions

Published: 1998

Total Pages: 248

ISBN-13:

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Opening up a topic long closed to debate, this is the first study ever to survey the developments of musical thought in modern Irish cultural history. Its purpose is to register the function of music as a dynamic agent in the history of Irish ideas in the period 1770-1970 by means of three prevailing themes: the integrity of sectarian culture, the political expression of cultural independence, and the symbolic force of Celticism. The Keeper's Recital aims to identify and distinguish between the symbolic power of Irish music and its failure to generate a durable aesthetic comparable to that which infused the Literary Revival.


Yeats

Yeats

Author: Richard J. Finneran

Publisher: University of Michigan Press

Published: 1998

Total Pages: 276

ISBN-13: 9780472109371

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A new volume in the distinguished annual that presents the latest and best Yeats criticism


Rock and Popular Music in Ireland Before and After U2

Rock and Popular Music in Ireland Before and After U2

Author: Noel McLaughlin

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9780716530763

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This volume explores Irish rock's relationship to the wider world of international popular music through detailed analysis of the island's most prominent artists and bands such as U2, Van Morrison, Sinéad O'Connor, The Boomtown Rats, and Horslips - and key musical movements including the beat scene and the folk revival.


The Companion to Irish Traditional Music

The Companion to Irish Traditional Music

Author: Fintan Vallely

Publisher: NYU Press

Published: 1999-09

Total Pages: 506

ISBN-13: 9780814788028

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"The Companion to Irish Traditional Music is not just the ideal reference for the interested enthusiast and session player, it also provides a unique resource for every library, school and home with an interest in the distinctive rituals, qualities and history of Irish traditional music and song."--BOOK JACKET.


Sources of Irish Traditional Music c. 1600-1855

Sources of Irish Traditional Music c. 1600-1855

Author: Aloys Fleischman

Publisher: Routledge

Published: 2016-12-05

Total Pages: 710

ISBN-13: 1135810257

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First Published in 1998. Irish traditional music is one of the richest treasuries of folk music in the world. Being an oral tradition, much of it has already been lost, and what has been recorded is only partially available in isolated collections. Until now, no composite picture has yet been presented, showing its remarkable range and diversity over four centuries. This volume covers Irish materials in general collections up to 1800 and in Irish collections up to and including Petrie's Ancient Music of Ireland (1855).The purposes of the project are to identify Irish dance tunes and songs; to present the scholar with a mass of material showing the evolution of the Irish vocal and instrumental folk style, period by period, from the earliest recorded tune up to the middle of the last century; to put into circulation many of the splendid airs which were lost but have now been located. Some 6,000 songs and dance tunes are presented, also including Scottish and English tunes. Included are Scottish tunes that were used by 18th-century Irish poets for their verses, and both English and Scottish tunes that are still current among Irish traditional musicians. Tunes of present-day currency which do not seem to be included may still be located by comparing their first 12 notes in the thematic index at the end of the volume.To make the vast array of material readily available, an index allows readers to locate a tune by its melodic incipit, by any of its titles, or by the first line of its text. Unfortunately, the vast majority of Irish songs noted up to the end of the last century lack texts, since the collectors were ignorant of the Irish language. But almost every other facet is covered-provenance, tonality structure, and variants.


The Mediterranean in Music

The Mediterranean in Music

Author: David Cooper

Publisher: Scarecrow Press

Published: 2005

Total Pages: 270

ISBN-13: 9780810854079

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Politically and historically, the Mediterranean has been a space for critical dialogue for competing and often antagonistic voices, and still functions as meeting place for diverse and interdisciplinary approaches. Although other academic disciplines have attempted a unified approach to Mediterranean studies, until recently Mediterranean music as a singular concept has received relatively little scholarly development. This volume is a crucial first step and investigates several musical cultures that have traditionally demonstrated common threads, trends, and interactions. The music of Greece, Crete, Turkey, Albania, Corsica, Italy, Spain, Morocco, Algeria and Palestine are all considered in this volume as the scholars represented here reveal the musical commonality among otherwise divergent traditions. Unnecessary technical jargon is avoided, and an interdisciplinary approach embracing ethnology and material culture considerations makes this volume relevant not only to musicologists and anthropologists, but likewise to the general reader interested in tourism.